Interview with Author David Fennell (The Sleeper Series and The Art of Death) Interview conducted by Dan Stubbings

DS: Hi David thank you for agreeing to do the interview.

DF: My pleasure Dan. Thanks for having me.

DS: How did you first get into writing?

DF: I first started writing way back in primary school. I grew up in Belfast during the Troubles, which was a tough time. Our teacher encouraged us to write stories to help understand what was going on around us. Something clicked when I started writing, and this became a significant turning point.

DS: How did the idea for The Art of Death come about and can you provide a spoiler free description of what to expect?

DF: The killer in The Art of Death uses social media to catfish and capture his victims. This is a subject I really wanted to explore because it is current. Also, it reveals all of us as potential victims because of the data we show to others. An an added twist, my killer is also an artist and exhibits the corpses of his victims. Nice chap. One to introduce to your mother.

DS: The Art of Death features a strong but troubled female detective. What made you decide to write a female character, and how difficult did you find writing a female character from a male’s perspective?

DF: I write all my characters as honestly as I can regardless of their gender. All the emotions that the protagonist, Grace Archer, goes through are emotions I have experienced. Also, I’ve always loved reading and watching female leads triumph over adversity in environments that men think they control. A female detective was the right fit for this novel, pitting her against a savvy serial murderer. I couldn’t resist it.

DS: The Art of Death is the beginning of a new detective series for yourself what can we expect in the next dose?

DF: I’d love to succeed in making readers as unsettled with the book 2 as they were with book

DS: Who was your favourite character to write in The Art of Death and why?

DF: Definitely Grace Archer. Archer has a troubled past that I really enjoyed writing. You get a taste of it in the first book and more will come in the next.

DS: How much of your own personality did you put into your characters, and did you learn anything new about yourself from writing Art of Death?

DF: As mentioned earlier, some of Archer’s emotions are from my own experience and I hope I have done them justice. My partner thinks I have written myself as Archer’s sidekick, Harry Quinn. He loves to tell people that. Perhaps there is an element of truth in it. I suppose I have a similar sense of humor to Quinn.

DS: What is the best and worst writing advice you have received?

DF: Possibly the best advice is read lots of books of all genres and learn how other authors write character, story, emotion, etc. Worst writing advice is “write everyday”. Can’t agree with that one. Writing is a job that can suck the life from you. There are days when you will need to step away and do other things. Grab them when you can.

DS: Who is your comfort read?

DF: At the moment, George RR Martin, Game of Thrones. I can leave his books for months and come back to where I left off and know exactly where I was in the story. Granted, this may be largely down to the TV adaption. I also really admire his writing style and get all nerdy over it while I’m reading.

DS: Who are your influences when it comes to writing?

I’m not sure I have influences that I am aware off. Like most writers I try and keep as individual a style as I can, but who knows. Authors whose work I love include Stephen King, Thomas Harris, Ian McGuire, John Connolly, to name a few.

DS: Which three books do you think everybody must read in their lifetime and why?

DF: Three books that stand out for me are:

Lord of the Rings, by JRR Tolkien

During my teens I read these books over and over again and always found something new that I had missed. I could not get enough of Middle Earth and its mind boggling range of characters, locations and stories. I will always love these books for what they gave me during those troublesome teenage years.

Wuthering Heights, by Emily Bronte

I think I was in my thirties when I read Wuthering Heights. A late age (I know!) to pick up one of the greatest novels ever. And it really is. I did not know what to expect when I started it and was instantly drawn into the unforgiving world of Heathcliff and those around him. It ignited a lot of emotions: anger, pity, sorrow, disgust, happiness. It has it all. One of my favourite books of all time.

I am Legend, by Richard Matheson

Richard Matheson’s post apocalyptic thriller about the last man on an earth populated with vampires is a classic sci fi novel that spawned four different movie versions and was the inspiration for many zombie films. At its core, it’s the story of Robert Neville dealing with loneliness and fighting for survival against a violent new race of people who will not leave him alone. Some are his neighbours risen from the dead! I found it both terrifying and moving. There is also a terrific twist at the end and great final line. No spoilers. Although I expect everyone has seen one or more of the movies. 

DS: What advice would you give to writers?

DF: See answer 7 😉

This Interview was conducted over email. I can’t thank David enough for taking the time out to answer my questions. I learnt so much from this interview. I hope you did aswell. You can buy The Art of Death today from all good bookstores.

David Fennell - D H H literary agency

Review of Knightmare Arcanist (Frith Chronicles Book 1) by Shami Stovall Written by Dan Stubbings

Book Synopsis

Magic. Sailing. A murderer among heroes.

Gravedigger Volke Savan wants nothing more than to be like his hero, the legendary magical swashbuckler, Gregory Ruma. First he needs to become an arcanist, someone capable of wielding magic, which requires bonding with a mythical creature. And he’ll take anything—a pegasus, a griffin, a ravenous hydra—maybe even a leviathan, like Ruma.

So when Volke stumbles across a knightmare, a creature made of shadow and terror, he has no reservations. But the knightmare knows a terrible secret: Ruma is a murderer out to spread corrupted magic throughout their island nation. He’s already killed a population of phoenixes and he intends to kill even more.

In order to protect his home, his adopted sister, and the girl he admires from afar, Volke will need to confront his hero, the Master Arcanist Gregory Ruma.

A fast-paced fantasy with magical creatures for those who enjoy the Furies of Calderon (Codex Alera series) by Jim Butcher, Unsouled (Cradle Series) by Will Wight, and Percy Jackson and the Olympians by Rick Riordan.

Review

Today I am honoured to be part of the Knightmare Arcanist blog tour. Thanks to Dave for the invite.

I have to admit that YA fantasy isn’t something I normally read. The book itself begins on a small island filled with magical and mythical creatures that bond themselves to a select few. This enables the chosen ones to access their powers, and yield magic turning these individuals into Arcanists. This position is highly regarded within the fantasy society created within the book.

From the beginning of the book readers are shown the different class systems that exist upon the island. Unfortunately our main protagonist Volke falls into one of the lowest. A gravedigger. Smelling of the dead and covered in dirt he longs for a better life. He is also orphan who has been disowned by most of island’s population due to his parents shady past. We first meet him on a hillside overlooking the crystal blue sea digging a grave. He starts talking about how he will become an arcanist with his adopted sister Illia who herself has a dark past. How he will become a hero proving that he is not his father’s son. As I read this opening scene I was worried that this story was going down the same pathways as other YA that Volke would rise from his low status and bond with a phoenix fulfilling some untold destiny.

Phoenixes are one of the main mythical creatures used throughout the story. The main impact phoenixes have upon the island is every ten years several of them in a large ceremony select who they will give their magic too. However only those of privilege, and knowledge are allowed to enter the contest to try to win the phoniexes favour and yield their magic. The author does a wonderful job of showing this elite system without suffocating readers with info dumps. I couldn’t help but notice as I continued reading this system that it very much reflected our own world, where only a select few are given equal opportunities to succeed. This creates a major barrier for Volke to outcome. Unfortunately for Volke it all ends in humiliation. This twist was a nice change from the author on the usual story-line making you wonder how was it going to play out.

Volke on the other hand isn’t defeated. He will do anything to achieve his goal even if it means binding himself to a Knightmare. A dark and deceitful creature of terror and shadow. Leading him down a path that could destroy everyone’s existence. Because the Knightmare which he has bonded himself to, holds a secret that will put Volke in direct confrontation with his island’s founder Gregory Ruma.

This book has a lot of elements that draw you in. Mythical creatures different from the ones that you usually experience within the fantasy genre. An intriguing magic system that is subtlety woven into the narrative without the need for major info dumps which is always a major plus in any fantasy. These are the positive points of the book.

Unfortunately there were certain aspects I couldn’t engage with. Some of the characters were to one dimensional. What I mean by that is their actions were predictable. Too often falling into the well known troupes of YA that made me move away from the genre as I widen my reading tastes. Characters were to perfect. They didn’t reflect in my opinion how humans or creatures would behave in any walk of life. We all have flaws, insecurities, and bias that make us who we are. Informing our actions either good or bad. At times scenes seemed to easily resoluted with characters trusting one another far to easily. Unfortunately this made the scenes become unbelievable, and left them wide open for betrayal.

This book has a fast paced narrative with a well thought out magic system. This holds your interest during the narrative as you want to find out more. The book is great for helping clean the palate if you have been feasting on tomes of fantasy throughout lockdown. However if your looking for a complex plot, and characters with shades of grey in their personalities then this isn’t for you. A solid YA fantasy with interesting concepts. It receives 3.5 stars.

I received a copy of the book to be part of the blog tour. This doesn’t affect my views.

 

 

 

Review of Far From The Tree By Rob Parker Written By Dan Stubbings

Book Synopsis 

Twenty-seven bodies, vacuum-packed, buried in a woodland trench. Some have been there for years, some for just days.

When DI Brendan Foley recognises one of the Warrington 27, he knows this case is about to shake his world.

Detective Sergeant Iona Madison is a skilled boxer and a vital support for Foley. Theirs is a newly established police force, and loyalties are about to be tested to the extreme.

Pressure mounts as news of the mass grave is plastered over the news. Brendan knows they can’t crack this case alone, but he’s not letting a rival force take over.

Their investigations lead them into the murky underworlds of Manchester and Liverpool, where one more murder means little to drug-dealing gangs, desperate to control their power bases.

But as Madison steps into the ring for the fight of her life, the criminals come to them. It’s no coincidence that the corpses have been buried in Foley’s hometown. The question is, why?

The first in a gripping new crime series, Far from the Tree is perfect for fans of Clare Mackintosh, Ian Rankin and Line of Duty.

Review

Today I am honoured to be part of the Far From The Tree blog tour. Thanks to Amber for the invite.

I need to be careful that this review doesn’t turn into a gush fest of how extraordinary this book is. I am an avid reader of Rob’s Ben Bracken series which if you haven’t yet sampled. One where have you been. Two get on it because in my opinion it’s better than Jack Reacher. I will go to my grave saying that.

Therefore when I was kindly sent an advance copy of the first book in Rob’s new trilogy. It was fair to say that I had high exceptions. However what Mr Parker has produced blew my exceptions out of the water. It was like merging a nuclear bomb with napalm and setting it alight. This series has took off like a rocket and shows no signs of slowing down.

I mean the synopsis alone grabbed my immediate attention. Twenty seven bodies found in a swallow woodland trench in rural Warrington, all wrapped in plastic like discarded mummies. If that doesn’t make you want to flip open the front cover and drive straight in well I think you need to stop reading crime fiction.

When the investigation becomes personal after the discovery of DI Brendan Foley’s nephew Connor as one of the twenty seven victims. He stops nothing to bring the killer to justice. Setting off a chain of events that could have devastating consequences for both his family, and his position as an inspector within the force. As the plot develops he finds himself faced with multiple conflicts as secrets within his family, and the criminal underworld of Warrington rise to the surface. As his team go deeper into the murky waters of this horrendous crime. It begins to grow branches like a tree going in so many different directions they don’t know which way is up. All their emotions and personal ties are tested to the limit especially Brendan’s as he fights to maintain his involvement in the case.

This is a police procedural but not as you know it. Parker continues to raise the stakes throughout creating a narrative that has more threads than Twitter. He slowly drip feeds information to the reader helping to keep the plot on a knife edge. As you fight to piece together every clue that is presented to you without discarding pieces that will become vital later is virtually impossible. The red-herrings are expertly executed leading the reader away from the true darkness that waits in the shadows ready to pounce.

The sense of tension is created using numerous devices but the main one is Rob’s use of multiple viewpoints helping to give the reader the thoughts of characters and their motives throughout the narrative. One of my favourites being Iona Madison. A female detective sergeant who is part of Foley’s team, and highly respected within her profession. I looked forward to her chapters because Rob hasn’t fallen into the love interest of his protagonist troupe that you often see within crime fiction. Instead he made Madison hard as nails, gritty, determined, and able to speak her mind without fear of feeling intimidated. I warmed to her instantly, as she ticks all the boxes of what I want to see in modern female characters in any genre. I want female characters to be strong and independent to reflect the characteristics of the women I encounter in my daily life. In Madison Rob has captured this perfectly. I could go on forever about the female characters in this book as every single one brings something to the party. Creating a rich tapestry of characters to fall for. I can’t wait to see what direction Parker takes these characters in next.

Far From the Tree is a book of secrets that brings a town and a family to breaking point. We witness how one event can blow what appears to be the perfect life to shreds. In this book there is everything. Complex father and son relationships, sibling rivalry, the tenderness of friendships, and other family bounds. However as more secrets surface these ties gradually unravel. Making you wonder what are all families truly hiding. How the land lies at the end of this sinister crime nobody can predict, but when the dust settles everyone is changed forever for better or worse. Parker continues to deliver characters that stay with you long after you turn the final page. This one ripped my heart out and came back for more. I loved it.

I genuinely cannot wait for the next installment in this ground-breaking examination of the police procedural genre. It receives 5 stars. However I want to give Mr Parker an even higher compliment. It’s my book of the year so far and it’s going to take some beating. I didn’t think anything could beat Bracken as I adore that series so much. However this comes close. Congratulations Mr Parker you have produced a belter and I can’t wait to find out what happens next.

About the Author

rp2

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I received a copy of the book to be part of the blog tour. This doesn’t affect my views.

Singapore Killer Blog Tour- An Ash Carter Thriller Written by Murray Bailey. Review Written by Dan Stubbings

 

Today I am honoured to be part of the Singapore Killer Blog Tour. Thank you to Murray for asking me to take part.

Book Synopsis

A helicopter crash and burned bodies.
A faceless corpse.
A mysterious town.
It’s September 1953 and Carter is drawn into a dark case from which there seems no escape.
#WhoIsBlackJack

Review

Singapore Killer builds upon the elements we love from the previous installments of Ash Carter. The hardness, his eye for detail that enables him to view a crime scene differently from other people in his profession, and his get in my way and I will destroy you attitude. These aspects are intensified to levels that leave you reeling from chapter to chapter, as Murray gradually reveals a ton of secrets that won’t loosen their grip until you solve them all.

This book begins where every thriller should. By dropping the reader straight into the action. The opening chapters are like a hand grenade going off. All hell breaks loose. A helicopter has come down in the centre of dense jungle in mysterious circumstances. However all isn’t as it seems as it’s burned out carcass is investigated further things don’t add up. Two members of the crew are dead. One from a point blank range bullet to the head. Another passenger is missing leaving a set of handcuffs abandoned inside the cockpit. No record of who was on board can be traced. This situation soon brings in Ash Carter who is going through some personal issues himself. However he soon has to put them to the back of his mind, when this case quickly becomes something that could change everyone’s world as they know it forever.

As the story develops you find yourself as a reader being guided to clues, asked to make your own choices. I really enjoyed this because Murray’s writing is never predictable, and for somebody who reads alot of this genre its a joy. At no point during the narrative did I feel I knew how Ash or any of the characters were going to act. Plus when important decisions were made by characters I always felt that Murray could of taken the story in several directions, and it would still have produced a satisfying conclusion.

In Singapore Killer Murray moved away from the usual story-lines associated with this type of thriller, giving a fresh perspective to how these types of books can be written. Throughout the story I was never told how to respond to specific characters which allowed me to put together a complete picture of a character, and then Murray would blow it up in the next paragraph. This caused an intense feeling as a reader that you won’t in control during an already deeply complex narrative.

The evolution of both Ash and minor characters in the fifth chapter of this series is some of Murray’s finest writing to date. I can’t wait to sample more. The reason I was more involved in this new adventure than the previous books is because Murray deliberately places Ash in scenarios where he is unsettled. Where the right decision isn’t what it seems. As an avid reader of this genre I am finding myself been drawn away from the good guy who kicks everybody’s ass and leaves without a scratch on them. I prefer protagonists who have both darkness and light. I want characters to have both internal and external conflict. Murray wrote this beautifully in Singapore Killer with Ash. Throughout the entire narrative you witness him wrestling with both seen and unseen demons, and you never know what his next move will be.

My only criticism is that sometimes it can become over-descriptive which unintentionally causes the tension to decrease. This can be frustrating when you want Ash to maintain the head of stream that has been developed in spades. This is a small critic, and doesn’t take away the talent displayed by Murray in using a range of locations from both urban streets, to a dense humid jungle that makes your skin crawl as Ash goes deeper into his own horrors.

In conclusion this installment to the Ash Carter series is an experiment by the author to see how far he can push both Ash and his readers. This is a white knuckle ride into the very depths of what we see as the ultimate crime. I found myself needing both a break and not wanting it to let up. Ash Carter is back, and I hope he is around for along time to come. It is a wonderful mix of intriguing characters and action. Well done Murray. It receives 4 stars on the rip-roarer scale.

  About the Author

Murray Bailey Books HOME

I have always enjoyed writing and, as a child, I even managed to be published in both the Times Educational Supplement as well as my local paper the Lichfield Mercury. Unfortunately, this didn’t lead to publishers knocking on my door. After studying Physics at the University of Southampton followed by Applied Mathematics at Cambridge, I entered the very different world of Consumer Credit.

Although I edited Credit Risk International for a year, contributed and edited 3 textbooks and wrote two more, my passion has always been with fiction – in particular, thriller and crime writing. Surprisingly, I discovered there is quite a large overlap between credit risk and crime writing – not least, the amount of logic, problem solving and analysis that each requires.

I have been writing as a hobby for more than 10 years and, after a lot of encouragement from my wife, finally focused on getting something published. My first book, I Dare You, is available as a paperback or Kindle version through Amazon and was followed up in 2017 by the sequel, Dare You Twice. My second work, Map of the Dead, allowed me to indulge my passion for Egyptology and will be followed up by Secrets of the Dead in 2018. Black Creek White Lies, based in Cornwall, is a stand alone written for my mother. The Ash Carter series was influenced by my father’s experiences in the Royal Military Police in 1950s Singapore. Singapore Girl is the second in the series and Singapore Boxer the third. Hopefully 2019 will see episode four.

Born in Greater Manchester, England, I have gradually moved south until I reached the beautiful Dorset coast where I now live with my wife and family. Having young children and an all-consuming passion such as writing doesn’t leave much free time, but when I do take a break I enjoy running and cycling, kayaking along the gorgeous River Stour and building sandcastles with my children. To find out more about the Ash Carter Series click on this link. https://www.amazon.co.uk/Murray-Bailey/e/B01J811866?ref_=dbs_p_pbk_r00_abau_000000

Singapore Killer Blogtour v4

I received a copy of the book from the author to take part in the blog tour. This doesn’t affect my views.

Review of In the Company of Strangers by Awais Khan Written by Dan Stubbings

Book Synopsis

In the glittering world of Pakistan’s elite, all is not what it seems…

Mona has almost everything: money, friends, social status… everything except for freedom. Languishing in her golden cage, she craves a sense of belonging…

Desperate for emotional release, she turns to a friend who introduces her to a world of glitter, glamour, covert affairs and drugs. There she meets Ali, a physically and emotionally wounded man, years younger than her.

Heady with love, she begins a delicate game of deceit that spirals out of control and threatens to shatter the deceptive facade of conservatism erected by Lahori society, and potentially destroy everything that Mona has ever held dear.

Review

When I first read the blurb of In the Company of Strangers. I was concerned that it would be predictable. Playing into the hands of what I have come to expect from modern day thrillers which is a part of the world gripped on the path to corruption. However I couldn’t have been more wrong in my assumptions. This book in my opinion is a reflection of the turmoil within in our world.

Awais has written a narrative where every character regardless of their role in any scene you must pay attention to everything they say and do. The reason for this is because what could appear to be a throwaway piece of dialogue or meaningless action could in fact turn out to be a major plot point.

The layers of deception Awais weaves is outstanding plunging the reader into a world that is shrouded in mystery and harrowing imagery that leaves you breathless. He doesn’t shy away from exposing the truth around the Lahori society within Pakistan from the double standards, lack of empathy, and indulgence that occurs throughout the novel. Exposing us to a world of the rich that seems shut off from the rest of the country. One of the most important scenes that stayed with me as I continued reading this spellbinding tale was after a terrorist attack takes place killing hundreds of people. The main protagonist’s Mona elitist friends turn down the volume on the television and proceed to drink and dance as they see it as to depressing. I couldn’t help reflect that this was a major theme for Awais. Helping to show how separate the rich are in their views from the rest of their country.

The tapestry of voices Awais creates in this story of glamour, forbidden fruits, and a chaotic love that could end up tearing down everything the Lahori society values most is mind-blowing. Every character is placed in situations where they have internal struggles. Moments where they have to go against the status they have developed for themselves. This is shown best by Mona because even though she craves freedom and the thrills of her newfound love. She is constantly fighting against the ideals of the society in which she lives. A society in which for the most part relegate women into a place of discipline and having to project an image of calmness and strength. Mona’s sense of wanting to belong to both these polarised worlds has devastating consequences that ripple across the entire narrative. Infecting each character like a poison that ends in a domino affect  impacting upon all of them and how they execute their chosen paths.

Awais In the Company of Strangers has flipped story ideas on their head. Giving the reader a story that is filled with colour and a setting that is so atmospheric that you can’t help but taste, feel, hear, smell, and see everything you read. I could go on forever about this novel. It is a triumph in how to expose your readers to a part of a world that is unknown to them and make them feel part of it. Well done Awais you receive 5 stars. A cracking debut novel.

I received a copy from the author in exchange for an honest review. This doesn’t affect my views.

About the Author

AK

Awais Khan was born in Lahore, Pakistan. ‘In the Company of Strangers’ is his first novel published by the Book Guild and Simon & Schuster. He is a graduate of The University of Western Ontario and Durham University. He studied Creative Writing at Faber Academy. His work has appeared in The Aleph Review, The Missing Slate, MODE, Daily Times and The News International. He has appeared for Interviews on Voice of America, Samaa TV, City42, Maverix Media and PTV Home. He is represented by Annette Crossland (A for Authors Agency Ltd, London).

In his free time, he likes to read all types of fiction, especially historical fiction and psychological thrillers. He is hard at work on his forthcoming novels.

Review of Penny Black (Ben Bracken Series) By Robert Parker written by Dan Stubbings

Today I am honoured to be hosting, and finishing the blog tour for Penny Black by Rob Parker. Thanks to Hannah Groves from Endeavour Media for inviting me.

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Book Synopsis

I’m dead, for all intents and purposes. Nobody knows I’m alive…

Ben Bracken is on the run for his life. Keeping a low profile from the agencies seeking to silence him, he finds refuge in the quiet town of Horning. Working in a boat yard and lodging with an older couple, Eric and Dot, Ben uses this time to plan. He needs to escape, and realising his only chance will reveal his whereabouts to some unsavoury characters, he plans every detail. Little does he know, even that won’t be enough…

Just before he walks away, murder strikes the quiet town. Ben cannot leave until he is sure that he has not brought any further trouble to the townsfolk. Will he be able to exact revenge? One thing is certain, there is a lot more going on in the town of Horning than meets the eye…

The Penny Black is action packed from beginning to end, keeping you guessing right the way through.

Review

Sometimes as a reader you can get lost in words. Clues become to easy to figure out and you find yourself wondering when is the next great read going to come along. Don’t get me wrong you enjoy the books helping you to unwind and discover great characters. However you are able to put them down and return later. However when you do find that book that keeps you up until dawn, and makes you so late for work that you scream at every red light its so worth it. It makes you remember why you love reading.

This is the feeling I had whilst I was reading Penny Black by Rob Parker. The moment I turned the first page I knew all my plans were cancelled. This book will make you forget to eat, sleep, and disconnect all your devices because trust me you won’t want to be interrupted. I am a huge fan of the Ben Bracken series they are must buy for me when they come out. Penny Black has elevated this series to an entirely new level. The growth of Bracken’s character and personality has enabled Rob to write several chapters of intrigue that creates a story that is fresh and new for the crime genre.

The book opens with Bracken retreating for a life in the country as he tries desperately to escape his old life. He has a new identity, working as a mechanic fixing boats on a shipyard, living with old age pensioners in their old ram-shackled boathouse, drinking beers in the local when he finishes his shift. As he tries to bury the demons of old and find solace in his new life. Unfortunately for Bracken however he is about to be drawn into a dark world that will rock his new found home to the core.

I particularly enjoyed how Rob used the setting to create a sense of atmosphere within his narrative. A backdrop shrouded in shadows that almost takes on a mind of its own. Always lurking in the background as Bracken searches its every corner treading carefully to see what he can unearth. Automatically it makes you question what is occurring behind the smiles and sense of community that the locals are trying to project. Immediately Bracken is suspicious and soon finds himself embroiled in a strange undercurrent of darkness that has been hidden in plain sight. What he thought was safe and predictable soon becomes something else. From sinister teenage gangs terrorising the neighbourhood, drugs, and a brutal murder that isn’t what it seems. Bracken is launched back into his old life with unexpected twists and encountering some faces he thought he would never see again. Everyone is a suspect with secrets to hide. Forcing Bracken to look deep inside himself to find the answers he needs.

The reason I feel this novel has given new insight into Bracken’s character that makes you want to stick by him even more is because Rob strips away the tough ex agent stereotype, and dives straight into his vulnerabilities. Some of my favourite moments within Penny Black are when Bracken is reflecting on his life choices, his regrets, and his plans for the future. Rob has given Bracken a license to be afraid, to want to move away from his troubled past and create a new life for himself. An aspect of the story that I kept returning to was the relationship between Bracken and Eric. One of the old age pensioners Bracken is staying with. Eric kind of becomes the father Bracken never had. Rob writes this relationship with a subtlety and tenderness that pulls on your heart strings, with both men hiding secrets from one another. Yet as the story progresses they come to rely on each other in times of struggle. This enables Rob to show the reader their flaws and makes for an interesting subplot as the plot develops.

The more Bracken investigates the worse the secrets become. Turning the village into a battleground, that has you on the edge of your seat to see which of your favourite characters will be left standing when all is said and done. As each secret is revealed you’re left reeling as Rob makes think you have discovered the answer only to add another twist and fool you once again. This is a testament to Rob’s story- telling ability because even though I have read all of the previous Bracken books at no point did I feel I was missing any major backstory. The story was seamless transporting you into Bracken’s mindset, and environment without missing a beat. Rob gives us emotions in spades throughout Penny Black exposing a tenderness to Bracken that has many scars but wants to heal. I’ve heard some people say that Bracken is challenging Reacher. Well for me in Penny Black Reacher’s is relegated into second place. Bravo, it’s a home run its like James Bond meets The Godfather I bloody loved it. It receives 5 stars.

I received a copy from the author in exchange for an honest review. This doesn’t affect my views.

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Review of Dead of Night Written by Michael Stanley Written by Dan Stubbings

Book Synopsis 

When freelance journalist, Crystal Nguyen, heads to South Africa, she thinks she’ll be researching an article on rhino-horn smuggling for National Geographic, but within a week she’s been hunting poachers, hunted by their bosses, and then arrested in connection with a murder. And everyone is after a briefcase full of money that she doesn’t want, but can’t get rid of… Fleeing South Africa, she goes undercover in Vietnam, trying to discover the truth before she’s exposed by the local mafia. Discovering the plot behind the money is only half the battle. Now she must convince the South African authorities to take action before it’s too late, both for the rhinos and for her. She has a powerful story to tell, if she survives long enough to tell it.

Review

Dead of Night is a book the world needs. Its a crime novel with a different.  Unlike your usual crime novel where you can usually figure out who’s committed the crime towards the end. Dead of Night throws you off at every turn. Drawing you into the sea of deceit that by the time you realise you’re fully submerged the darkness has you firmly in its grasp.

The story is told mostly from the perspective of a young journalist called Crys Nguyen. Who we are first introduced to when she discovers her friend, and fellow journalist Michael Davidson has gone missing investigating the illegal trade of rhino horn in Africa for National Geographic. Desperate to find out what has happened to him she reaches out to National Geographic, and agrees to pick up where he left off. Little does she know that her decision could lead to her death moving her into a world of black market dealings, corrupt cops, and organisations with dangerous ideas. As she finds out more regarding Michael’s disappearance she is faced with choices that could define the rest of her career.

Dead of Night has it all murder, kidnappings, stolen money, and enough shady characters to make even The GoodFellas look tame. The beauty of Michael’s writing is that as he introduces more characters into the story regardless of their position in the status quo he continuously makes you think. He has the ability to make every character fall into grey areas nothing is black or white. As a reader you’re never quite sure who’s telling the truth or what their motive could be. The reason being is because even until the last page I wasn’t sure what was going to happen next. Nothing was predictable which as somebody who reads alot of crime begins to notice. It was liberating to be given that thrill again of not knowing what was around the next corner. Allowing my heart to race, and my fingers to burn as I couldn’t turn the pages fast enough to keep up. Every line and character had a purpose. It had me from the first line never letting up.

Another aspect I enjoyed aside from the murder mystery which was thrilling. Was the fact that through the use of a crime thriller Michael draws attention to a more damaging issue.

The backdrop of the narrative is where this book grows a life of its own. Asking us as readers to put on a different lens placing a taboo subject under the microscope. The illegal trade of Rhino horn that is ripping the heart and soul out of Africa and Vietnam. Michael does an amazing job of presenting balanced viewpoints from both sides of this unknown world explaining why it occurs, and why multiple factors are to blame for this trade continuing to flourish. I adored how Michael didn’t shy away from how poverty stricken Africa is. Explaining in detail that if the West doesn’t take some responsibility for what has driven people to became involved in these crimes then this black market will only continue to grow.

The book includes some risky material but it needs to be said to educate the public and give them an informed choice. This is why Orenda Books are my number one reads at the moment. Every book delivers a profound message stirring emotions, opening my eyes to corners of the world that I would never have being exposed to if wasn’t for these books. Dead of Night receives five stars. I loved it.

I received a copy of this book from the publisher in exchange for an honest review. This doesn’t affect my views.

 

Interview with Daniel James Author of The Unauthorised Biography of Ezra Maas Conducted by Dan Stubbings

DS: After giving his incredible debut The Unauthorised Biography of Ezra Maas five stars, making it one of my reads of the year so far. I am delighted to welcome Daniel James to my blog for an in depth interview about his work. Welcome Dan thanks so much for doing this.

DJ: My pleasure Dan thank you for having me.

DS: Let’s get started

DS: For readers who aren’t familiar with you as a writer would you mind telling us a little about yourself and how you first got into writing?

DJ: I’m an author and journalist from Newcastle upon Tyne. I live by the sea with four cats and a collection of empty bourbon bottles. My first novel, The Unauthorised Biography of Ezra Maas, was published at the end of 2018, but I have been writing seriously since I was a teenager. Becoming a published author has always been my dream. I ended up studying literature at university and went on to become a journalist on the basis that it would help refine my writing and bring me into contact with lots of different people and the stories of their lives. It did exactly that – and what began as a day job turned into a decade-long career. I was nominated for several awards, including UK Young News Writer of the Year and worked as a freelance journalist in London and overseas. I spent a few years as an investigative journalist and gained no shortage of enemies for asking difficult questions and trying to discover the truth. By the end, I was mainly working on arts and culture, having finally been allowed to gravitate towards my own interests, and got the chance to write more experimental, creative non-fiction-style interviews and features about musicians, writers and artists. Despite the relative success of my career in the media, I still consider myself to have been an ‘accidental journalist’, as my heart and mind were always set on one day becoming a published author and writing my own books.

DS: Where did the idea for Ezra Maas first develop? How did you know it was the correct idea to choose for your first novel?

DJ: It began with a phone call in the dead of night. That was my introduction to Ezra Maas. I can’t be sure of much that happened after that, but I know that’s where it started. Everything else – how I would tell Maas’s story and how I came to realise my own place in the narrative – came together very quickly after that. I knew straight away that I didn’t want to write a traditional biography – it had to be experimental, a combination of fact and fiction, drawing on different genres, different sources and different media. Walking the streets of Newcastle late at night, in the hours after the phone call, the novel presented itself in my mind, almost fully formed, as if it already existed somewhere out there in the dark, and my task was simply to bring it into this world. It was a strange experience in many ways, like a kind of possession. When Beckett was writing his trilogy of prose novels in the late 40s, he described the experience as ‘the siege in the room’ and that’s exactly how I felt. The novel was being transmitted to me – channelled through me perhaps – and I had to commit it to the page and in doing so, make it real. That’s how I knew it was the one – the idea that would become my first novel. Never before or since, had I been so excited to start writing and so driven and committed to write every day until the work was done. Even now that the book has been published, I still open it sometimes and that electricity is still there.

DS: What do you think makes a perfect novel and why?

DJ: I think everyone’s perfect novel is different. Books have this incredible ability to be both universal and deeply personal. When you read a novel and you disappear into that world, it’s ‘your’ experience, just you and the world of the book. It’s spiritual. And yet, the same book can be read by thousands, perhaps millions, of people, each connecting with the text in their own unique way. Stories provide an escape from reality, but the truths they contain also help us see the world with fresh eyes and new clarity. Books don’t take us away from the real world, they help us reconnect with it by blocking out the noise. Fiction is a doorway to the truth.

DS: You have poured a lot of yourself into the narrative, so my question is where does Dan James end and Ezra Maas begin?

DJ: You could say the book is as much my autobiography as it is Ezra’s biography. It’s definitely an authentic snap-shot of my life while I was writing the book from 2011 to 2018 – or at least, as I’ve been described, ‘permanently hungover, flirting with danger, disappearing and reappearing at will’. At the same time, I feel like the more I talk about myself, the more I write about myself, the less I reveal. This is something I learned from Ezra and reference in the novel:

“Maas didn’t have to hide his secrets, he casually scattered them on the ground for all to see and watched the trees grow up around him. For in a forest of signs nothing could be seen clearly at all.”

DS: What kind of writer would you say you are and why?

DJ: A good one, I hope.

DS: What topics would you like to write about in the future and why?

DJ: Everything. All of the ideas I have in my head and all of the ideas I’ve yet to have. I wish I had more time to write all of the stories I’ve dreamed up over the years, but I’m going to have to prioritise those particular narratives – like The Unauthorised Biography of Ezra Maas – that demand to be told. By the end, I hope to have written novels in many different genres and styles and to have created a body of work that continues to be read and enjoyed long after I’m gone. Ultimately, I just want to continue writing books that I would love to read. I did exactly that with Ezra Maas and that will remain my guiding principle when choosing which novels I’m going to write over the next few years and beyond.

DS: You use several different methods to get your message across. From interviews to journal entries. What made you decide to use these techniques to such wonderful effect?

DJI remember a story about the Irish writer Flann O’Brien’s manuscript for The Third Policeman being lost to the wind after the boot of his car opened and it blew out, almost as if the story was too much for the page. I always thought of the truth about Ezra Maas in the same terms. Ezra Maas, as a subject, was too big to be contained by a single genre or format. When you’ve got a subject as complex and multi-faceted as Ezra Maas, a traditional biography was never going to cut it. Others tried going down that road and failed. I had to create something as experimental and unorthodox as Maas’s own body of work.

I also wanted readers to be able to investigate his life and death alongside me, to read through the letters, interviews, official records, newspaper clippings, emails, phone transcripts, and try to separate fact from fiction. By including authentic archival material in the book, the sections between chapters feel almost like a live ‘case file’ through which readers can play detective themselves before returning to the main narrative. You’ve then got the chapters from the Maas biography itself, covering 1950 to the present day, alternating with my hardboiled-style investigation in 2011-12, as I travelled around Europe and the US, searching for the truth about Maas’s disappearance. Finally, you have the work of my editor and the 500+ footnotes. Like the man himself, the book has many layers and many different faces.

DS: Which author would you compare your writing style to? Which authors have influenced your writing career?

DJ: I don’t really compare myself to anyone. You begin to establish your own voice and your own style, every time you write, even if you’re not aware that it’s happening. The journey to being published is about discovering that voice and acknowledging – sometimes only after your novel is out there in print – that you have a style that is yours and yours alone. You don’t necessarily get to choose your style, as much as you might aspire to write like your literary heroes – it develops naturally the more you write and the more you read. There are writers whose work I love and admire, who have definitely influenced my work, but they’re all very different, and my writing style is nothing like theirs, at least on the surface. Their influence goes much deeper, to the level of ideas. You’ve got to find your own voice and your own style just as they found theirs. I wouldn’t compare myself with my favourite writers or to anyone else. Comparisons are for readers and critics to make and I’m always interested to read different perspectives on my work. I’ve been very lucky to have had some excellent reviews from very knowledgeable readers and they’ve all had their own unique insight into the book and on my style as a writer.

In terms of my favourite writers, it’s a very long and eclectic list that I’m adding to all the time. Samuel Beckett. Raymond Chandler. Paul Auster. Thomas Pynchon. Jorge Luis Borges. James Joyce. Philip Pullman. Ross MacDonald. James Lee Burke. Cormac McCarthy. George Orwell. Philip K. Dick. Bob Dylan. Patricia Highsmith. Virginia Woolf. Kurt Vonnegut. Elena Ferrante. Joan Didion. Hunter S Thompson. Leonard Cohen. Wes Anderson. Bryan Talbot. William Burroughs. Alasdair Gray. William Hjortsberg. Marc Behm. Ted Chiang. Flann O’Brien. Stanislaw Lem. Michael Connelly. Franz Kafka. Clarice Lispector. Charles Bukowski. James M Cain. Joel and Ethan Coen. Alain Robbe-Grillet. Martin McDonagh. Edgar Allan Poe. William Goldman. Aimee Mann. David Lynch. And many, many others.

DS: How do you create your characters? 

DJ: They come from real life, from history, from the world, from the people around me, from my own mind, everywhere. I draw a lot on personal experience, but I also try to be open and receptive to the stories taking place around me. There are potential characters everywhere.

DS: What’s next for Daniel James?

DJ: Tangier maybe, during the Interzone years. Or maybe a return to Los Angeles or Paris. I have unfinished business in both cities. Tokyo would be somewhere entirely new. I don’t know where I’ll go next. All I know is that one day soon, I’ll disappear. Sometime later, I’ll be found watching the world from a cafe or a bar, with a cold drink on the table and a notebook in my hands, looking out for the next story.

I’m working on a new novel now. I’ve actually got four separate books, all at different stages, underway simultaneously (which is madness obviously) and more planned after that. I’ve had an idea for a collection of short stories too. The ideas never stop. It’s just a case of deciding the order I’m going to write them all and that’s more of an intuitive process, like divining for water. You can’t force it, but when you know, you know. It’s like being struck by lightning. You can’t miss it.

This interview was carried out by email. Thanks so much to Dan for giving up his time and producing some spellbinding answers.

em

 

Review of Chasing Graves(Chasing Graves Trilogy Book 1) By Ben Galley Written Dan Stubbings As Part of the Ben Galley Ultimate Blog Tour

Honoured to be part of the Ben Galley Ultimate Blog Tour. Thanks to Dave for inviting me.

Book Synopsis

Meet Caltro Basalt. He’s a master locksmith, a selfish bastard, and as of his first night in Araxes, stone cold dead.

They call it the City of Countless Souls, the colossal jewel of the Arctian Empire, and all it takes to be its ruler is to own more ghosts than any other. For in Araxes, the dead do not rest in peace in the afterlife, but live on as slaves for the rich.

While Caltro struggles to survive, those around him strive for the emperor’s throne in Araxes’ cutthroat game of power. The dead gods whisper from corpses, a soulstealer seeks to make a name for himself with the help of an ancient cult, a princess plots to purge the emperor from his armoured Sanctuary, and a murderer drags a body across the desert, intent on reaching Araxes no matter the cost.

Only one thing is certain in Araxes: death is just the beginning.

My Review

Chasing Graves is the first book I have read by Ben. I pleased to report that it won’t be the last. Ben has created a unique world in Chasing Graves going beyond the realms of what I have encountered in the world of fantasy before. The setting of Chasing Graves is what grabbed my attention initially. Araxes. A sprawling city of dark corners, broken laws, and loose morals. Where you don’t know if every step you take is going to be your last.

Ben describes Araxes in all its glory from its ghostly streets to the ruling classes of the nobles that hold this ancient city in an iron grip. Ben taps into all the senses enabling the reader to create a detailed image in their mind of the history and myths that surround Araxes. This was what I enjoyed the most about the book. The reason being is because even though this is a city of magic, cutthroats, ambitious nobles, and politics that you will find in most epic fantasies. Ben uses these well-worn tropes and turns them on their head creating an interesting currency that shows a person’s status within the world he has created. Instead of it being gems, money, and land. It is copper coins and shades which are souls bound to the world after death as a final gift from the gods.

This was a great twist on the Greek myths of the ferryman and the River Nyx. Asking the question of the reader how important is your soul? These sections are written so well from the viewpoint of Caltro Basalt a thief and good for nothing cheat. After he becomes a shade himself when he is murdered on his first night in Araxes by a gang of soulstealers lead by the ruthless Boran Temsa. Caltro is the only viewpoint that is written in first person throughout a book that has several viewpoints. I loved this as it allowed me to explore Caltro’s mind as struggles to understand the reasons behind who he is, how he goes about seeking revenge, and fights for his freedom from his enforced enslavement. We hear all his frustrations, and root for him to succeed as life continues to throw obstacles in his way giving us a unique look into how precious the soul is and how even after death we suffer pain.

The other viewpoints Ben includes in this engrossing epic fantasy is the ruthless Soulstealer Boran Temsa. He was favourite character. I loved the description of him. Straight away I could feel his relentless anger, smell his poisoned sense of the world and taste his hunger to improve his social standing. He drew me in making me want to know more about the criminal underbelly in which he lives and thrives to dominate. He is played off against another wonderfully executed viewpoint the empress in waiting Sisine. She is one determined woman, who will stop at nothing to come out on top in the game of deception that is being woven at the heart of Araxes. Both viewpoints enable the reader to explore all sides of the divide that exists within both characters circles of interest and when they finally meet it is explosive.

The final viewpoint Ben gives us is Nilith. A character that is used to take us away from the intoxicating streets of Araxes. Allowing us to explore other parts of the world in which the narrative is set. I adored the hilarious conversations between Nilith and her dead husband shade that helps bring a much-needed humour to what is otherwise a grim tale. This viewpoint is executed to great effect making you follow the clues to discover what secret Nilith is truly hiding. There was at times a predictability to Nilith’s arc. Yet this didn’t affect my enjoyment or disappoint me when the reveal occurred.

Ben has been able to give some well-worn tropes a new lease of life and at the same time add his own unique stamp to the ever-growing landscape of epic fantasy. This character driven narrative does exactly what it says on the tin. It is perfectly balanced between fast paced action and well fleshed out characters that keep you coming back for more. A highly recommended dark fantasy. Well done Ben. You receive four stars.

I received a free copy in exchange for an honest review and to take part in the blog tour. This doesn’t affect my views.

cg

 

Interview with Aurealis, Ditmar and Norma K Hemming Award Winning Author Sam Hawke Conducted by Dan Stubbings

In my ongoing quest to make more people read female authors and give them the spotlight they deserve. I am delighted to welcome Sam Hawke writer of the multi award winning City Of Lies for a insightful interview into her work.

DS: Sam thankyou for agreeing to do this interview. Its pleasure to have you on my blog today.

SH: Thankyou for having me. Its great to be here.

DS: So to start us off. For readers who aren’t familiar with you as a writer would you mind telling us a little about yourself and how you first got into writing?

SH:  When I took friends home for the first time as a kid, the first reaction they always had was to gape at the books. Our lounge room had ten foot floor to ceiling bookshelves on the walls, and though this was completely normal to me, it was obvious that we had more books than any of our friends had ever seen in a house before. Which is to say, I grew up in a house completely stuffed with books, with parents who always read to us and took us to the library regularly, and siblings who were big readers; books were always such a critical part of my life that the second I figured out writing them was a thing you could do, it was the thing I wanted to do.

How seriously I took the idea that I would one day be published varied over the years. I was still in primary school when I made my first effort to write a terribly derivative Enid Blyton-esque adventure novel (an upgrade from the previous attempts at stapling lots of paper together and writing Very Exciting chapter names on each one, and not much else), and in high school when I started on my first (bad) epic fantasy. I did a lot of editing for other people during my 20s and then started writing again in earnest when I was home looking after my first kid, because by then I’d figured if I didn’t do it then I never would.

DS: Wow sounds like a fantastic upbringing! Numerous poisons feature heavily within City of Lies. How much research did you do on poisons? Why did you decide to make them so important in your story?

SH: The first idea I had for City of Lies was tied very closely to poisons; Jov and Kalina came to me, more or less as they ended up, inexorably connected to their family’s job. Poisons were part and parcel of the characters, and it was a secondary step to start building a world around them that would make sense of who they were – what kind of society would have the need for a role like that? Why were poisons, rather than any other kind of violence, the attack of choice for powerful people?

I did do a lot of research on poisons, especially naturally occurring ones and poisons that were popular historically (I even had a good wander through a few poison gardens in Europe, which was a lot of fun!), but only as an influence rather than an instructional manual. I used fictional poisons rather than real ones for a couple of reasons. First, since I was writing a relatively low-magic fantasy, I wanted an opportunity to make the world feel different, and flora and fauna are a good non-supernatural way of establishing that feeling of a world not our own. Second, I wanted my readers to be in the same position as the protagonists, so if Jov didn’t know what a poison was, I didn’t want readers to be able to think, ‘oh that’s obviously arsenic’, or whatever, and solve things for him. But having said that, a lot of my fictional poisons are based loosely on real ones to help me along! I left a few clues in the names so keen eyed readers can probably spot some similarities.

DS: What do you think makes a perfect fantasy novel and why?

SH: Ha, there’s no right answer to that. What I might look for in a story might be entirely different from what you look for, or my neighbour looks for, or even a past version of myself looked for. For me it’s always about capturing that indefinable combination of characters and a world I want to spend time with, and a story that makes me feel things that linger past the closing of the book.

Well, that any anything Robin Hobb wrote.

DS: You write some unique viewpoints in City of Lies. Telling the story from the perspectives of individuals tasked with protecting their families. What challenges did these viewpoints present? What made them appeal to you?

SH: Fantasy is full of assassins and warriors and magicians and heroes, and I love these staples of our genre as much as anyone. But I’ve always been very interested in the characters working behind the scenes – the advisers and sidekicks and friends, the Sam Gamgees of the equation – and I also enjoy reading characters who play outside the usual gamut of professions and skillsets.

In particular, having two main characters who lack combat skills was something I wanted to explore because even though I love me a bit of cool fighting, I do think there’s a cultural over-reliance on violence as a solution in fiction. In fantasy so many problems are solved through violent conflicts. If your main characters’ best skills are ‘taking reeeeeally good tasting notes’ and ‘listening quietly’ then you can’t write the same story as if they were bad-ass ninjas. It forces you to think about different ways of telling a story.

DS: Awesome I love that answer. What kind of writer would you say you are and why?

SH: Oh, a disorganised and often reluctant one, I suppose. I love the feeling of having done the work, and I love the buzz of an idea coming together in my head (or, as often happens, solving a puzzle I left myself earlier, because Past Sam is something of a jerk) but how I feel about the actual process of writing is frequently more like something out of “The Unstrung Harp” (Dreadful, dreadful, dreadful!).

DS: What topics would you like to write about in future and why?

SH: I never plan by topic, so I’m afraid I can’t tell you until I start.

DS: Which author would you compare your writing style to? Which authors have influenced your writing career?

SH: Ha, I can’t be objective about that – I sound like me to me. You guys will have to make your own calls about who I’m like in style. In terms of influence, I’m sure I’ve taken it subconsciously from all over the place! In terms of what I wish I could do, as I said before, Robin Hobb’s books are everything to me, just… perfection. Everything you need to know about character and consequences, you can get from reading her work. When I was knuckling down and imagining an actual career in this field I also found the array of wonderful SFF writers from the 90s and 00s – people like Katharine Kerr, Kate Elliott, Melanie Rawn, Guy Gavriel Kay, Lynn Flewelling – and particularly the strong crowd coming out of Australia like Sara Douglass, Trudi Canavan, Glenda Larke, Garth Nix and Kate Forsyth, hugely influential. Strangely enough, considering I only ever wanted to write SFF, I also learned a lot about pacing, tension and unreliable narration from reading old Alastair McLean spy novels in my teens!

DS: City of Lies is book one of a planned trilogy is that correct? If so, what can we except in the next two books, and when are they scheduled for release?

SH: It will be a duology, and the sequel, Hollow Empire, is currently scheduled to come out in December 2020, if everything goes well. Knock on some wood for me, would you?

This interview was carried out over email. Thanks again to Sam for agreeing to take part. Thankyou forgiving me such thought-provoking answers.

city of Lies