Review of A Thousand Roads by John Robin Written by Dan Stubbings

Book Synopsis

Azzadul, the god-king, the Lord of Light revered by many. When the darkness corrupted him, he became the Dark Lord, feared the world over. His magic, once a gateway to immortality for his people, delved instead into horrors as he sought ever deeper levels of mastery. Children were stolen from their beds, coveted for his blood-rites. When he vanished, it all ended, and the people of the world tried to forget, to move on…

Jak Fuller has always wanted a home. An orphan born ten years after Azzadul’s disappearance, he has wandered far and wide, trying to forget the memory of a burning woman. When he comes to Fort Lasthall, on the outskirts of the Dark Lord’s former kingdom, he hopes to finally settle into a peaceful life. Instead, he finds himself unnaturally compelled by a dark, terrible voice, a voice that knows him, calls to him. A sense of destiny that fills him with fear.

New powers are rising in the dark places of the world. A master of fire-rites called Talamus the Red, arch-foe of Azzadul, seeks to enslave the world with a magic he has been developing for the many centuries of his life. Ready at last, there is only one weakness in his plan, an obstacle he is determined to remove: a boy, bound to an old magic that just might resurrect the power of Azzadul.

The very power bound to Jak, before he was even born…

My Review

Lately I have been looking to widen my reading tastes and discover new stories that haven’t been given a chance.  This has led me to some excellent self-published books that I have been able to review and add to my ideas for my own work. Therefore, I was thrilled to be asked to review John Robin’s A Thousand Roads.

A dark fantasy that forces you to completely rethink how an epic fantasy can be written. Now when I first opened the file from John and saw that his novel was 700 plus pages, I thought to myself what on earth have I let myself in for. However my doubts were soon cast aside as John takes you on a journey that I have rarely encountered within fantasy.

I will be honest though when I first started this complex and epic tale, I thought here we go again an orphan boy, lost gods, and ancient magic. Just another diluted Princess Bride mixed with some Lord of the Rings.  However, I couldn’t have been more wrong. John has been able to create such imaginative world-building, and complex characters that I found myself fully submerged within the story of the main protagonist Jak Fuller.

I wanted to know all aspects of his life. John allows us as readers to do just that. Taking us through every aspect of Jak’s life, from his late childhood when we first meet him entering Fort Last Hall as he moves from place to place with nothing more than the clothes on his back, and a wagon full of disregarded books all the way through to his damaged and scarred adulthood. This is for me is what is so compelling about this book. It moves away from the traditional fantasy narrative of only giving glimpses of a character’s formative years, and instead decides to dive into what Jak has been subjected to throughout his mysterious life. Allowing readers to experience his entire journey and discover why he is the way he is.

John’s talent as a writer truly shines through in these moments. His writing is detailed enough that it doesn’t overwhelm you but gives you just enough to build up an image in your mind of who Jak is and why he is central to everything. John does a fabulous job of slowly constructing Jak’s backstory. As well as introducing characters which will have a large impact upon him gradually. Enabling you to get to know them at your own pace which helps stop you having to check back to remember who they are, and why they have been added. You will find yourself wanting to encourage Jak, scream at him, and at times kill him. As he faced with several painful and hollowing choices.

This is one of the main themes throughout the narrative putting Jak in a position where he is forced to decide and face the consequences of his decision. As he tries to save his world from one of two evils. A powerful deity by the name of Talamus who wishes to enslave the world. There is only one way to stop him and Jak holds the key. However, to save the world from one monster Jak must enlist the help of an even greater one.

By the name of Azzadul. Azzadul vanished ten years however an ancient magic has restored his powers. Once known as the Lord of light his lust for power and immortality caused him to become corrupt and vicious destroying more than he rescued.  This choice however for me is more aimed at the reader as it begs the question as a human how many roads have you stared down in your life wondering which one to take? Wondering whether it will enhance your life for the better or worst and you hesitated or went straight ahead without regret. John does this throughout and I love it.

The chemistry between the two deities Azzadul and Talamus is electric, as they go back and forth to discover who will win this epic battle of wits. Some of the language used is so creative that I felt as those I was watching a Hollywood movie play out in my head. The imagery was so strong. As Jak is thrown in the middle of this mayhem you can’t help but fell in love with him but you will just have to read the book to find out why. This book ventures into dark territories and areas of society that is rarely given the light of day. However, John does it with a tenderness that forces you as a reader to evaluate everything you read with the critical eye of an expert detective. As you continue reading you will soon discover that nobody and I mean nobody can be trusted within A Thousand Roads.

This imaginative and dark fantasy will hold the attention of readers with its complex characters and well-constructed world. My only criticism would be that at times certain scenes were to long causing some of the tension built from previous chapters to be decreased. However, this should not stop people from picking up a copy as it is a highly enjoyable read. It receives 4.5 stars.

Thank you to Alicia Smock of Roll Out Reviews for making me aware of John’s work. Thanks to John for allowing me to review it and sending me a copy. This doesn’t affect my views.

 

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Review of Return of the Mantra by Susie Williamson Written by Dan Stubbings

My Review-

I had the pleasure of meeting Susie at Fantasy Con this year in Chester and after a lovely chat about her book. I asked if I could review it for her. Suffice to say it made my Top 20 reads of 2018 finishing in thirteenth place. I cannot wait for the sequel to be released.

Considering when I was putting together my Top 20 I had read 120 books. Return of the Mantra blew me away the moment I opened it. Everything about it was fresh and new but at the same time weirdly familiar as if I had read the story before. Why I kept reading however, and didn’t throw the book against the wall after five minutes is because I loved how Susie was able to flip these familiarities on their head, and give me a whole new level of enjoyment.

I adored the protagonist Suni a strong young girl who is forced to face the harshness of her world after the sudden death of her mother. I have to admit when I first read this I thought here we go a young girl loses her family and has to save the world.  However I was in for a pleasant surprise, as Susie doesn’t do this taking Suni’s story in a direction I completely wasn’t expecting. Suni’s character arc is one of the best I have read this year in any fantasy. Susie’s writing shows that she has given alot of thought to the direction she wants to take Suni’s character exposing a number of vulnerabilities to the reader along the way. These include her attitude towards sexuality, her struggles with abandonment, and the complex relationship she has with her absent father. As the plot develops we see these character traits become more and more dominate as Suni is tested to the extreme in a land ravaged by a brutal ruler who has enslaved his people, and in their warped minds become a god himself. This forces Suni to go in search of Mantra a forgotten god that in her mother’s eyes is the one true guardian of their world.

A character that allows us to see the abuse of innocence in this unforgiving place is Wanda an orphan boy with the power to understand animals. Suni becomes a big sister to him as they go in search of this fairy-tale. This relationship was the one that pulled on my heart strings the most. As Suni fights to protect Wanda’s innocence she is torn because at the same time she must make him understand the true nature of this world and its cruelties. This is every parents nightmare and is a clear theme throughout the book. With each parental figure making their own mistakes along the way some facing worst consequences than others.  It’s a relationship that I hope has more of a central role in the sequel as it has all the feels.

This book has everything I look for within fantasy. Strong protagonists and antagonists, an equal split of genders, diversity, and story-lines that at times reflected a modern day Africa. This is a highly satisfying read with a well developed world, and magic system I cannot wait to see how it continues. Well done Susie 5 Stars.

I received a copy from the author in exchange for an honest review this doesn’t effect my views.

 

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About the Author- Susie Williamson

Susie grew up in the village of Scholes, Holmfirth, in West Yorkshire. She studied at the University of Sheffield and graduated with a BSc Honours in Chemistry, and a PGCE in Secondary School Science. In 1999 she travelled to the city of Omdurman in the Sudan, where she taught English as a Foreign Language. From there she moved to South Africa, where she taught Adult Basic Education and Training, primarily in a township in Kwazulu Natal.

On her return to the UK, she moved to Exeter in Devon, where her childhood passion for creative writing was reignited. Among a collection of varied jobs, including support work at a women’s refuge, she increasingly prioritised her time to write. Inspired by the landscapes of Africa, her passion for women’s equality and representation of diversity, and her love of fantasy books, she began weaving the twists and turns of her first novel.

She lives with her partner, Kate, close to the river Exe and a bike ride away from the sea. She enjoys being involved in community projects, and painting canvases to steadily fill the white-washed walls of her house. Her writing partner is her cat, Mia, who is currently assisting with two fantasy novels, sequels to Return of the Mantra.

Review of In the Vanishers Palace by Aliette De Bodard Written by Dan Stubbings

Book Blurb:

In a ruined, devastated world, where the earth is poisoned and beings of nightmares roam the land… 

A woman, betrayed, terrified, sold into indenture to pay her village’s debts and struggling to survive in a spirit world.

A dragon, among the last of her kind, cold and aloof but desperately trying to make a difference.

When failed scholar Yên is sold to Vu Côn, one of the last dragons walking the earth, she expects to be tortured or killed for Vu Côn’s amusement.

But Vu Côn, it turns out, has a use for Yên: she needs a scholar to tutor her two unruly children. She takes Yên back to her home, a vast, vertiginous palace-prison where every door can lead to death. Vu Côn seems stern and unbending, but as the days pass Yên comes to see her kinder and caring side. She finds herself dangerously attracted to the dragon who is her master and jailer. In the end, Yên will have to decide where her own happiness lies—and whether it will survive the revelation of Vu Côn’s dark, unspeakable secrets…

Review

After discovering Aliette’s The Tea Master and the Detective this year I have been on a one man mission to read as much of her work as possible. So I was absolutely thrilled to receive a early review copy of her new novella In the Vanishers Palace. A dark retelling of Beauty and the Beast with an interesting twist the beast is a shape-shifting female dragon one of the last of its kind. I couldn’t wait to dive into this fast moving narrative.

When Yen is sold to one the last remaining dragons in her world Vu Con. She expects the worse, unexpectedly however she is tasked with tutoring Vu’s two unruly children, as time passes Yen finds herself developing feelings she never expected for Vu as more of Vu’s personality is revealed to her these feelings deepen. I adored how Aliette developed the relationship between Yen and Vu Con. Showing that even though Vu is a dragon she still struggles with secrets, and a longing to be accepted in her world. As the story unfolds Vu becomes almost human in our eyes making us wonder what truly is a monster? You cant help but begin to root for Yen’s and Vu’s relationship as you become engrossed in this charming tale these scenes come to life like a movie reel inside your head.  You can imagine every second of their interactions. My words simply cant do them justice. Please pick up the book, and appreciate them for yourself they are stunning bravo Aliette. 

The blending of Vietnamese myths within the narrative only further heightens the enjoyment as you read on with ravish. It may only be 145 pages in length but Aliette has been able to craft a wide spanning world that ensnares the senses, enabling her to expose both light and dark details of this dystopian world with a sensitivity that is quite simply astonishing. I loved the description of Vu Con’s lair as it grew within my mind every detail building on the last, becoming so vivid I felt as though I could almost reach out and touch it.  This book is a must read for writers wanting to learn how to write LGBT characters in a sensitive, and unpatronising way that gives real weight to the characters, and pushes the narrative forward. 

It receives 5 stars as Aliette’s writing continues to leave me wanting more. All I can say is buy it you won’t regret it.

I received a copy from the author for an honest review this doesn’t effect my views.

 

Review Of Guess Who by Chris McGeorge Written by Dan Stubbings

Book Synopsis

ONE ROOM. FIVE SUSPECTS.
THREE HOURS TO FIND A KILLER.

GUESS WHO

A waitress. A cleaner. An actress. A lawyer. A student. Everyone is a suspect.

WHERE

In a locked room – with no escape, and no idea how they got there.

WHAT

In the bathtub, the body of a man they all knew. Someone murdered him. Someone in this room.

WHY

They have three hours to find out. Or they all die.

THE RULES ARE SIMPLE. THE GAME IS NOT

Review

Let me start this review off by saying this book took me by surprise from the moment I opened it to the final paragraph. The book opens with a young pupil finding his teacher hanging from the ceiling in his classroom. This begins a chain of events that will have you up until the early hours, as you race ahead to find out how a suicide of a teacher links into the main plot. It is one of the most intriguing subplots I had the pleasure of reading in recent crime fiction, and didn’t see the conclusion coming at all simply brilliant.

A large proportion of the book is spent in one room told through the eyes of Morgan Sheppard. A big time TV show host who is famous for solving crimes. However when he wakes up tied to a bed with five strangers staring at him and a dead body in the bathtub his detective skills are truly put to the test. Unfortunately for the others in the room, Morgan is suffering a deep trauma and isn’t dealing with it in the best way using drink and drugs to help him get by. As the plot develops this begins to have a greater impact upon him making you wonder will he solve it in time or will they all perish.

One of my main worries when reading the book was how will Chris be able to maintain the tension when such a massive amount of the action occurs in one room.  I should never of worried because at no point does Chris lose tension. In fact he was able to increase it to such a level that I felt I was in the room with them. Speaking the dialogue becoming the detective.

The main reason why I felt this was because of how every character is described to the reader. Making us either love them, hate them, or be not quite sure about them. I found that Chris’s way in presenting these details to us was unique, and allowed me to become more engaged with an assembled cast of characters then I have in a longtime within modern crime fiction. Chris has made sure all the characters have well developed backstories, which keeps you intrigued throughout taking you through multiple emotions from hate, anger, love, and sadness. A character which stuck with me to the end was Headphones. A shy claustrophobic girl who hardly speaks but when she does you listen because you find yourself yearning to discover what her role is within this complex plot. I fell in love with her. I am sure you will to.

Something I wasn’t expecting were the chapters told from the viewpoint of the antagonist. These chapters were some of my favourites as it allows the reader to tear back layers of their personality, and discover what has driven the antagonist to commit this crime.  I hope Chris uses this kind of viewpoint again in his future works, as it is a rarity in crime and something I greatly enjoyed.

Highly recommended 5 stars. An outstanding debut. I can’t wait to see what Chris produces next.

Review of Ice Fall By Stephanie Gunn Written by Daniel Stubbings

About the Book

The Mountain on the planet of Icefall holds the mystery to a lost colony and an irresistible, fatal allure to the climbers of the universe. Maggie is determined to be the first to make the summit. Aisha, injured in a climbing incident herself, has always supported her wife, trusting Maggie would return from her adventures. But no one ever returns from the Mountain.

Review

This fast paced novella has everything a sci-fi fan could wish for. Creepy AI’s, space-travel, futuristic technologies, lost colonies, unconquered mountains and planets you cant help but want to explore.

The story is told from the viewpoint of spacecraft pilot and injured climber Aisha. A character that as the plot thickens, we discover has many secrets that as we dig deeper begin to expose some unpleasant truths about her past and future. One of them being her ongoing fight to support her wife’s ambitions of been the first climber to summit the mountain on Ice Fall. As she continues to struggle with the ongoing pain surrounding her mysterious headaches, and secrets coming from all sides we as a reader begin to wonder about what truly lurks beneath the surface of these two main characters. At times it made my skin crawl as I became more and more submersed in this vivid world of Stephanie’s creation. Hoping with every turn of the page to uncover what the mountain held.

One of the joys of Stephanie’s writing is that it makes you feel unsure and disturbed. She just has that amazing quality which every writer I like to read has, where you think she leading you down one path but then totally flips it on it’s head and makes you go what the hell. I loved it. These characters and world grab you from the moment you open the cover, and dont let go whisking away on an adventure that will make you question everything you think makes you human. When the story begins we are told that the planet us humans call earth has long been destroyed. Erased from the universe by wars, greed, and feminism meaning humans have had to colonise, and develop technologies that help them to thrive in a new environment known as Icefall.

An ice colony in the far reaches of space with a mountain nobody has conquered. Many have tried as the climb isn’t difficult, but for some reason nobody ever seems to return. Some trip never to rise, some fall asleep never to wake, and others step off the edge without so much as a scream. Making you wonder the entire time what dark secrets does it hold.

The level of detail Stephanie goes into when describing the climbs on this fictional world is astonishing. From the equipment they use to how their breathing changes as they rise is done with breathtaking accuracy. Throughout these passages I felt as though I was Maggie and I was there to conquer this beast that lay before me this allowed me to fully submerge myself into this imaginative world, and become the character which is something I always look for. I couldn’t wait to read on. For a novella it is jam packed with ideas. However at no point did I feel short changed with every thread concluding with an unseen twist or ending I enjoyed.

My only criticism would be that sometimes you lost who was speaking in some of the dialogue. Therefore causing a drop in some of the tension that had be created. However this was a small thing in what otherwise was a well polished novella, with a unique idea and plot.  It gets 4 stars from me a highly enjoyable read. I will be recommending it to other sci-fi fans.

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About Stephanie Gunn

Stephanie Gunn is an Aurealis and Ditmar award nominated author of speculative fiction. In another life she was a research scientist. Now she spends her time writing, reviewing and reading. And buying far too many books. She lives in Perth with her family.

 

I received a copy from the publisher in exchange for an honest review. This doesn’t affect my views.

Extract from The Thought Book 2 By Jay Mullings As part of Blog Tour uploaded By Dan Stubbings

Extract

The Truth About Being A Black British Screenwriter

Getting The Respect You Deserve As A Black British Screenwriter, A Die Hard Mission Impossible… – JM

DID HE JUST SAY THAT?

Yes, I said it! Someone had to! It’s hard being a Black British Screenwriter. In Britain it isn’t Black History Month. Over here, there is still very far to go before you will see the types of stories I grew up starved for. My daily diet is composed of a lot of TV, Film and Books. Don’t think for a single second this is coming from nowhere. I’ve studied my craft and I continuously practice it well. Having travelled far and wide to seek the wisdom of my peers, trusted the opinions of others and even entered festivals in lands I’ve never travelled to!

These are not the ramblings of someone who has given up; rather they are the words of someone who is getting even more fired up! Have you never gotten fired up before delivering your best stuff? – JM

WHERE IS THIS COMING FROM?

What is fuelling this fire? The stupid myth this country is clinging desperately to. Yes, I’m talking about the vaunted gatekeepers. You might like to think of yourselves as upholding standards but you’re really so far beneath it.

Everyone has a reason not to give you a chance as a writer, no one is immune to rejection. This is known to all who have tried to gain representation or pitch an idea etc. Now add being black and male on top. There is a fetish for BAME female writers and it seems the black man is collateral damage. Now am I happy to see BAME people of any kind secure the bag? Of course! Should that diminish the demand for my stories and perspective? No! Balance is the goal after all right?

MOVING GOALPOSTS FOR BLACK BRITISH SCREENWRITERS…

You’ve won awards? That’s nice, but have you won this particular one? Yeah I mean exactly the one that traditionally has never been awarded to your types (unique black) of story.

You know, ones where the black people in them do things over than get whipped for period specific reference, get called uncivilised or savages, sell work out of an estate or hurt people as a hobby.

USEFUL FEEDBACK?

Badly disguised coded language to the highest degree, with people passing on the world’s most patronising advice as if you’re far too stupid to notice. We can’t market your story about black people who came here in the heights of racist Britain via boat and the foundation they set up for future generations. Yes, because all we seem to do here is make

period pieces where black people are treated like fodder until somebody (white) saves them or they die in service.

CONCEPTUAL MISUNDERSTANDING?

Maybe it’s because in this particular story they speak patios amongst themselves in parts. They have only one child, they hustle to survive. The youngster skips school to contribute, working with his hands to come up. He gets married, sends his only child to boarding school, to give him the best possible chance at elevating his lineage to more legitimate endeavours. I could go on but you get the point. 3 generations in one story. Rich world building and character depth.

IF IT WERE…

On the other hand, if this family were to be based in America and let’s say Italian in descent. These same gatekeepers would welcome it with open arms. Rhetoric like, “It’s so authentic, they even speak Italian amongst each other” etc. There is a reason people (not me) have dubbed Tree House the mini/baby (TV) Godfather worldwide. It resonates as a story that needs to be told. Is it an exact replica? No! However, it is a point of reference much like Tolkien was for Martin. Did that make Songs of Ice and Fire any less of a celebrated masterpiece? Open your minds and stop being so rigid. Move past period pieces and romanticising about a lack of social progress.

BRITISH TV/FILM HAS NO MARKET FOR STORIES FROM BLACK BRITISH SCREENWRITERS?

I’m tired of the made up excuses about what can and can’t work, while comparing it to other things from across the Atlantic. British TV is dire because there is no representation. There is no medium between period drama whitewashing and estate life. If there is, it’s an exercise in tokenism and not something with any staying power. It is never used as a launching pad for other unique stories. There is a reason people are seeking these American shows with pluralism. Firstly they are interesting and secondly they at least attempt to address the imbalance.

BLACK BRITISH SCREENWRITERS ARE HERE ON THE BACK OF SKILL/WILL…

Careers have been launched (America), resurrected and there is progression in sight. New voices have been nurtured and they make sure the world knows who they are. Over here? It’s as if you have to wait for someone to die for an opening. Even the people with credits get put on ice and abandoned to melancholy for years. Acting isn’t the only creative endeavour in Film/TV! Stop making it about the success of one person while ignoring so many others of equal or even superior talent. It’s not a turnstile, this one in one out thing has to stop!

LITERARY AGENCIES I AM TALKING TO YOU…

Agencies! Do you even have BAME people reading your submissions? Not that you should be blind to good storytelling in the first place, but why is it you don’t seem to believe unique stories from BAME communities are very ‘now’? Was there a memo stating that being a screenwriter was off limits to black men in particular that I didn’t receive?

BEING A BLACK BRITISH SCREENWRITER BEFORE THE REVOLUTION

I wrote Feminunity 3 years before #METOO and the ‘all black’ solidarity for #TIMESUP. This story has strong female characters (7 lead roles) and covers situations not dissimilar to some of the chilling stories victims have bravely shared. Why shouldn’t this see the light of day? Shouldn’t it be made? Is this not relevant and now? Can’t an R rated film showing something other than slavery/war/Nazi Germany be backed here? Do I have to go to America before England says, “Hey big head?”

FINALLY

I know everybody has heard about the success of The Black Panther movie #WakandaForever. However, there is more to it than just good marketing, casting and the draw of comic books. People are starved for movies which serve up more than the same ole same old. Representation definitely matters! So where is that same energy in the UK? Where are these new Black British voices? I’m just asking for a friend…

 

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ABOUT ME

Award winning screenwriter, poet and recently nominated blogger. I believe in Truthful, Fearless, Creativity. Writing is a gift I don’t take for granted! Life is finite, so I’m here now and I’d like to make an impact. As a person I am positive, engaging, laidback, jovial but also capable of intense focus. I’ve known for years what I wanted to do and I’ve set about it with passion and originality. As you can imagine, being artificially held back is not something I could’ve predicted. The frustration I feel is a byproduct.

Extract from The Thought Book 2 by Jay Mullings. Jay is an award-winning screenwriter, and his books The Thought Book & The Thought Book 2 are out now, available from writtenmirror.com. Follow Jay on twitter and Instagram @WrittenMirror.

Thanks to The Book Publicist for inviting me to be part of this tour.

Review of Lancelot by Giles Kristian Written By Dan Stubbings

Book Synopsis

The legions of Rome are a fading memory. Enemies stalk the fringes of Britain. And Uther Pendragon is dying. Into this fractured and uncertain world the boy is cast, a refugee from fire, murder and betrayal. An outsider whose only companions are a hateful hawk and memories of the lost.

Yet he is gifted, and under the watchful eyes of Merlin and the Lady Nimue he will hone his talents and begin his journey to manhood. He will meet Guinevere, a wild, proud and beautiful girl, herself outcast because of her gift. And he will be dazzled by Arthur, a warrior who carries the hopes of a people like fire in the dark. But these are times of struggle and blood, when even friendship and love seem doomed to fail.

The gods are vanishing beyond the reach of dreams. Treachery and jealousy rule men’s hearts and the fate of Britain itself rests on a sword’s edge.
But the young renegade who left his home in Benoic with just a hunting bird and dreams of revenge is now a lord of war. He is a man loved and hated, admired and feared. A man forsaken but not forgotten. He is Lancelot.

Set in a 5th century Britain besieged by invading bands of Saxons and Franks, Irish and Picts, Giles Kristian’s epic new novel tells – in Lancelot’s own words – the story of the most revered yet reviled of all Arthur’s knights, the warrior who fought at his lord’s side – yet stole his wife. This is the story of the of one of the great figures of British myth and legend – a story ready to be re-imagined for our times.

My Review

After reading and watching countless material on the King Arthur legend. I was intrigued to see what new insight Giles Kristian would bring in his new release Lancelot. I am pleased to report that he hasn’t disappointed, breathing fresh air into a tale that is as old as the British Isles themselves.

The focus on Lancelot’s early life is what held my attention throughout this book. Giles has been able to write really interesting threads regarding Lancelot’s upbringing, and personality. Which gripped my attention in ways that I hadn’t encountered from previous works on Lancelot and Arthur.

This enabled me as a reader to reassess my previous conclusions about Lancelot, and explore his character with fresh eyes that forced me to see the man instead of the legend. I found this incredibly satisfying, and found myself becoming more emotionally invested in Lancelot as a character than I had previously when reading his legend. As the story progressed I was pleased to see Giles move away from the traditional narrative of Lancelot. His scandalous affair with Guinevere that destroyed his relationship with Arthur, and almost Camelot.

Instead Giles has chosen to examine sides of him that normally wouldn’t come into consideration. This change in narrative has allowed Giles to take us on a journey through Lancelot’s  tortured past. Giving the reader insight into his training, his relationship with his father, his time living with a certain individual called Merlin. As well as his nurturing of a hawk that he is grossly unprepared for.

Some highly emotional, and beautifully written scenes from Giles within the book occurred when Lancelot was developing his bond with the hawk. Training it to become a vicious friend who he could never be parted. Giles has a way of making even the most simple scene come to life, slowly drawing you in, making you lower your guard, before ripping apart your soul at a later date. When I finished I felt I had run five marathons back to back it is that intense.

Of course Arthur is mentioned. You couldn’t have one without the other. However even in the scenes with Arthur at no point do you get the feeling that he is the main focus. Giles keeps your mind firmly fixed on Lancelot. By creating more mystery within his character, making you wonder who truly was the man we know as Lancelot? And could he actually be real?

This enthralling book moves at a delicious pace hitting the reader with a buffet of sensory delights from vivid fight scenes, shipwrecks, and characters that burn into your soul.  You hear every clash of swords, smell the richness of the blood, taste the bitterness of the sea as it hits your lips, feel the pain and anguish that Lancelot goes through, and visualise the harshness of the land in which our characters walk.  The writing is food for the soul. It  seems to sing off the page, as you race to keep up, and discover how the boy became the legend in all his gory detail. This is a historical epic at its finest perfect for fans of Ben Kane, and Bernard Cornwell. 5 Stars.

I received a copy from the author for an honest review this doesn’t effect my views.

 

Review of my Book of the Year Dark Pines by Will Dean Written by Dan Stubbings

Book Synopsis

SEE NO EVIL

Eyes missing, two bodies lie deep in the forest near a remote Swedish town.

HEAR NO EVIL

Tuva Moodyson, a deaf reporter on a small-time local paper, is looking for the story that could make her career.

SPEAK NO EVIL

A web of secrets. And an unsolved murder from twenty years ago.

Can Tuva outwit the killer before she becomes the final victim? She’d like to think so. But first she must face her demons and venture far into the deep, dark woods if she wants to stand any chance of getting the hell out of small-time Gavrik.

Review

Ill admit when I first picked up Dark Pines, and saw that the protagonist was deaf. I thought here we go again. Another author who won’t have done research, resulting in a character that appears weak, which forces them to have to rely on others to feel part of their society, and makes them feel almost embarrassed to be disabled.

This kind of portrayal had become the norm for me when reading disabled characters in literacy or film. Where it appeared that writers had simply gone into a dark room, and produced these stereotypical characters without considering to consult disabled people. Which would have enabled them to get true opinions and find out if these characters they had written were accurate representations of how the disabled population saw themselves. Instead of simply allowing the writers to adhere to some kind of inclusion quota. This caused me to disengage with these characters as I became more frustrated over time as I felt they didn’t reflect me as an individual.

Therefore it was a breath of fresh air opening this book and discovering that Tuva the main protagonist is the complete opposite.  Quite frankly there isn’t enough words in the English language to tell you how much I adore Tuva Moodyson. I cried tears of joy, as I raced ahead to discover more about this bad-ass woman.  As Will had finally made me feel that a disabled character represented me in all their glory. Thank you Will.

At no point did he make Tuva weak or make her need anyone else to accomplish her goals. She is a fiercely independent woman who is proud of her disability, and never hides, or uses it for an excuse. I was punching the air with glee reading paragraph after paragraph saying this is me in female form. Will has done an incredible job of capturing what it truly means to be a modern day disabled person, other writers take note this is how we want to be written. Will absolutely nails it. He empowers Tuva in several ways she is a respected journalist, she lives independently, and has a vibrant sex life and drives a mean truck that seems to take on anything. I didn’t want the book to end. She is a character that stays with you. I haven’t been able to get her out my head since I finished this epic read.

Now if that isn’t enough to make you go out and buy this book on the spot. There is more to wet your appetite.

Will is like an award winning chef adding just the right amount of ingredients to make you devour this book in one sitting. From gory detailed murders, to a range of memorable characters. My favourite of which are a pair of mysterious wood carving sisters that I truly hope I never meet down a dark alley as they scare me to death. They are so creepy.

They are just one of several characters that help to create a fast paced narrative. That causes you as a reader to continuously question each characters motives, as Will moves you around his chessboard of murder and deceit you begin to wonder will Tuva figure it out in time, and live to see another day.

What further makes it standout is the setting. A dense, dark, Swedish forest that seems to come alive as each scene unfolds. Drawing Tuva deeper into its clutches, as she goes in search of what could be the connection between the murders of the present, and a set of murders known as the Medusa murders carried out many years previously. The connection being of course that all the corpses have their eyes carved out. I loved this signature of the murderer. I found it unique helping to build tension as you tried to uncover who would lose their eyes next.

This book has everything you look for in a crime novel. Atmospheric setting, an engaging and multi layer protagonist. Unique killings, well rounded subplots with satisfying conclusions. It has it all. I cant speak highly enough of this astonishing read. 5 stars isn’t enough it’s that good. All I can say is go out and buy it now. I love it.

Review of Tales from the Shadow Booth Volume 2 Edited By Dan Coxon Written by Dan Stubbings

Book Synopsis 

The booth juts at an angle from the sand, the canvas taut beneath the weight of the drifting dunes. Janet almost passes it by. But it’s the sign that snags her attention. Painted in rust-red onto three pieces of driftwood, the sun-bleached planks lashed together with lengths of twisted blond twine, it looks surprisingly fresh. Enter the Shadow Booth, it says, and you will never be the same again.
The Shadow Booth, a journal of weird and eerie fiction, returns for Volume 2! Drawing its inspiration from the likes of Thomas Ligotti and Robert Aickman, The Shadow Booth explores that dark, murky hinterland between mainstream horror and literary fiction.
Volume 2 contains new stories by: 

Chikodili Emelumadu
Dan Grace
Kirsty Logan
Johnny Mains
Ralph Robert Moore
Mark Morris
Gareth E. Rees
Giovanna Repetto
George Sandison
Anna Vaught
Aliya Whiteley

Enter the Shadow Booth, and you will never be the same again…
Review

This collection of dark and eerie tales from several contemporary and diverse writers is a readers dream. Once I started reading I couldn’t put it down. Every story has its own uniqueness that draws you in and forces you to keep reading with each one seeming to build upon the last.

Three stories from the collection that stood out for me were:

We Are the Disease by Gareth Rees. An eerie tale set abroad a ship trapped in the Arctic ice. As more crew members become effected by their isolation they begin to see and witness strange creatures and behaviours. Throughout the story Gareth had me on the edge of my seat making me wonder is this real, or is it the crew giving into their basic fears, which is making them create these sightings. Throughout the entire story your never quite sure what is the disease? Gareth’s voice and writing style is simply gripping. I could almost feel my fingers burning as I turned pages racing to finish.

The next was My Father’s Face by Giovanna Repetto. A tale about a man who has lost his memory and how he fights to get it back. As the story unfolds however we begin to question is this person trustworthy, and what are they hiding. It moves at a neck-breaking speed and makes you question everything you thought you knew about family. It was my favourite story in the collection. The voice is so unique. I want to read more by this author I loved it.

The final story was Feasting;Fasting by Anna Vaught. A story featuring elements of tradition horror and supernatural. A strange house, an unusual family, and a small village with a story to tell at no point does Anna give away who they are, what they are, and why they are there. She allows you as a reader to draw your own conclusions, and decide for yourself who these people are, and what their story is. It is a totally different take on the haunted house narrative.

This book has something for everyone. Unique writing styles, cultures, and author voices that make it stand out from the crowd. I would recommend it to anyone who enjoys the weird and wonderful. The three stories I selected are only glimpse of what awaits. Go and check it out. It gets four stars. It is a highly polished read.

I received a copy from the publisher for an honest review this doesn’t effect my views.

Review of City of Lies (A Poison War Novel) By Sam Hawke Written by Dan Stubbings

Book Synopsis 

I was seven years old the first time my uncle poisoned me… 

Outwardly, Jovan is the lifelong friend of the Chancellor’s charming, irresponsible Heir. Quiet. Forgettable. In secret, he’s a master of poisons and chemicals, trained to protect the Chancellor’s family from treachery. When the Chancellor succumbs to an unknown poison and an army lays siege to the city, Jovan and his sister Kalina must protect the Heir and save their city-state.

But treachery lurks in every corner, and the ancient spirits of the land are rising…and angry.

Review

Sam Hawke has been able to create a fantasy world, and plot that challenges the norms of the fantasy genre, and pushes the boundaries to great affect. As a reader I always look for originality in fantasy, as it can sometimes become bogged down in the same old plot lines, and characters. That are enjoyable however most of the time you can kind of predict their next move. However I couldn’t say this about Sam’s debut novel.

It has a delightful freshness and twists that you cannot predict. That ooze off every page with ease drawing you deeper into the world, city, and characters she has created. Her writing style has a uniqueness that you rarely see within the fantasy genre, and one I enjoyed immensely.

From the way she dip feeds information regarding the vast society within her imaginary world, to how much information she gives us on how its governed, and what poisons are at play. Her voice comes through, adding a insightful prose to the descriptions, and dialogue given to the main elements of characters and the world itself.

I also enjoyed the lack of a magic system within the narration. Due to the fact that at times I feel to much focus is given to how magic is used, and controlled within fantasy. However Sam didn’t need this to make her story fast paced and highly enjoyable.

I loved how every chapter opened up with a description of a new poison its symptoms, what it could do, and how it was administered.

At times I feared this would impact upon the tension within the story, as you believed someone was going to be affected by this new poison. However as I read on the poison fell into the background. As you hitched a ride on the coat tails of Jovan or Kalina the two main character viewpoints within the story.

I especially enjoyed how Sam chose to give us different narrations from what we are used to within fantasy. Enabling us to see the perspectives of the people tasked with protecting the heirs of their society, instead of an assassin who is tasked with killing them.

This bought with it beautifully detailed insights, and helped me warm to, and care about the characters deeper than I have in some recent fantasies I have read. Sam hits all the feels, and takes you on an emotional roller-coaster as you fight to understand what is happening.

The whole story takes places in one city however at no point does the scale of what Sam is trying to achieve feel small. In parts it reminded me of RJ Barker’s Wounded Kingdom Series. As readers are taken on a thrill ride of mystery and intrigue, asking you the constant question of whodunnit.

This is a brilliant genre mashup, and I look forward to seeing where this series goes. Also if the opening line to the book “I was seven years old the first time my uncle poisoned me”. Doesn’t grab your attention. Then quite frankly you need to give your head a shake. This book deserves to be huge. Go out and buy it well done Sam.