Review of Chasing Graves(Chasing Graves Trilogy Book 1) By Ben Galley Written Dan Stubbings As Part of the Ben Galley Ultimate Blog Tour

Honoured to be part of the Ben Galley Ultimate Blog Tour. Thanks to Dave for inviting me.

Book Synopsis

Meet Caltro Basalt. He’s a master locksmith, a selfish bastard, and as of his first night in Araxes, stone cold dead.

They call it the City of Countless Souls, the colossal jewel of the Arctian Empire, and all it takes to be its ruler is to own more ghosts than any other. For in Araxes, the dead do not rest in peace in the afterlife, but live on as slaves for the rich.

While Caltro struggles to survive, those around him strive for the emperor’s throne in Araxes’ cutthroat game of power. The dead gods whisper from corpses, a soulstealer seeks to make a name for himself with the help of an ancient cult, a princess plots to purge the emperor from his armoured Sanctuary, and a murderer drags a body across the desert, intent on reaching Araxes no matter the cost.

Only one thing is certain in Araxes: death is just the beginning.

My Review

Chasing Graves is the first book I have read by Ben. I pleased to report that it won’t be the last. Ben has created a unique world in Chasing Graves going beyond the realms of what I have encountered in the world of fantasy before. The setting of Chasing Graves is what grabbed my attention initially. Araxes. A sprawling city of dark corners, broken laws, and loose morals. Where you don’t know if every step you take is going to be your last.

Ben describes Araxes in all its glory from its ghostly streets to the ruling classes of the nobles that hold this ancient city in an iron grip. Ben taps into all the senses enabling the reader to create a detailed image in their mind of the history and myths that surround Araxes. This was what I enjoyed the most about the book. The reason being is because even though this is a city of magic, cutthroats, ambitious nobles, and politics that you will find in most epic fantasies. Ben uses these well-worn tropes and turns them on their head creating an interesting currency that shows a person’s status within the world he has created. Instead of it being gems, money, and land. It is copper coins and shades which are souls bound to the world after death as a final gift from the gods.

This was a great twist on the Greek myths of the ferryman and the River Nyx. Asking the question of the reader how important is your soul? These sections are written so well from the viewpoint of Caltro Basalt a thief and good for nothing cheat. After he becomes a shade himself when he is murdered on his first night in Araxes by a gang of soulstealers lead by the ruthless Boran Temsa. Caltro is the only viewpoint that is written in first person throughout a book that has several viewpoints. I loved this as it allowed me to explore Caltro’s mind as struggles to understand the reasons behind who he is, how he goes about seeking revenge, and fights for his freedom from his enforced enslavement. We hear all his frustrations, and root for him to succeed as life continues to throw obstacles in his way giving us a unique look into how precious the soul is and how even after death we suffer pain.

The other viewpoints Ben includes in this engrossing epic fantasy is the ruthless Soulstealer Boran Temsa. He was favourite character. I loved the description of him. Straight away I could feel his relentless anger, smell his poisoned sense of the world and taste his hunger to improve his social standing. He drew me in making me want to know more about the criminal underbelly in which he lives and thrives to dominate. He is played off against another wonderfully executed viewpoint the empress in waiting Sisine. She is one determined woman, who will stop at nothing to come out on top in the game of deception that is being woven at the heart of Araxes. Both viewpoints enable the reader to explore all sides of the divide that exists within both characters circles of interest and when they finally meet it is explosive.

The final viewpoint Ben gives us is Nilith. A character that is used to take us away from the intoxicating streets of Araxes. Allowing us to explore other parts of the world in which the narrative is set. I adored the hilarious conversations between Nilith and her dead husband shade that helps bring a much-needed humour to what is otherwise a grim tale. This viewpoint is executed to great effect making you follow the clues to discover what secret Nilith is truly hiding. There was at times a predictability to Nilith’s arc. Yet this didn’t affect my enjoyment or disappoint me when the reveal occurred.

Ben has been able to give some well-worn tropes a new lease of life and at the same time add his own unique stamp to the ever-growing landscape of epic fantasy. This character driven narrative does exactly what it says on the tin. It is perfectly balanced between fast paced action and well fleshed out characters that keep you coming back for more. A highly recommended dark fantasy. Well done Ben. You receive four stars.

I received a free copy in exchange for an honest review and to take part in the blog tour. This doesn’t affect my views.

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Review of God of Broken Things ( The Age Of Tyranny Book 2) by Cameron Johnston Written by Dan Stubbings

Book Synopsis

An outcast magician must risk his body and mind to save the world from horrifying demons, in the heart-pounding epic fantasy sequel to The Traitor God.

Tyrant magus Edrin Walker destroyed the monster sent by the Skallgrim, but not before it laid waste to Setharis, and infested their magical elite with mind-controlling parasites. Edrin’s own Gift to seize the minds of others was cracked by the strain of battle, and he barely survives the interrogation of a captured magus. There’s no time for recovery though: a Skallgrim army is marching on the mountain passes of the Clanhold. Edrin and a coterie of villains race to stop them, but the mountains are filled with gods, daemons, magic, and his hideous past. Walker must stop at nothing to win, even if that means losing his mind. Or worse…

My Review

After finishing the explosive Traitor God. I was eager to discover how Johnston would continue the journey of the mysterious and at times mildly irritating Edrin Walker. Reeling from the truths he discovered about the Arcanum who rule Setharis and the deaths of two of his best friends in Traitor God.

We find Walker in turmoil hell bent on uncovering how many mages have been infected by the evil Scarrabus that caused the betrayal of a once trusted ally and the murder of his best friend. As the story develops Johnston peels back the layers of these soul sucking parasites giving us an in depth look into how powerful they are and the lengths they will go to accomplish their sadistic mission. I was pleased that this aspect of the narrative further developed. As I had several questions regarding the complexity of the Scarrabus. Where they originated, who is behind their involvement in the downfall of Setharis, and could they really be stopped.

Johnston provides this information in graphic detail making for a story that has you racing to keep up. What I enjoyed most about how Johnston revealed the information to the reader was that at no point did I feel as though I was been drawn in an info dump. The reveals were seamless, moving the plot forward at a neck breaking pace adding gruesome details to the already horrific image of the Scarrabus in my mind. The Scarrabus are a relentless manifestation of pure darkness in the world of Setharis and will have you reading through your fingers.

However, they are only half of the story that Edrin Walker finds himself at the centre of. Even though he pretty much saved Setharis by nearly getting himself killed. He still isn’t trusted by most of the Arcanum. Half want him dead and the others treat him as if he is a cobra waiting to strike. Plus, things are about to get worse when he is sent on a mission to help stop the invading army of Skallgrim with a bunch of mercenaries that would sooner put a knife in his back. First though he must navigate a region of snow-covered mountain passes that house some of the vilest creatures imaginable. Some Edrin though were long buried.

This is a highlight of the world that Johnston has constructed. His mythology is so vivid, and complex that as you keep reading you find yourself in a weird space between fearing these gruesome beings that are hunting our crew of misfits, and at the same time wanting to know more about them to discover the thought process behind this deep ingrained mythology. This is what I enjoyed most about Johnston’s writing. He enabled the reader to go beyond the ruined city of Setharis, which is described in such vivid detail in Traitor God, that you feel as though you would be able to walk through as if it were New York or Leeds. Sampling the sounds, tastes, and smells of this city steeped in magic and mystery.

That had its place in the narrative making for a fabulous murder mystery and revenge backstory that helped set up what is to come making you want to read book 2. However, what makes God of Broken Things better than Traitor God in my opinion is it moves at a faster pace tapping into the mythology and people’s fears in ways that doesn’t stall the plot. At times in Traitor God I found myself saying do we really need to know this. Drawing my attention away from what I was enjoying about the plot. I must stress this is only personal preference Traitor God was still one of my books of 2018.

God of Broken Things got rid of those problems, creating a vicious beast that made it feel as though a Ford Fiesta had been replaced by a Ferrari. Opening our eyes to a range of interesting sections of Edrin’s world that Johnston had only given us glimpses of in Traitor God. As Edrin moves forward within these places we begin to see a clash of cultures relating to how people hold suspicions and legends to their hearts. This causes several problems for Edrin as he grapples with his control over his own magic and how far he can take it before losing himself.

God of Broken Things is a fantastic end to what has been a spellbinding series of engrossing magic systems, vile creatures that still haunt my nightmares, and side characters such as Eva and Cillian that only help to enhance your enjoyment of this brilliantly written narrative. This is Grimdark with a delicious twist and I hope more people sample this dish. It receives 4 stars.

I received a review copy from the publisher in exchange for an honest review. This doesn’t affect my views.

 

Interview with Aurealis, Ditmar and Norma K Hemming Award Winning Author Sam Hawke Conducted by Dan Stubbings

In my ongoing quest to make more people read female authors and give them the spotlight they deserve. I am delighted to welcome Sam Hawke writer of the multi award winning City Of Lies for a insightful interview into her work.

DS: Sam thankyou for agreeing to do this interview. Its pleasure to have you on my blog today.

SH: Thankyou for having me. Its great to be here.

DS: So to start us off. For readers who aren’t familiar with you as a writer would you mind telling us a little about yourself and how you first got into writing?

SH:  When I took friends home for the first time as a kid, the first reaction they always had was to gape at the books. Our lounge room had ten foot floor to ceiling bookshelves on the walls, and though this was completely normal to me, it was obvious that we had more books than any of our friends had ever seen in a house before. Which is to say, I grew up in a house completely stuffed with books, with parents who always read to us and took us to the library regularly, and siblings who were big readers; books were always such a critical part of my life that the second I figured out writing them was a thing you could do, it was the thing I wanted to do.

How seriously I took the idea that I would one day be published varied over the years. I was still in primary school when I made my first effort to write a terribly derivative Enid Blyton-esque adventure novel (an upgrade from the previous attempts at stapling lots of paper together and writing Very Exciting chapter names on each one, and not much else), and in high school when I started on my first (bad) epic fantasy. I did a lot of editing for other people during my 20s and then started writing again in earnest when I was home looking after my first kid, because by then I’d figured if I didn’t do it then I never would.

DS: Wow sounds like a fantastic upbringing! Numerous poisons feature heavily within City of Lies. How much research did you do on poisons? Why did you decide to make them so important in your story?

SH: The first idea I had for City of Lies was tied very closely to poisons; Jov and Kalina came to me, more or less as they ended up, inexorably connected to their family’s job. Poisons were part and parcel of the characters, and it was a secondary step to start building a world around them that would make sense of who they were – what kind of society would have the need for a role like that? Why were poisons, rather than any other kind of violence, the attack of choice for powerful people?

I did do a lot of research on poisons, especially naturally occurring ones and poisons that were popular historically (I even had a good wander through a few poison gardens in Europe, which was a lot of fun!), but only as an influence rather than an instructional manual. I used fictional poisons rather than real ones for a couple of reasons. First, since I was writing a relatively low-magic fantasy, I wanted an opportunity to make the world feel different, and flora and fauna are a good non-supernatural way of establishing that feeling of a world not our own. Second, I wanted my readers to be in the same position as the protagonists, so if Jov didn’t know what a poison was, I didn’t want readers to be able to think, ‘oh that’s obviously arsenic’, or whatever, and solve things for him. But having said that, a lot of my fictional poisons are based loosely on real ones to help me along! I left a few clues in the names so keen eyed readers can probably spot some similarities.

DS: What do you think makes a perfect fantasy novel and why?

SH: Ha, there’s no right answer to that. What I might look for in a story might be entirely different from what you look for, or my neighbour looks for, or even a past version of myself looked for. For me it’s always about capturing that indefinable combination of characters and a world I want to spend time with, and a story that makes me feel things that linger past the closing of the book.

Well, that any anything Robin Hobb wrote.

DS: You write some unique viewpoints in City of Lies. Telling the story from the perspectives of individuals tasked with protecting their families. What challenges did these viewpoints present? What made them appeal to you?

SH: Fantasy is full of assassins and warriors and magicians and heroes, and I love these staples of our genre as much as anyone. But I’ve always been very interested in the characters working behind the scenes – the advisers and sidekicks and friends, the Sam Gamgees of the equation – and I also enjoy reading characters who play outside the usual gamut of professions and skillsets.

In particular, having two main characters who lack combat skills was something I wanted to explore because even though I love me a bit of cool fighting, I do think there’s a cultural over-reliance on violence as a solution in fiction. In fantasy so many problems are solved through violent conflicts. If your main characters’ best skills are ‘taking reeeeeally good tasting notes’ and ‘listening quietly’ then you can’t write the same story as if they were bad-ass ninjas. It forces you to think about different ways of telling a story.

DS: Awesome I love that answer. What kind of writer would you say you are and why?

SH: Oh, a disorganised and often reluctant one, I suppose. I love the feeling of having done the work, and I love the buzz of an idea coming together in my head (or, as often happens, solving a puzzle I left myself earlier, because Past Sam is something of a jerk) but how I feel about the actual process of writing is frequently more like something out of “The Unstrung Harp” (Dreadful, dreadful, dreadful!).

DS: What topics would you like to write about in future and why?

SH: I never plan by topic, so I’m afraid I can’t tell you until I start.

DS: Which author would you compare your writing style to? Which authors have influenced your writing career?

SH: Ha, I can’t be objective about that – I sound like me to me. You guys will have to make your own calls about who I’m like in style. In terms of influence, I’m sure I’ve taken it subconsciously from all over the place! In terms of what I wish I could do, as I said before, Robin Hobb’s books are everything to me, just… perfection. Everything you need to know about character and consequences, you can get from reading her work. When I was knuckling down and imagining an actual career in this field I also found the array of wonderful SFF writers from the 90s and 00s – people like Katharine Kerr, Kate Elliott, Melanie Rawn, Guy Gavriel Kay, Lynn Flewelling – and particularly the strong crowd coming out of Australia like Sara Douglass, Trudi Canavan, Glenda Larke, Garth Nix and Kate Forsyth, hugely influential. Strangely enough, considering I only ever wanted to write SFF, I also learned a lot about pacing, tension and unreliable narration from reading old Alastair McLean spy novels in my teens!

DS: City of Lies is book one of a planned trilogy is that correct? If so, what can we except in the next two books, and when are they scheduled for release?

SH: It will be a duology, and the sequel, Hollow Empire, is currently scheduled to come out in December 2020, if everything goes well. Knock on some wood for me, would you?

This interview was carried out over email. Thanks again to Sam for agreeing to take part. Thankyou forgiving me such thought-provoking answers.

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Review of The Unauthorised Biography Of Ezra Maas by Daniel James Written by Dan Stubbings

Book Synopsis 

Ezra Maas is dead. The famously reclusive artist vanished without a trace seven years ago while working on his final masterpiece, but his body was never found. While the Maas Foundation prepares to announce his death, journalist Daniel James finds himself hired to write the untold story of the artist’s life. But this is no ordinary book. The deeper James delves into the myth, the more he is drawn into a nightmarish world of fractured identities and sinister doubles, where art and reality have become dangerously blurred…

Review

I will be honest when I was first asked by Dan James to review his book. The Unauthorised Biography of Ezra Maas. I was unsure whether it would keep my attention. It wasn’t what I usually like to read. However, as they say don’t judge a book by its cover. So, I agreed, I am so pleased I did as it has become my book of the year so far for 2019.

From the first page I was swept into a world of red-herrings, encrypted clues, and a life that breathed as soon as you read the first sentence. What I loved most was how Dan was able to blur the lines between reality and fiction. Immersing the reader into a world of mystery and biography writing that the great Hunter S Thompson would of been proud of. It is gonzo journalism at its finest. As the pages ran away from me. I found myself constantly questioning whether I was reading about a real person. Did Ezra Maas totally exist? If so, why hasn’t his disappearance made national headlines? Why hasn’t his family been shouting from the rooftops? What do they really have to hide? These were only a sample of the questions that formed in my mind as I devoured this book in two sittings.

Dan’s voice for a debut novel is charming making you trust him, even though there’s a nagging voice in the back of your head screaming don’t he’s lying. This is a major strength of his writing, and enables him to abuse your trust leading you down paths of drama, intrigue, and double bluffs that makes for an enjoyable thrill ride. Asking you to piece together the numerous clues he presents, and decipher the deeply layered story of the mysterious Ezra Maas. From the premature death of his brother which has a profound affect upon him, to Ezra been compared to geniuses such as Einstein and Mozart. Dan shows us both sides of Ezra. This allows Dan to have your undivided attention from the off as he takes you on a whistle stop tour of Europe and beyond. Making you sprint along the banks of the Seine in Paris to escape an unseen danger to Newcastle’s northern charm. He bares it all without reducing the quality of the plot.

This book bleeds uniqueness. I adored how it was written using many different methods to entice the reader from interview transcripts, diary entries, and James’s own personal notebook where he gives you previously unseen information on the enigma that is Ezra Maas. Including unseen photos and his last known location. These clues only help to feed your excitement further. As you get closer to your goal you begin to wonder could Ezra be an alternative personality for James. A persona he uses to escape from the struggles in his own life. This is what I mean by Dan blurring the lines of reality. Ezra feels real to me. I got lost in his world feeling as though I was talking to an old friend. It makes you wonder where does Ezra Maas end, and Dan James begin or vice versa.

This is a book that you could read countless times and it would still have you questioning your own sanity. I didn’t want it to end. Dan has captured the essence of what it truly means to be a gonzo writer exposing a character to the world that’s undeniably believable. Take a bow Mr James. You get 5 stars. I would give it more if I could. Simply incredible. Read it now it will blow your mind. Dan is the new Hunter S Thompson. I can’t wait to see what he produces next. A fresh new voice in the world of fiction.

I received a copy from the author in exchange for an honest review. This doesn’t affect my views.

 

 

Review of A Wasteland of My God’s Own Making By Bradley P Beaulieu Written by Dan Stubbings

Book Synopsis

Djaga Akoyo left the grasslands of her homeland long ago and rose to prominence in Sharakhai’s fighting pits as the famed Lion of Kundhun. What Djaga revealed to no one, however, is the terrible secret that drove her to leave Kundhun in the first place. That secret is brought back to the fore when her sister tribeswoman, Afua, comes to Sharakhai unannounced and threatens to reveal her shameful past, a thing that would upend the life Djaga has worked so hard to build for herself.

Djaga and Afua’s pasts are linked. Afua tells her that with one final bout in the killing pits, both their demons will be excised. But Djaga has more to worry about than Afua’s demons, or even her own. She has Nadín as well, a woman she hopes to share a life with once she’s left the pits for good. But how can she start a new life with Nadín when the terrible acts she committed in her homeland still haunt her?

Djaga must decide once and for all whether she’ll face them, but in doing so she may lose the one she loves.

My Review

After being engrossed by the imagery and vastness of the Song of Shattered Sands series. I couldn’t wait to digest the latest offering a novella focused entirely upon Ceda’s mysterious pit fighter trainer Djaga. A character I have been fascinated with since first reading Twelve Kings. The reason being is because Bradley only gives the reader limited information on who she is and why she is important to Ceda. Shrouding her in mystery and intrigue which you can’t help but want to explore. This novella helped answer some of my nagging questions about her background whilst at the same time create an interesting character development that I hope is explored in further stories.

What I enjoy most about this novella is that it plunges you straight into the action, opening up with Djaga seeing the love of her life Nadin seriously injured in a hospital bed that forces her to make a choice. This sets in motion a chain of events that spans decades. Exploring present day as well as flashbacks from her early childhood where we learn about her fractured relationship with her cousin Afua and discover that Djaga has her own dark secret.  We are given hints of this secret throughout that drives the story forward making you hungry to discover why she ended up never returning to the pits.

This novella has all the elements that make Bradley’s works a must read for any fantasy fan or aspiring fantasy writer. The action beats like a well- tuned guitar slick, clean, gut wrenching, and makes you feel as if you are the one fighting. Throwing every thrust, kick, and punch as you hope for survival.  I think one of the beauties of Bradley’s writing is that it makes you detach from your own world for a few hours. Taking  you into a sizzling sprawling desert that you can’t see an escape from but at the same time don’t want to leave.

This novella is an enthralling entry into the Song of Shattered Sands Universe. Giving us more information on the desert tribes and settlements away from Sharakhai. Which is a refreshing change from the City of Kings. I loved how we got to see a time before Ceda. Enabling me to explore characters that have helped shape Ceda but maintain a uniqueness that makes you as a reader get lost in their stories.  Bradley delivers a banquet of ideas in this glimpse of what I feel could be a much wider arc. Introducing new gods and mythology that I hope he will be able to drip feed into the six books. As I really enjoyed the cost associated with this secret, and what it could mean to Ceda in the long run. The threads in this universe are mind-blowing. If you haven’t read these books yet, please do. 5 out of 5 stars. Magnificent.

I received a copy of this novella from the author in exchange for an honest review. This doesn’t affect my views.

 

 

 

 

Review of In the Vanishers Palace by Aliette De Bodard Written by Dan Stubbings

Book Blurb:

In a ruined, devastated world, where the earth is poisoned and beings of nightmares roam the land… 

A woman, betrayed, terrified, sold into indenture to pay her village’s debts and struggling to survive in a spirit world.

A dragon, among the last of her kind, cold and aloof but desperately trying to make a difference.

When failed scholar Yên is sold to Vu Côn, one of the last dragons walking the earth, she expects to be tortured or killed for Vu Côn’s amusement.

But Vu Côn, it turns out, has a use for Yên: she needs a scholar to tutor her two unruly children. She takes Yên back to her home, a vast, vertiginous palace-prison where every door can lead to death. Vu Côn seems stern and unbending, but as the days pass Yên comes to see her kinder and caring side. She finds herself dangerously attracted to the dragon who is her master and jailer. In the end, Yên will have to decide where her own happiness lies—and whether it will survive the revelation of Vu Côn’s dark, unspeakable secrets…

Review

After discovering Aliette’s The Tea Master and the Detective this year I have been on a one man mission to read as much of her work as possible. So I was absolutely thrilled to receive a early review copy of her new novella In the Vanishers Palace. A dark retelling of Beauty and the Beast with an interesting twist the beast is a shape-shifting female dragon one of the last of its kind. I couldn’t wait to dive into this fast moving narrative.

When Yen is sold to one the last remaining dragons in her world Vu Con. She expects the worse, unexpectedly however she is tasked with tutoring Vu’s two unruly children, as time passes Yen finds herself developing feelings she never expected for Vu as more of Vu’s personality is revealed to her these feelings deepen. I adored how Aliette developed the relationship between Yen and Vu Con. Showing that even though Vu is a dragon she still struggles with secrets, and a longing to be accepted in her world. As the story unfolds Vu becomes almost human in our eyes making us wonder what truly is a monster? You cant help but begin to root for Yen’s and Vu’s relationship as you become engrossed in this charming tale these scenes come to life like a movie reel inside your head.  You can imagine every second of their interactions. My words simply cant do them justice. Please pick up the book, and appreciate them for yourself they are stunning bravo Aliette. 

The blending of Vietnamese myths within the narrative only further heightens the enjoyment as you read on with ravish. It may only be 145 pages in length but Aliette has been able to craft a wide spanning world that ensnares the senses, enabling her to expose both light and dark details of this dystopian world with a sensitivity that is quite simply astonishing. I loved the description of Vu Con’s lair as it grew within my mind every detail building on the last, becoming so vivid I felt as though I could almost reach out and touch it.  This book is a must read for writers wanting to learn how to write LGBT characters in a sensitive, and unpatronising way that gives real weight to the characters, and pushes the narrative forward. 

It receives 5 stars as Aliette’s writing continues to leave me wanting more. All I can say is buy it you won’t regret it.

I received a copy from the author for an honest review this doesn’t effect my views.

 

Review Of Guess Who by Chris McGeorge Written by Dan Stubbings

Book Synopsis

ONE ROOM. FIVE SUSPECTS.
THREE HOURS TO FIND A KILLER.

GUESS WHO

A waitress. A cleaner. An actress. A lawyer. A student. Everyone is a suspect.

WHERE

In a locked room – with no escape, and no idea how they got there.

WHAT

In the bathtub, the body of a man they all knew. Someone murdered him. Someone in this room.

WHY

They have three hours to find out. Or they all die.

THE RULES ARE SIMPLE. THE GAME IS NOT

Review

Let me start this review off by saying this book took me by surprise from the moment I opened it to the final paragraph. The book opens with a young pupil finding his teacher hanging from the ceiling in his classroom. This begins a chain of events that will have you up until the early hours, as you race ahead to find out how a suicide of a teacher links into the main plot. It is one of the most intriguing subplots I had the pleasure of reading in recent crime fiction, and didn’t see the conclusion coming at all simply brilliant.

A large proportion of the book is spent in one room told through the eyes of Morgan Sheppard. A big time TV show host who is famous for solving crimes. However when he wakes up tied to a bed with five strangers staring at him and a dead body in the bathtub his detective skills are truly put to the test. Unfortunately for the others in the room, Morgan is suffering a deep trauma and isn’t dealing with it in the best way using drink and drugs to help him get by. As the plot develops this begins to have a greater impact upon him making you wonder will he solve it in time or will they all perish.

One of my main worries when reading the book was how will Chris be able to maintain the tension when such a massive amount of the action occurs in one room.  I should never of worried because at no point does Chris lose tension. In fact he was able to increase it to such a level that I felt I was in the room with them. Speaking the dialogue becoming the detective.

The main reason why I felt this was because of how every character is described to the reader. Making us either love them, hate them, or be not quite sure about them. I found that Chris’s way in presenting these details to us was unique, and allowed me to become more engaged with an assembled cast of characters then I have in a longtime within modern crime fiction. Chris has made sure all the characters have well developed backstories, which keeps you intrigued throughout taking you through multiple emotions from hate, anger, love, and sadness. A character which stuck with me to the end was Headphones. A shy claustrophobic girl who hardly speaks but when she does you listen because you find yourself yearning to discover what her role is within this complex plot. I fell in love with her. I am sure you will to.

Something I wasn’t expecting were the chapters told from the viewpoint of the antagonist. These chapters were some of my favourites as it allows the reader to tear back layers of their personality, and discover what has driven the antagonist to commit this crime.  I hope Chris uses this kind of viewpoint again in his future works, as it is a rarity in crime and something I greatly enjoyed.

Highly recommended 5 stars. An outstanding debut. I can’t wait to see what Chris produces next.

Extract from The Thought Book 2 By Jay Mullings As part of Blog Tour uploaded By Dan Stubbings

Extract

The Truth About Being A Black British Screenwriter

Getting The Respect You Deserve As A Black British Screenwriter, A Die Hard Mission Impossible… – JM

DID HE JUST SAY THAT?

Yes, I said it! Someone had to! It’s hard being a Black British Screenwriter. In Britain it isn’t Black History Month. Over here, there is still very far to go before you will see the types of stories I grew up starved for. My daily diet is composed of a lot of TV, Film and Books. Don’t think for a single second this is coming from nowhere. I’ve studied my craft and I continuously practice it well. Having travelled far and wide to seek the wisdom of my peers, trusted the opinions of others and even entered festivals in lands I’ve never travelled to!

These are not the ramblings of someone who has given up; rather they are the words of someone who is getting even more fired up! Have you never gotten fired up before delivering your best stuff? – JM

WHERE IS THIS COMING FROM?

What is fuelling this fire? The stupid myth this country is clinging desperately to. Yes, I’m talking about the vaunted gatekeepers. You might like to think of yourselves as upholding standards but you’re really so far beneath it.

Everyone has a reason not to give you a chance as a writer, no one is immune to rejection. This is known to all who have tried to gain representation or pitch an idea etc. Now add being black and male on top. There is a fetish for BAME female writers and it seems the black man is collateral damage. Now am I happy to see BAME people of any kind secure the bag? Of course! Should that diminish the demand for my stories and perspective? No! Balance is the goal after all right?

MOVING GOALPOSTS FOR BLACK BRITISH SCREENWRITERS…

You’ve won awards? That’s nice, but have you won this particular one? Yeah I mean exactly the one that traditionally has never been awarded to your types (unique black) of story.

You know, ones where the black people in them do things over than get whipped for period specific reference, get called uncivilised or savages, sell work out of an estate or hurt people as a hobby.

USEFUL FEEDBACK?

Badly disguised coded language to the highest degree, with people passing on the world’s most patronising advice as if you’re far too stupid to notice. We can’t market your story about black people who came here in the heights of racist Britain via boat and the foundation they set up for future generations. Yes, because all we seem to do here is make

period pieces where black people are treated like fodder until somebody (white) saves them or they die in service.

CONCEPTUAL MISUNDERSTANDING?

Maybe it’s because in this particular story they speak patios amongst themselves in parts. They have only one child, they hustle to survive. The youngster skips school to contribute, working with his hands to come up. He gets married, sends his only child to boarding school, to give him the best possible chance at elevating his lineage to more legitimate endeavours. I could go on but you get the point. 3 generations in one story. Rich world building and character depth.

IF IT WERE…

On the other hand, if this family were to be based in America and let’s say Italian in descent. These same gatekeepers would welcome it with open arms. Rhetoric like, “It’s so authentic, they even speak Italian amongst each other” etc. There is a reason people (not me) have dubbed Tree House the mini/baby (TV) Godfather worldwide. It resonates as a story that needs to be told. Is it an exact replica? No! However, it is a point of reference much like Tolkien was for Martin. Did that make Songs of Ice and Fire any less of a celebrated masterpiece? Open your minds and stop being so rigid. Move past period pieces and romanticising about a lack of social progress.

BRITISH TV/FILM HAS NO MARKET FOR STORIES FROM BLACK BRITISH SCREENWRITERS?

I’m tired of the made up excuses about what can and can’t work, while comparing it to other things from across the Atlantic. British TV is dire because there is no representation. There is no medium between period drama whitewashing and estate life. If there is, it’s an exercise in tokenism and not something with any staying power. It is never used as a launching pad for other unique stories. There is a reason people are seeking these American shows with pluralism. Firstly they are interesting and secondly they at least attempt to address the imbalance.

BLACK BRITISH SCREENWRITERS ARE HERE ON THE BACK OF SKILL/WILL…

Careers have been launched (America), resurrected and there is progression in sight. New voices have been nurtured and they make sure the world knows who they are. Over here? It’s as if you have to wait for someone to die for an opening. Even the people with credits get put on ice and abandoned to melancholy for years. Acting isn’t the only creative endeavour in Film/TV! Stop making it about the success of one person while ignoring so many others of equal or even superior talent. It’s not a turnstile, this one in one out thing has to stop!

LITERARY AGENCIES I AM TALKING TO YOU…

Agencies! Do you even have BAME people reading your submissions? Not that you should be blind to good storytelling in the first place, but why is it you don’t seem to believe unique stories from BAME communities are very ‘now’? Was there a memo stating that being a screenwriter was off limits to black men in particular that I didn’t receive?

BEING A BLACK BRITISH SCREENWRITER BEFORE THE REVOLUTION

I wrote Feminunity 3 years before #METOO and the ‘all black’ solidarity for #TIMESUP. This story has strong female characters (7 lead roles) and covers situations not dissimilar to some of the chilling stories victims have bravely shared. Why shouldn’t this see the light of day? Shouldn’t it be made? Is this not relevant and now? Can’t an R rated film showing something other than slavery/war/Nazi Germany be backed here? Do I have to go to America before England says, “Hey big head?”

FINALLY

I know everybody has heard about the success of The Black Panther movie #WakandaForever. However, there is more to it than just good marketing, casting and the draw of comic books. People are starved for movies which serve up more than the same ole same old. Representation definitely matters! So where is that same energy in the UK? Where are these new Black British voices? I’m just asking for a friend…

 

jm

ABOUT ME

Award winning screenwriter, poet and recently nominated blogger. I believe in Truthful, Fearless, Creativity. Writing is a gift I don’t take for granted! Life is finite, so I’m here now and I’d like to make an impact. As a person I am positive, engaging, laidback, jovial but also capable of intense focus. I’ve known for years what I wanted to do and I’ve set about it with passion and originality. As you can imagine, being artificially held back is not something I could’ve predicted. The frustration I feel is a byproduct.

Extract from The Thought Book 2 by Jay Mullings. Jay is an award-winning screenwriter, and his books The Thought Book & The Thought Book 2 are out now, available from writtenmirror.com. Follow Jay on twitter and Instagram @WrittenMirror.

Thanks to The Book Publicist for inviting me to be part of this tour.

Review of Lancelot by Giles Kristian Written By Dan Stubbings

Book Synopsis

The legions of Rome are a fading memory. Enemies stalk the fringes of Britain. And Uther Pendragon is dying. Into this fractured and uncertain world the boy is cast, a refugee from fire, murder and betrayal. An outsider whose only companions are a hateful hawk and memories of the lost.

Yet he is gifted, and under the watchful eyes of Merlin and the Lady Nimue he will hone his talents and begin his journey to manhood. He will meet Guinevere, a wild, proud and beautiful girl, herself outcast because of her gift. And he will be dazzled by Arthur, a warrior who carries the hopes of a people like fire in the dark. But these are times of struggle and blood, when even friendship and love seem doomed to fail.

The gods are vanishing beyond the reach of dreams. Treachery and jealousy rule men’s hearts and the fate of Britain itself rests on a sword’s edge.
But the young renegade who left his home in Benoic with just a hunting bird and dreams of revenge is now a lord of war. He is a man loved and hated, admired and feared. A man forsaken but not forgotten. He is Lancelot.

Set in a 5th century Britain besieged by invading bands of Saxons and Franks, Irish and Picts, Giles Kristian’s epic new novel tells – in Lancelot’s own words – the story of the most revered yet reviled of all Arthur’s knights, the warrior who fought at his lord’s side – yet stole his wife. This is the story of the of one of the great figures of British myth and legend – a story ready to be re-imagined for our times.

My Review

After reading and watching countless material on the King Arthur legend. I was intrigued to see what new insight Giles Kristian would bring in his new release Lancelot. I am pleased to report that he hasn’t disappointed, breathing fresh air into a tale that is as old as the British Isles themselves.

The focus on Lancelot’s early life is what held my attention throughout this book. Giles has been able to write really interesting threads regarding Lancelot’s upbringing, and personality. Which gripped my attention in ways that I hadn’t encountered from previous works on Lancelot and Arthur.

This enabled me as a reader to reassess my previous conclusions about Lancelot, and explore his character with fresh eyes that forced me to see the man instead of the legend. I found this incredibly satisfying, and found myself becoming more emotionally invested in Lancelot as a character than I had previously when reading his legend. As the story progressed I was pleased to see Giles move away from the traditional narrative of Lancelot. His scandalous affair with Guinevere that destroyed his relationship with Arthur, and almost Camelot.

Instead Giles has chosen to examine sides of him that normally wouldn’t come into consideration. This change in narrative has allowed Giles to take us on a journey through Lancelot’s  tortured past. Giving the reader insight into his training, his relationship with his father, his time living with a certain individual called Merlin. As well as his nurturing of a hawk that he is grossly unprepared for.

Some highly emotional, and beautifully written scenes from Giles within the book occurred when Lancelot was developing his bond with the hawk. Training it to become a vicious friend who he could never be parted. Giles has a way of making even the most simple scene come to life, slowly drawing you in, making you lower your guard, before ripping apart your soul at a later date. When I finished I felt I had run five marathons back to back it is that intense.

Of course Arthur is mentioned. You couldn’t have one without the other. However even in the scenes with Arthur at no point do you get the feeling that he is the main focus. Giles keeps your mind firmly fixed on Lancelot. By creating more mystery within his character, making you wonder who truly was the man we know as Lancelot? And could he actually be real?

This enthralling book moves at a delicious pace hitting the reader with a buffet of sensory delights from vivid fight scenes, shipwrecks, and characters that burn into your soul.  You hear every clash of swords, smell the richness of the blood, taste the bitterness of the sea as it hits your lips, feel the pain and anguish that Lancelot goes through, and visualise the harshness of the land in which our characters walk.  The writing is food for the soul. It  seems to sing off the page, as you race to keep up, and discover how the boy became the legend in all his gory detail. This is a historical epic at its finest perfect for fans of Ben Kane, and Bernard Cornwell. 5 Stars.

I received a copy from the author for an honest review this doesn’t effect my views.

 

Review of my Book of the Year Dark Pines by Will Dean Written by Dan Stubbings

Book Synopsis

SEE NO EVIL

Eyes missing, two bodies lie deep in the forest near a remote Swedish town.

HEAR NO EVIL

Tuva Moodyson, a deaf reporter on a small-time local paper, is looking for the story that could make her career.

SPEAK NO EVIL

A web of secrets. And an unsolved murder from twenty years ago.

Can Tuva outwit the killer before she becomes the final victim? She’d like to think so. But first she must face her demons and venture far into the deep, dark woods if she wants to stand any chance of getting the hell out of small-time Gavrik.

Review

Ill admit when I first picked up Dark Pines, and saw that the protagonist was deaf. I thought here we go again. Another author who won’t have done research, resulting in a character that appears weak, which forces them to have to rely on others to feel part of their society, and makes them feel almost embarrassed to be disabled.

This kind of portrayal had become the norm for me when reading disabled characters in literacy or film. Where it appeared that writers had simply gone into a dark room, and produced these stereotypical characters without considering to consult disabled people. Which would have enabled them to get true opinions and find out if these characters they had written were accurate representations of how the disabled population saw themselves. Instead of simply allowing the writers to adhere to some kind of inclusion quota. This caused me to disengage with these characters as I became more frustrated over time as I felt they didn’t reflect me as an individual.

Therefore it was a breath of fresh air opening this book and discovering that Tuva the main protagonist is the complete opposite.  Quite frankly there isn’t enough words in the English language to tell you how much I adore Tuva Moodyson. I cried tears of joy, as I raced ahead to discover more about this bad-ass woman.  As Will had finally made me feel that a disabled character represented me in all their glory. Thank you Will.

At no point did he make Tuva weak or make her need anyone else to accomplish her goals. She is a fiercely independent woman who is proud of her disability, and never hides, or uses it for an excuse. I was punching the air with glee reading paragraph after paragraph saying this is me in female form. Will has done an incredible job of capturing what it truly means to be a modern day disabled person, other writers take note this is how we want to be written. Will absolutely nails it. He empowers Tuva in several ways she is a respected journalist, she lives independently, and has a vibrant sex life and drives a mean truck that seems to take on anything. I didn’t want the book to end. She is a character that stays with you. I haven’t been able to get her out my head since I finished this epic read.

Now if that isn’t enough to make you go out and buy this book on the spot. There is more to wet your appetite.

Will is like an award winning chef adding just the right amount of ingredients to make you devour this book in one sitting. From gory detailed murders, to a range of memorable characters. My favourite of which are a pair of mysterious wood carving sisters that I truly hope I never meet down a dark alley as they scare me to death. They are so creepy.

They are just one of several characters that help to create a fast paced narrative. That causes you as a reader to continuously question each characters motives, as Will moves you around his chessboard of murder and deceit you begin to wonder will Tuva figure it out in time, and live to see another day.

What further makes it standout is the setting. A dense, dark, Swedish forest that seems to come alive as each scene unfolds. Drawing Tuva deeper into its clutches, as she goes in search of what could be the connection between the murders of the present, and a set of murders known as the Medusa murders carried out many years previously. The connection being of course that all the corpses have their eyes carved out. I loved this signature of the murderer. I found it unique helping to build tension as you tried to uncover who would lose their eyes next.

This book has everything you look for in a crime novel. Atmospheric setting, an engaging and multi layer protagonist. Unique killings, well rounded subplots with satisfying conclusions. It has it all. I cant speak highly enough of this astonishing read. 5 stars isn’t enough it’s that good. All I can say is go out and buy it now. I love it.