Welcome to The Shadow Booth, the international journal of weird and eerie fiction.
Volume 3 is published as an ebook and a 200-page mass-market paperback.
Volume 3 contains stories by: Nick Adams, Judy Birkbeck, Raquel Castro, Armel Dagorn, Jill Hand, Richard V. Hirst, Verity Holloway, Tim Major, Annie Neugebauer, Robert Shearman, Gregory J. Wolos.
Tales from The Shadow Booth is a collection of short stories that I can’t wait to read every year. Volume 3 was no exception. Two hundred plus pages of eerie mind -bending tales that have a way of seeping underneath your skin, forcing you to consider every twist and fright long after you have turned the final page. As it says on the cover enter the Shadow Booth and you will never be the same again. I personally don’t think there could be a more accurate statement about how each volume changes you as a reader and a writer.
Dan Coxon has done an incredible job with the editing compiling a delicious blend of stories that leap off the page. They are so vivid that you feel as though you are watching a collection of movies, with each new tale adding something extra to the mix. What I enjoyed most about this dark tome was that it stayed true to the previous volumes yet at the same time added a new branch to the tree of horror and supernatural. Venturing into landscapes that explore a wide range of cultures and shed light on stories that include love, lost, violence, and the entire spectrum of humanity.
As with all collections there were stories that I enjoyed more than others. However, what I will say is that this volume makes you take your time as you sample each offering delivering a buffet of visionary delights that rival the best in the genre.
Some of my favourite stories from the volume were:
The Cherry Cactus of Corsica by Verity Holloway–
It’s a story I have reread numerous times. It’s a story of concern, experiments, and blood. It hooked me from the first paragraph. It centres around a young teacher who notices some odd behaviour being exhibited by a troubled pupil. As he digs deeper and tries to understand what could be causing it, we are drawn into a world of poisonous plants, strange professors, and beings that genuinely send a shiver down your spine. Verity has been able to create a story that taps deep into readers fears. Tales that used to keep you awake as a child. Yet present the reader with a different idea on some of the oldest beings in the arena that is horror.
I adored how she delicately pulled back the veil between our world and theirs. Making you hold your breath as every character trait and flaw was exposed in a frenzy of delicious prose that made me yearn for more. I didn’t want the story to end. I think she could early turn it into a full novel. If you read one story from this collection read this one, it will change how you view the world.
I Have a Secret by Raquel Castro–
This is a hauntingly beautiful story of a boy’s changing relationship with his sick mother and neglectful father. That develops into a compelling yet worrying picture of how all family dynamics change over time. Enabling this narrative to be told from the child’s perspective adds a greater sense of vulnerability and naivety. That adheres to the theme of the volume of showing how we as humans are sometimes not aware of the damaging impact our actions have upon young minds. The supernatural element which runs parallel to the main thread within the story, only heightens the interest as you struggle to protect this child from what is about to happen next.
The School Project by Richard V Hirst-
This story gives you as a reader what you look for when you enter the supernatural and weird genre. What I mean when I say that is it makes the ordinary day to day things take on a sinister twist. The story opens with the author setting the scene an isolated school in a village that has a murky past is about to undergo an inspection from an outsider. What appears to be your ordinary secondary school soon turns into something much darker. The story reminded me of a mashup between the Manchurian Candidate and Van Helsing. The dark undertones ripple out well beyond the narrative and make you question the origins of your own school days.
Cousin Grace by Jill Hand-
This piece of horror sinks it teeth into you as soon as you run your fingers across the first sentence, causing a sensory explosion within your mind. What appears at first to be unsolved family trauma takes on many faces, forcing the reader to doubt every word that is being fed to them. It is an expert example of how to write an unreliable narrator and opens the collection beautifully.
This volume builds on the legacy of the previous two issues. Pushing the boundaries on what the horror and supernatural community thinks belongs in their field and tastes. It receives four stars and I encourage any readers and writers of creepy disturbing stories to pick it up.
I received a copy from the publisher in exchange for an honest review. This doesn’t affect my views.