Review of Ice Fall By Stephanie Gunn Written by Daniel Stubbings

About the Book

The Mountain on the planet of Icefall holds the mystery to a lost colony and an irresistible, fatal allure to the climbers of the universe. Maggie is determined to be the first to make the summit. Aisha, injured in a climbing incident herself, has always supported her wife, trusting Maggie would return from her adventures. But no one ever returns from the Mountain.

Review

This fast paced novella has everything a sci-fi fan could wish for. Creepy AI’s, space-travel, futuristic technologies, lost colonies, unconquered mountains and planets you cant help but want to explore.

The story is told from the viewpoint of spacecraft pilot and injured climber Aisha. A character that as the plot thickens, we discover has many secrets that as we dig deeper begin to expose some unpleasant truths about her past and future. One of them being her ongoing fight to support her wife’s ambitions of been the first climber to summit the mountain on Ice Fall. As she continues to struggle with the ongoing pain surrounding her mysterious headaches, and secrets coming from all sides we as a reader begin to wonder about what truly lurks beneath the surface of these two main characters. At times it made my skin crawl as I became more and more submersed in this vivid world of Stephanie’s creation. Hoping with every turn of the page to uncover what the mountain held.

One of the joys of Stephanie’s writing is that it makes you feel unsure and disturbed. She just has that amazing quality which every writer I like to read has, where you think she leading you down one path but then totally flips it on it’s head and makes you go what the hell. I loved it. These characters and world grab you from the moment you open the cover, and dont let go whisking away on an adventure that will make you question everything you think makes you human. When the story begins we are told that the planet us humans call earth has long been destroyed. Erased from the universe by wars, greed, and feminism meaning humans have had to colonise, and develop technologies that help them to thrive in a new environment known as Icefall.

An ice colony in the far reaches of space with a mountain nobody has conquered. Many have tried as the climb isn’t difficult, but for some reason nobody ever seems to return. Some trip never to rise, some fall asleep never to wake, and others step off the edge without so much as a scream. Making you wonder the entire time what dark secrets does it hold.

The level of detail Stephanie goes into when describing the climbs on this fictional world is astonishing. From the equipment they use to how their breathing changes as they rise is done with breathtaking accuracy. Throughout these passages I felt as though I was Maggie and I was there to conquer this beast that lay before me this allowed me to fully submerge myself into this imaginative world, and become the character which is something I always look for. I couldn’t wait to read on. For a novella it is jam packed with ideas. However at no point did I feel short changed with every thread concluding with an unseen twist or ending I enjoyed.

My only criticism would be that sometimes you lost who was speaking in some of the dialogue. Therefore causing a drop in some of the tension that had be created. However this was a small thing in what otherwise was a well polished novella, with a unique idea and plot.  It gets 4 stars from me a highly enjoyable read. I will be recommending it to other sci-fi fans.

sg

About Stephanie Gunn

Stephanie Gunn is an Aurealis and Ditmar award nominated author of speculative fiction. In another life she was a research scientist. Now she spends her time writing, reviewing and reading. And buying far too many books. She lives in Perth with her family.

 

I received a copy from the publisher in exchange for an honest review. This doesn’t affect my views.

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Extract from The Thought Book 2 By Jay Mullings As part of Blog Tour uploaded By Dan Stubbings

Extract

The Truth About Being A Black British Screenwriter

Getting The Respect You Deserve As A Black British Screenwriter, A Die Hard Mission Impossible… – JM

DID HE JUST SAY THAT?

Yes, I said it! Someone had to! It’s hard being a Black British Screenwriter. In Britain it isn’t Black History Month. Over here, there is still very far to go before you will see the types of stories I grew up starved for. My daily diet is composed of a lot of TV, Film and Books. Don’t think for a single second this is coming from nowhere. I’ve studied my craft and I continuously practice it well. Having travelled far and wide to seek the wisdom of my peers, trusted the opinions of others and even entered festivals in lands I’ve never travelled to!

These are not the ramblings of someone who has given up; rather they are the words of someone who is getting even more fired up! Have you never gotten fired up before delivering your best stuff? – JM

WHERE IS THIS COMING FROM?

What is fuelling this fire? The stupid myth this country is clinging desperately to. Yes, I’m talking about the vaunted gatekeepers. You might like to think of yourselves as upholding standards but you’re really so far beneath it.

Everyone has a reason not to give you a chance as a writer, no one is immune to rejection. This is known to all who have tried to gain representation or pitch an idea etc. Now add being black and male on top. There is a fetish for BAME female writers and it seems the black man is collateral damage. Now am I happy to see BAME people of any kind secure the bag? Of course! Should that diminish the demand for my stories and perspective? No! Balance is the goal after all right?

MOVING GOALPOSTS FOR BLACK BRITISH SCREENWRITERS…

You’ve won awards? That’s nice, but have you won this particular one? Yeah I mean exactly the one that traditionally has never been awarded to your types (unique black) of story.

You know, ones where the black people in them do things over than get whipped for period specific reference, get called uncivilised or savages, sell work out of an estate or hurt people as a hobby.

USEFUL FEEDBACK?

Badly disguised coded language to the highest degree, with people passing on the world’s most patronising advice as if you’re far too stupid to notice. We can’t market your story about black people who came here in the heights of racist Britain via boat and the foundation they set up for future generations. Yes, because all we seem to do here is make

period pieces where black people are treated like fodder until somebody (white) saves them or they die in service.

CONCEPTUAL MISUNDERSTANDING?

Maybe it’s because in this particular story they speak patios amongst themselves in parts. They have only one child, they hustle to survive. The youngster skips school to contribute, working with his hands to come up. He gets married, sends his only child to boarding school, to give him the best possible chance at elevating his lineage to more legitimate endeavours. I could go on but you get the point. 3 generations in one story. Rich world building and character depth.

IF IT WERE…

On the other hand, if this family were to be based in America and let’s say Italian in descent. These same gatekeepers would welcome it with open arms. Rhetoric like, “It’s so authentic, they even speak Italian amongst each other” etc. There is a reason people (not me) have dubbed Tree House the mini/baby (TV) Godfather worldwide. It resonates as a story that needs to be told. Is it an exact replica? No! However, it is a point of reference much like Tolkien was for Martin. Did that make Songs of Ice and Fire any less of a celebrated masterpiece? Open your minds and stop being so rigid. Move past period pieces and romanticising about a lack of social progress.

BRITISH TV/FILM HAS NO MARKET FOR STORIES FROM BLACK BRITISH SCREENWRITERS?

I’m tired of the made up excuses about what can and can’t work, while comparing it to other things from across the Atlantic. British TV is dire because there is no representation. There is no medium between period drama whitewashing and estate life. If there is, it’s an exercise in tokenism and not something with any staying power. It is never used as a launching pad for other unique stories. There is a reason people are seeking these American shows with pluralism. Firstly they are interesting and secondly they at least attempt to address the imbalance.

BLACK BRITISH SCREENWRITERS ARE HERE ON THE BACK OF SKILL/WILL…

Careers have been launched (America), resurrected and there is progression in sight. New voices have been nurtured and they make sure the world knows who they are. Over here? It’s as if you have to wait for someone to die for an opening. Even the people with credits get put on ice and abandoned to melancholy for years. Acting isn’t the only creative endeavour in Film/TV! Stop making it about the success of one person while ignoring so many others of equal or even superior talent. It’s not a turnstile, this one in one out thing has to stop!

LITERARY AGENCIES I AM TALKING TO YOU…

Agencies! Do you even have BAME people reading your submissions? Not that you should be blind to good storytelling in the first place, but why is it you don’t seem to believe unique stories from BAME communities are very ‘now’? Was there a memo stating that being a screenwriter was off limits to black men in particular that I didn’t receive?

BEING A BLACK BRITISH SCREENWRITER BEFORE THE REVOLUTION

I wrote Feminunity 3 years before #METOO and the ‘all black’ solidarity for #TIMESUP. This story has strong female characters (7 lead roles) and covers situations not dissimilar to some of the chilling stories victims have bravely shared. Why shouldn’t this see the light of day? Shouldn’t it be made? Is this not relevant and now? Can’t an R rated film showing something other than slavery/war/Nazi Germany be backed here? Do I have to go to America before England says, “Hey big head?”

FINALLY

I know everybody has heard about the success of The Black Panther movie #WakandaForever. However, there is more to it than just good marketing, casting and the draw of comic books. People are starved for movies which serve up more than the same ole same old. Representation definitely matters! So where is that same energy in the UK? Where are these new Black British voices? I’m just asking for a friend…

 

jm

ABOUT ME

Award winning screenwriter, poet and recently nominated blogger. I believe in Truthful, Fearless, Creativity. Writing is a gift I don’t take for granted! Life is finite, so I’m here now and I’d like to make an impact. As a person I am positive, engaging, laidback, jovial but also capable of intense focus. I’ve known for years what I wanted to do and I’ve set about it with passion and originality. As you can imagine, being artificially held back is not something I could’ve predicted. The frustration I feel is a byproduct.

Extract from The Thought Book 2 by Jay Mullings. Jay is an award-winning screenwriter, and his books The Thought Book & The Thought Book 2 are out now, available from writtenmirror.com. Follow Jay on twitter and Instagram @WrittenMirror.

Thanks to The Book Publicist for inviting me to be part of this tour.