Review of Dead of Night Written by Michael Stanley Written by Dan Stubbings

Book Synopsis 

When freelance journalist, Crystal Nguyen, heads to South Africa, she thinks she’ll be researching an article on rhino-horn smuggling for National Geographic, but within a week she’s been hunting poachers, hunted by their bosses, and then arrested in connection with a murder. And everyone is after a briefcase full of money that she doesn’t want, but can’t get rid of… Fleeing South Africa, she goes undercover in Vietnam, trying to discover the truth before she’s exposed by the local mafia. Discovering the plot behind the money is only half the battle. Now she must convince the South African authorities to take action before it’s too late, both for the rhinos and for her. She has a powerful story to tell, if she survives long enough to tell it.

Review

Dead of Night is a book the world needs. Its a crime novel with a different.  Unlike your usual crime novel where you can usually figure out who’s committed the crime towards the end. Dead of Night throws you off at every turn. Drawing you into the sea of deceit that by the time you realise you’re fully submerged the darkness has you firmly in its grasp.

The story is told mostly from the perspective of a young journalist called Crys Nguyen. Who we are first introduced to when she discovers her friend, and fellow journalist Michael Davidson has gone missing investigating the illegal trade of rhino horn in Africa for National Geographic. Desperate to find out what has happened to him she reaches out to National Geographic, and agrees to pick up where he left off. Little does she know that her decision could lead to her death moving her into a world of black market dealings, corrupt cops, and organisations with dangerous ideas. As she finds out more regarding Michael’s disappearance she is faced with choices that could define the rest of her career.

Dead of Night has it all murder, kidnappings, stolen money, and enough shady characters to make even The GoodFellas look tame. The beauty of Michael’s writing is that as he introduces more characters into the story regardless of their position in the status quo he continuously makes you think. He has the ability to make every character fall into grey areas nothing is black or white. As a reader you’re never quite sure who’s telling the truth or what their motive could be. The reason being is because even until the last page I wasn’t sure what was going to happen next. Nothing was predictable which as somebody who reads alot of crime begins to notice. It was liberating to be given that thrill again of not knowing what was around the next corner. Allowing my heart to race, and my fingers to burn as I couldn’t turn the pages fast enough to keep up. Every line and character had a purpose. It had me from the first line never letting up.

Another aspect I enjoyed aside from the murder mystery which was thrilling. Was the fact that through the use of a crime thriller Michael draws attention to a more damaging issue.

The backdrop of the narrative is where this book grows a life of its own. Asking us as readers to put on a different lens placing a taboo subject under the microscope. The illegal trade of Rhino horn that is ripping the heart and soul out of Africa and Vietnam. Michael does an amazing job of presenting balanced viewpoints from both sides of this unknown world explaining why it occurs, and why multiple factors are to blame for this trade continuing to flourish. I adored how Michael didn’t shy away from how poverty stricken Africa is. Explaining in detail that if the West doesn’t take some responsibility for what has driven people to became involved in these crimes then this black market will only continue to grow.

The book includes some risky material but it needs to be said to educate the public and give them an informed choice. This is why Orenda Books are my number one reads at the moment. Every book delivers a profound message stirring emotions, opening my eyes to corners of the world that I would never have being exposed to if wasn’t for these books. Dead of Night receives five stars. I loved it.

I received a copy of this book from the publisher in exchange for an honest review. This doesn’t affect my views.

 

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Review of Hopeful Monsters by Roger McKnight Written by Dan Stubbings

Why Not Pre-Order Now by Clicking This Link: https://storgy.com/2019/08/02/hopeful-monsters/

Book Synopsis

Hopeful Monsters: Profound Book of Short Stories Explores Humanity Through Lens of Minnesotans. Roger McKnight’s ‘Hopeful Monsters’ is a beautiful collection of short stories, reflecting on Minnesota people, that takes readers on a journey through pain, defeat, triumph and hope. Covering social issues including immigration, race and social injustice – McKnight showcases humanity through the periscope of one of the United States’ most unique groups of people.

Roger McKnight’s debut collection depicts individuals hampered by hardship, self-doubt, and societal indifference, who thanks to circumstance or chance find glimmers of hope in life’s more inauspicious moments. Hopeful Monsters is a fictional reflection on Minnesota’s people that explores the state’s transformation from a homogeneous northern European ethnic enclave to a multi-national American state. Love, loss, and longing cross the globe from Somalia and Sweden to Maine and Minnesota as everyday folk struggle for self-realization. Idyllic lake sides and scorching city streets provide authentic backdrops for a collection that shines a flickering light on vital global social issues. Read and expect howling winds, both literal and figurative, directed your way by a writer of immense talent.

Review

Upon opening Hopeful Monsters Roger’s voice bursts off every page like a lightening bolt begging you to listen. His voice is a road map helping us peel away the hidden meanings behind his words. It felt almost at times as if he was giving me a social commentary on our current climate. Presenting stories that focused attention on several problems throughout the world that effect everyone in one form or another.

One story that struck this point home most was a story called September Mist. A story of two people who love each other deeply but because of race and other circumstances can never truly be together. Roger’s words seem effortless as he conveys the struggle these two face to be accepted within their respected communities before they can even begin to see a future together. A line that stood out for me on this theme was “Yes, some places black folks don’t go very often-not that we can’t-we just don’t” said by Eve. One of the two main voices in the story when encountering glances from a white gentleman in a restaurant. I couldn’t help but draw parallels with the segregation of blacks in the 1950s in the US and wonder whether Roger was trying to get the reader to realise that unfortunately some of these longheld prejudices have never truly left the modern world.

A story which I have read countless times was Rain Shadow. The story centres around a group of homeless people who tackle daily battles with each other as well as their own demons. Roger explores many different problems that impact upon the group from addiction to helping draw one another back from the brink. The reason I keep coming back to it is because of its rawness. Roger presents in sixteen pages, a hollowing account of what it truly means to be homeless when all you have is your own thoughts and a few friends to keep you sane. Nothing feels overexaggerated or put in simply for dramatic affect. The scary thing is he was only scratching the surface.

Addiction is a theme that Roger revisits numerous times using different characters throughout the collection to display his message. Roger paints the corrupt forms that addiction takes in a way that I haven’t encountered previously. He uses addiction as a hook to help show the depths that a person will go to get their fix regardless of the consequences. Whether it is relationship break down, loss of their job, or their kids being taken away. Yet he does it in a way that never comes across as judgemental showing the reader that even the best person can make the wrong decision.

This truth is displayed wonderfully in a story called Iago where our character goes to the pits of society in search of what he thinks is eternal bliss. I felt this was the most powerful story in the whole collection as it demonstrates the dark horror of drugs. Exposing the reader to the wide spreading effects addiction can have on a community in a sensitive and eye-opening verse that forces you to push the boundaries on what you think you know.

What I adored most about Hopeful Monsters was the fact that Roger highlighted the plight of several vulnerable groups within his stories. He wasn’t afraid to discuss sensitive topics such as suicide, homelessness, addiction, and mental health creating an array of intriguing characters and scenarios to give a voice to the forgotten in our society.

Every story seems to be centred around some key universal themes that help to create a narrative that explores the hidden corners of the mind and society. Begging the question how much has really changed? For me Hopeful Monsters is more than a short story collection. It is a memoir of how different life choices can set a person down a path that sometimes they cannot return from. I look forward to reading more of Roger as this collection was a work of art. It receives 5 stars. A must read.

I received an advance copy from the publisher in exchange for an honest review. This doesn’t affect my views.

About the Author

roger

Roger McKnight hails from Little Egypt, a traditional farming and coal-mining
region in downstate Illinois. He studied and taught English in Chicago, Sweden,
and Puerto Rico. Swedes showed Roger the value of human fairness and gender
equity, while Puerto Ricans displayed the dignity of their island culture before the
tragedy of Hurricane Maria and the US government’s shameful post-disaster
neglect of the island’s populace. Roger relocated to Minnesota and taught Swedish and Scandinavian Studies. He now lives in the North Star State.

 

 

 

Interview with Daniel James Author of The Unauthorised Biography of Ezra Maas Conducted by Dan Stubbings

DS: After giving his incredible debut The Unauthorised Biography of Ezra Maas five stars, making it one of my reads of the year so far. I am delighted to welcome Daniel James to my blog for an in depth interview about his work. Welcome Dan thanks so much for doing this.

DJ: My pleasure Dan thank you for having me.

DS: Let’s get started

DS: For readers who aren’t familiar with you as a writer would you mind telling us a little about yourself and how you first got into writing?

DJ: I’m an author and journalist from Newcastle upon Tyne. I live by the sea with four cats and a collection of empty bourbon bottles. My first novel, The Unauthorised Biography of Ezra Maas, was published at the end of 2018, but I have been writing seriously since I was a teenager. Becoming a published author has always been my dream. I ended up studying literature at university and went on to become a journalist on the basis that it would help refine my writing and bring me into contact with lots of different people and the stories of their lives. It did exactly that – and what began as a day job turned into a decade-long career. I was nominated for several awards, including UK Young News Writer of the Year and worked as a freelance journalist in London and overseas. I spent a few years as an investigative journalist and gained no shortage of enemies for asking difficult questions and trying to discover the truth. By the end, I was mainly working on arts and culture, having finally been allowed to gravitate towards my own interests, and got the chance to write more experimental, creative non-fiction-style interviews and features about musicians, writers and artists. Despite the relative success of my career in the media, I still consider myself to have been an ‘accidental journalist’, as my heart and mind were always set on one day becoming a published author and writing my own books.

DS: Where did the idea for Ezra Maas first develop? How did you know it was the correct idea to choose for your first novel?

DJ: It began with a phone call in the dead of night. That was my introduction to Ezra Maas. I can’t be sure of much that happened after that, but I know that’s where it started. Everything else – how I would tell Maas’s story and how I came to realise my own place in the narrative – came together very quickly after that. I knew straight away that I didn’t want to write a traditional biography – it had to be experimental, a combination of fact and fiction, drawing on different genres, different sources and different media. Walking the streets of Newcastle late at night, in the hours after the phone call, the novel presented itself in my mind, almost fully formed, as if it already existed somewhere out there in the dark, and my task was simply to bring it into this world. It was a strange experience in many ways, like a kind of possession. When Beckett was writing his trilogy of prose novels in the late 40s, he described the experience as ‘the siege in the room’ and that’s exactly how I felt. The novel was being transmitted to me – channelled through me perhaps – and I had to commit it to the page and in doing so, make it real. That’s how I knew it was the one – the idea that would become my first novel. Never before or since, had I been so excited to start writing and so driven and committed to write every day until the work was done. Even now that the book has been published, I still open it sometimes and that electricity is still there.

DS: What do you think makes a perfect novel and why?

DJ: I think everyone’s perfect novel is different. Books have this incredible ability to be both universal and deeply personal. When you read a novel and you disappear into that world, it’s ‘your’ experience, just you and the world of the book. It’s spiritual. And yet, the same book can be read by thousands, perhaps millions, of people, each connecting with the text in their own unique way. Stories provide an escape from reality, but the truths they contain also help us see the world with fresh eyes and new clarity. Books don’t take us away from the real world, they help us reconnect with it by blocking out the noise. Fiction is a doorway to the truth.

DS: You have poured a lot of yourself into the narrative, so my question is where does Dan James end and Ezra Maas begin?

DJ: You could say the book is as much my autobiography as it is Ezra’s biography. It’s definitely an authentic snap-shot of my life while I was writing the book from 2011 to 2018 – or at least, as I’ve been described, ‘permanently hungover, flirting with danger, disappearing and reappearing at will’. At the same time, I feel like the more I talk about myself, the more I write about myself, the less I reveal. This is something I learned from Ezra and reference in the novel:

“Maas didn’t have to hide his secrets, he casually scattered them on the ground for all to see and watched the trees grow up around him. For in a forest of signs nothing could be seen clearly at all.”

DS: What kind of writer would you say you are and why?

DJ: A good one, I hope.

DS: What topics would you like to write about in the future and why?

DJ: Everything. All of the ideas I have in my head and all of the ideas I’ve yet to have. I wish I had more time to write all of the stories I’ve dreamed up over the years, but I’m going to have to prioritise those particular narratives – like The Unauthorised Biography of Ezra Maas – that demand to be told. By the end, I hope to have written novels in many different genres and styles and to have created a body of work that continues to be read and enjoyed long after I’m gone. Ultimately, I just want to continue writing books that I would love to read. I did exactly that with Ezra Maas and that will remain my guiding principle when choosing which novels I’m going to write over the next few years and beyond.

DS: You use several different methods to get your message across. From interviews to journal entries. What made you decide to use these techniques to such wonderful effect?

DJI remember a story about the Irish writer Flann O’Brien’s manuscript for The Third Policeman being lost to the wind after the boot of his car opened and it blew out, almost as if the story was too much for the page. I always thought of the truth about Ezra Maas in the same terms. Ezra Maas, as a subject, was too big to be contained by a single genre or format. When you’ve got a subject as complex and multi-faceted as Ezra Maas, a traditional biography was never going to cut it. Others tried going down that road and failed. I had to create something as experimental and unorthodox as Maas’s own body of work.

I also wanted readers to be able to investigate his life and death alongside me, to read through the letters, interviews, official records, newspaper clippings, emails, phone transcripts, and try to separate fact from fiction. By including authentic archival material in the book, the sections between chapters feel almost like a live ‘case file’ through which readers can play detective themselves before returning to the main narrative. You’ve then got the chapters from the Maas biography itself, covering 1950 to the present day, alternating with my hardboiled-style investigation in 2011-12, as I travelled around Europe and the US, searching for the truth about Maas’s disappearance. Finally, you have the work of my editor and the 500+ footnotes. Like the man himself, the book has many layers and many different faces.

DS: Which author would you compare your writing style to? Which authors have influenced your writing career?

DJ: I don’t really compare myself to anyone. You begin to establish your own voice and your own style, every time you write, even if you’re not aware that it’s happening. The journey to being published is about discovering that voice and acknowledging – sometimes only after your novel is out there in print – that you have a style that is yours and yours alone. You don’t necessarily get to choose your style, as much as you might aspire to write like your literary heroes – it develops naturally the more you write and the more you read. There are writers whose work I love and admire, who have definitely influenced my work, but they’re all very different, and my writing style is nothing like theirs, at least on the surface. Their influence goes much deeper, to the level of ideas. You’ve got to find your own voice and your own style just as they found theirs. I wouldn’t compare myself with my favourite writers or to anyone else. Comparisons are for readers and critics to make and I’m always interested to read different perspectives on my work. I’ve been very lucky to have had some excellent reviews from very knowledgeable readers and they’ve all had their own unique insight into the book and on my style as a writer.

In terms of my favourite writers, it’s a very long and eclectic list that I’m adding to all the time. Samuel Beckett. Raymond Chandler. Paul Auster. Thomas Pynchon. Jorge Luis Borges. James Joyce. Philip Pullman. Ross MacDonald. James Lee Burke. Cormac McCarthy. George Orwell. Philip K. Dick. Bob Dylan. Patricia Highsmith. Virginia Woolf. Kurt Vonnegut. Elena Ferrante. Joan Didion. Hunter S Thompson. Leonard Cohen. Wes Anderson. Bryan Talbot. William Burroughs. Alasdair Gray. William Hjortsberg. Marc Behm. Ted Chiang. Flann O’Brien. Stanislaw Lem. Michael Connelly. Franz Kafka. Clarice Lispector. Charles Bukowski. James M Cain. Joel and Ethan Coen. Alain Robbe-Grillet. Martin McDonagh. Edgar Allan Poe. William Goldman. Aimee Mann. David Lynch. And many, many others.

DS: How do you create your characters? 

DJ: They come from real life, from history, from the world, from the people around me, from my own mind, everywhere. I draw a lot on personal experience, but I also try to be open and receptive to the stories taking place around me. There are potential characters everywhere.

DS: What’s next for Daniel James?

DJ: Tangier maybe, during the Interzone years. Or maybe a return to Los Angeles or Paris. I have unfinished business in both cities. Tokyo would be somewhere entirely new. I don’t know where I’ll go next. All I know is that one day soon, I’ll disappear. Sometime later, I’ll be found watching the world from a cafe or a bar, with a cold drink on the table and a notebook in my hands, looking out for the next story.

I’m working on a new novel now. I’ve actually got four separate books, all at different stages, underway simultaneously (which is madness obviously) and more planned after that. I’ve had an idea for a collection of short stories too. The ideas never stop. It’s just a case of deciding the order I’m going to write them all and that’s more of an intuitive process, like divining for water. You can’t force it, but when you know, you know. It’s like being struck by lightning. You can’t miss it.

This interview was carried out by email. Thanks so much to Dan for giving up his time and producing some spellbinding answers.

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Interview With Susie Williamson Author of Epic Fantasy Return of The Mantra Interview Conducted by Dan Stubbings

Today I am pleased to welcome the incredibly talented Susie Williamson. Author of Return of The Mantra, one of favourite books of 2018 to my blog for another female author spotlight interview.

DS: Welcome Susie. Thanks so much for agreeing to the interview

SW: No problem Dan. Thank you for having me.

DS: Lets begin I am dying to find out more. For readers who aren’t familiar with you as a writer would you mind telling us a little about yourself, and how you first got into writing?

SW: Growing up in a village in West Yorkshire, some of my favourite childhood memories are the Saturday morning ritual of visiting the local library, and returning home with a stack of books to devour. Stories are a gift, and I started writing them as soon as I could write, mostly pages and pages of adventures that never seemed to have an ending. For as long as I can remember, I knew I wanted to write a book. Life took many tangents, until I finally found the inspiration, and space, to get serious. I returned from four years living in Africa and settled in Exeter. While taking walks around the river Exe, I mulled over characters and scenes, and soon my door was covered with scribbled on post-it notes. The plan was developing, the characters taking shape, and 300 words a day around various shift work saw the first draft make progress. After several drafts I began to believe I might one day have a book I wrote nestled on my bookshelf. I still live in Exeter with my partner Kate, and my writing partner, Mia the cat. And with Return of the Mantra nestled on my bookshelf, I’m working towards seeing my second book sitting next to the first.

DS: Please can you tell us a little about your writing routine if you have one?

SW: I allocate writing days. I have a tendency to analyse, overthink, and get distracted, so writing on days filled with work or too many chores doesn’t work well. Writing days involve get up, get dressed, and turn the computer on by 8am at the latest. Aside from a midday walk, I’ll stay there until 5ish. I don’t have a problem with self-motivation, and find that just making a start, writing something, anything, gets the creative juices flowing. In the early days I found these stints more difficult to maintain, and disciplined myself by writing to a word count. 300 words at the very beginning, turned into 500 words and then 1000 words. When I hit 2000 words I stopped counting. Then, when I started editing with the mantra, every word must count, I realised that progress involved reducing the word count. Ultimately we all have to find our groove for what works for us, but make a start, write something. You can’t edit a blank page!

DS: You’re quite the globetrotter. How much has your travels impacted upon your writing?

SW: Living in Africa from 1999 to 2003 greatly influenced my debut novel. From the extraordinary sights and sounds of Khartoum to South African township life, the colours of the social and geographical landscapes inspired the world building in my novel. Living and teaching among local African communities, with drumming, prayer and ritualistic chanting the norm, magical realism didn’t feel too big of a stretch. Together with extraordinary African wildlife, the concept of the book, complete with its magic system, was born. Writing Return of the Mantra became a refuge to revisit Africa and relive cherished memories. When I read extracts now, I’m reminded of life in the rural South African township; the smell of bonfires, and cowhide soaking in big barrels of water, then being dragged out to dry in the sun ready for making drums. The seemingly magical rituals of the Sangoma, and the tight bonds between members of the community as they lived with the reality of poverty and violence. I’m reminded of the lush green landscapes and incredible wildlife, and the efforts to preserve it. And then there was the contrasting Sudan, with its arid landscapes, rolling haboobs and much needed rainy seasons. I’m reminded of the old woman roasting coffee beans over hot coals in the market, of the stern Sudanese soldiers upholding curfew, and a gift I received from a Sudanese friend – a matchbox with a big emerald green beetle inside. He told me a story that day, about a game he used to play as a boy, tying string to the legs of these beetles and flying them like kites. This childhood tale is just one example of how I used realism to add depth to the characters and environment in this land of contrasts

DS: What do you think makes a perfect fantasy novel and why?

SW: Primarily, as with any novel, I look for character driven storylines. Beyond that, imaginative settings with a plausible magic system. I look for protagonists that I can root for from the first, someone I can relate to and empathise with. I look for settings that spark my imagination, plot lines and character back stories with depth, and fantastical elements that make sense, that are explained, that have logic. I look for diversity among the characters, written with sensitivity and free from stereotypes, stories that are inclusive and represent our diverse societies. I think the genre of fantasy in particular gives us great opportunities to reflect this diversity.

DS: Your main protagonist Suni is a teenager. Yet you make her endure some brutal experiences. What made you decide to write these scenes for such a young girl, and what do you feel this brings to Return of the Mantra?

SW: I aim to write with representation of diversity in mind, to attempt to reflect society. For me, this is more than looking at gender, race, etc…, but more broadly, including life experiences. In writing my debut, I thought back on my life and the lives of women and girls I’ve known, both in Africa and here in the UK. In the UK I spent five years working in a women’s refuge, supporting women and children fleeing domestic violence and abuse, as well as prostitution. Domestic violence and abuse was discussed at length with students in the Sudan, and this, as well as sexual oppression and violence was sadly prevalent in the South African township. In writing a female protagonist, as well as a number of female secondary characters, I wanted to see women and girls represented, to include real life experiences, to not shy away from the suffering experienced in real life but to also include messages of empowerment. Some of these experiences are more common than many would like to believe, are uncomfortable subjects that are often, conveniently, brushed under the carpet, meaning those who experience them are ignored. Readers look for characters they can empathise with. I wanted to include characters that people I’ve known might be able to relate to.

DS: The relationship between Wanda and Suni are some of my favourite scenes in Return of the Mantra. They are written so beautifully. How much of the relationship did you have to plan out before you wrote it down, and how much grew organically as you went deeper into your fantasy world?

SW: In South Africa, I met a number of young children who were sadly orphaned. In a way, Wanda’s character came to represent these children. Although Wanda is not the main character in Return of the Mantra, his character was one I came to know first. He’s an orphan, yet I wanted his story to be positive; I wanted him to find people he would look upon as family. Suni’s role in caring for Wanda was established in the planning stages. From the first, this relationship was central to the overall storyline. As the story developed, their relationship strengthened, as well as their own roles developing independent of each other.

DS: Please can you tell us about your journey to being published and what made you decide to go with Stairwell Books?

SW: After a number of drafts, painstakingly combing through edits, striving to make the story as good as it could be, I began to realise that I couldn’t see the wood for the trees. Then came the doubts. Am I good enough? Can I write? Should I get a proper job? After scouring through a writer’s magazine I came across the writer and editor, Debz Hobbs-Wyatt, offering a professional critiquing service. I dared to hit send, offering up my beloved manuscript for some objective feedback. I found this support invaluable and would definitely recommend writers to get their work critiqued professionally before sending it out. Then, with a tightened manuscript ready, I searched the Writers and Artists Handbook and came up with a list of potential publishers. The rejections came thick and fast, until I began researching companies more thoroughly and narrowing down the list of publishers. Looking into Stairwell Books, I came across a U-tube clip of Rose Drew. As well as writing and publishing, among other things, she is also a performance poet. Seeing her perform one of her poems in the clip, listening to the content, it struck me that she might like my book. And she did. Seeing Return of the Mantra with the others titles of Stairwell Books feels right. Among their selection they look for work that offers good representation and diversity, and stories that make you think.

DS: Return of the Mantra is book one of a planned trilogy is that correct? If so, what can we except in the next two books, and when are they scheduled for release?

SW: Yes, so far it’s a trilogy, but never say never to more… In books 2 and 3 expect new worlds and cultures, and storylines exploring how lands are connected. In book 2 I’m excited to see the development of Wanda’s character, in particular the impact of his past. Written as a split first person narrative, the story is predominantly told through Suni and Wanda’s differing perspectives. As for release dates, with life as in stories, the unexpected happens, and due to a recent illness there has been a delay in the writing. But progress is being made and book 2 is safely in the editing process, so I will keep you posted.

DS: Which author would you compare your writing style to? Which authors have influenced your writing career?

SW: I have a collection of Ursula Le Guin’s works which I’ve read and reread countless times. One of my favourites is the Tombs of Atuan from the Earthsea Quartet. The young priestess, Tenar, is born into servitude to the Nameless Ones, destined to live out her days in a dark underground world. When she first meets the wizard, Ged, she thinks he’s a thief. But instead of leaving him to die as she’s supposed to do, she begins to consider the world outside, and dares to question everything she’s been brought up believing. The truth turns her world upside down, forcing her to realise how she was controlled. The fact that she stepped outside, leaving everything familiar to venture into the unknown, is something that stuck with me. She was a heroine, not for brandishing swords and fighting wars, but for her strength in reclaiming her identity. Female characters that break stereotypes, unconventional heroines and heroes, are certainly motivators for my own writing.

DS: You tackle some complex themes in Return of The Mantra. Which ones were the most difficult to write, which were the easiest and why?

SW: The art of fiction is writing believable stories, characters and worlds, and fantasy is no exception. Writing scenes which portray the physical and sexual oppression of young women were the easiest in terms of believability, since I have significant work experience in this area. At the same time, they were the hardest scenes to write, since, like all character writing, they involved getting into character, seeing the experience through their perspective. This was an uncomfortable process.

DS: LGBT relationships feature heavily within the story which I adored. Why did you feel it was important to include this topic in your work?

SW: Readers look for characters they can empathise with. As a gay woman, I am no exception. LGBT people exist in all walks of life, therefore if a story with a cast of characters is to be representative of society, LGBT cannot be ignored. Over time I hope to see more LGBT in stories, in such a way that it isn’t defined as LGBT but rather as mainstream. This goes for all aspects of diversity. In the end, the more people who write, hopefully the more diversity we’ll see.

This interview was done over email. Thanks again to Susie for agreeing to do it, giving some amazing answers.

Mantra-Cover-Front-V5-P2b

Review of Chasing Graves(Chasing Graves Trilogy Book 1) By Ben Galley Written Dan Stubbings As Part of the Ben Galley Ultimate Blog Tour

Honoured to be part of the Ben Galley Ultimate Blog Tour. Thanks to Dave for inviting me.

Book Synopsis

Meet Caltro Basalt. He’s a master locksmith, a selfish bastard, and as of his first night in Araxes, stone cold dead.

They call it the City of Countless Souls, the colossal jewel of the Arctian Empire, and all it takes to be its ruler is to own more ghosts than any other. For in Araxes, the dead do not rest in peace in the afterlife, but live on as slaves for the rich.

While Caltro struggles to survive, those around him strive for the emperor’s throne in Araxes’ cutthroat game of power. The dead gods whisper from corpses, a soulstealer seeks to make a name for himself with the help of an ancient cult, a princess plots to purge the emperor from his armoured Sanctuary, and a murderer drags a body across the desert, intent on reaching Araxes no matter the cost.

Only one thing is certain in Araxes: death is just the beginning.

My Review

Chasing Graves is the first book I have read by Ben. I pleased to report that it won’t be the last. Ben has created a unique world in Chasing Graves going beyond the realms of what I have encountered in the world of fantasy before. The setting of Chasing Graves is what grabbed my attention initially. Araxes. A sprawling city of dark corners, broken laws, and loose morals. Where you don’t know if every step you take is going to be your last.

Ben describes Araxes in all its glory from its ghostly streets to the ruling classes of the nobles that hold this ancient city in an iron grip. Ben taps into all the senses enabling the reader to create a detailed image in their mind of the history and myths that surround Araxes. This was what I enjoyed the most about the book. The reason being is because even though this is a city of magic, cutthroats, ambitious nobles, and politics that you will find in most epic fantasies. Ben uses these well-worn tropes and turns them on their head creating an interesting currency that shows a person’s status within the world he has created. Instead of it being gems, money, and land. It is copper coins and shades which are souls bound to the world after death as a final gift from the gods.

This was a great twist on the Greek myths of the ferryman and the River Nyx. Asking the question of the reader how important is your soul? These sections are written so well from the viewpoint of Caltro Basalt a thief and good for nothing cheat. After he becomes a shade himself when he is murdered on his first night in Araxes by a gang of soulstealers lead by the ruthless Boran Temsa. Caltro is the only viewpoint that is written in first person throughout a book that has several viewpoints. I loved this as it allowed me to explore Caltro’s mind as struggles to understand the reasons behind who he is, how he goes about seeking revenge, and fights for his freedom from his enforced enslavement. We hear all his frustrations, and root for him to succeed as life continues to throw obstacles in his way giving us a unique look into how precious the soul is and how even after death we suffer pain.

The other viewpoints Ben includes in this engrossing epic fantasy is the ruthless Soulstealer Boran Temsa. He was favourite character. I loved the description of him. Straight away I could feel his relentless anger, smell his poisoned sense of the world and taste his hunger to improve his social standing. He drew me in making me want to know more about the criminal underbelly in which he lives and thrives to dominate. He is played off against another wonderfully executed viewpoint the empress in waiting Sisine. She is one determined woman, who will stop at nothing to come out on top in the game of deception that is being woven at the heart of Araxes. Both viewpoints enable the reader to explore all sides of the divide that exists within both characters circles of interest and when they finally meet it is explosive.

The final viewpoint Ben gives us is Nilith. A character that is used to take us away from the intoxicating streets of Araxes. Allowing us to explore other parts of the world in which the narrative is set. I adored the hilarious conversations between Nilith and her dead husband shade that helps bring a much-needed humour to what is otherwise a grim tale. This viewpoint is executed to great effect making you follow the clues to discover what secret Nilith is truly hiding. There was at times a predictability to Nilith’s arc. Yet this didn’t affect my enjoyment or disappoint me when the reveal occurred.

Ben has been able to give some well-worn tropes a new lease of life and at the same time add his own unique stamp to the ever-growing landscape of epic fantasy. This character driven narrative does exactly what it says on the tin. It is perfectly balanced between fast paced action and well fleshed out characters that keep you coming back for more. A highly recommended dark fantasy. Well done Ben. You receive four stars.

I received a free copy in exchange for an honest review and to take part in the blog tour. This doesn’t affect my views.

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Review of God of Broken Things ( The Age Of Tyranny Book 2) by Cameron Johnston Written by Dan Stubbings

Book Synopsis

An outcast magician must risk his body and mind to save the world from horrifying demons, in the heart-pounding epic fantasy sequel to The Traitor God.

Tyrant magus Edrin Walker destroyed the monster sent by the Skallgrim, but not before it laid waste to Setharis, and infested their magical elite with mind-controlling parasites. Edrin’s own Gift to seize the minds of others was cracked by the strain of battle, and he barely survives the interrogation of a captured magus. There’s no time for recovery though: a Skallgrim army is marching on the mountain passes of the Clanhold. Edrin and a coterie of villains race to stop them, but the mountains are filled with gods, daemons, magic, and his hideous past. Walker must stop at nothing to win, even if that means losing his mind. Or worse…

My Review

After finishing the explosive Traitor God. I was eager to discover how Johnston would continue the journey of the mysterious and at times mildly irritating Edrin Walker. Reeling from the truths he discovered about the Arcanum who rule Setharis and the deaths of two of his best friends in Traitor God.

We find Walker in turmoil hell bent on uncovering how many mages have been infected by the evil Scarrabus that caused the betrayal of a once trusted ally and the murder of his best friend. As the story develops Johnston peels back the layers of these soul sucking parasites giving us an in depth look into how powerful they are and the lengths they will go to accomplish their sadistic mission. I was pleased that this aspect of the narrative further developed. As I had several questions regarding the complexity of the Scarrabus. Where they originated, who is behind their involvement in the downfall of Setharis, and could they really be stopped.

Johnston provides this information in graphic detail making for a story that has you racing to keep up. What I enjoyed most about how Johnston revealed the information to the reader was that at no point did I feel as though I was been drawn in an info dump. The reveals were seamless, moving the plot forward at a neck breaking pace adding gruesome details to the already horrific image of the Scarrabus in my mind. The Scarrabus are a relentless manifestation of pure darkness in the world of Setharis and will have you reading through your fingers.

However, they are only half of the story that Edrin Walker finds himself at the centre of. Even though he pretty much saved Setharis by nearly getting himself killed. He still isn’t trusted by most of the Arcanum. Half want him dead and the others treat him as if he is a cobra waiting to strike. Plus, things are about to get worse when he is sent on a mission to help stop the invading army of Skallgrim with a bunch of mercenaries that would sooner put a knife in his back. First though he must navigate a region of snow-covered mountain passes that house some of the vilest creatures imaginable. Some Edrin though were long buried.

This is a highlight of the world that Johnston has constructed. His mythology is so vivid, and complex that as you keep reading you find yourself in a weird space between fearing these gruesome beings that are hunting our crew of misfits, and at the same time wanting to know more about them to discover the thought process behind this deep ingrained mythology. This is what I enjoyed most about Johnston’s writing. He enabled the reader to go beyond the ruined city of Setharis, which is described in such vivid detail in Traitor God, that you feel as though you would be able to walk through as if it were New York or Leeds. Sampling the sounds, tastes, and smells of this city steeped in magic and mystery.

That had its place in the narrative making for a fabulous murder mystery and revenge backstory that helped set up what is to come making you want to read book 2. However, what makes God of Broken Things better than Traitor God in my opinion is it moves at a faster pace tapping into the mythology and people’s fears in ways that doesn’t stall the plot. At times in Traitor God I found myself saying do we really need to know this. Drawing my attention away from what I was enjoying about the plot. I must stress this is only personal preference Traitor God was still one of my books of 2018.

God of Broken Things got rid of those problems, creating a vicious beast that made it feel as though a Ford Fiesta had been replaced by a Ferrari. Opening our eyes to a range of interesting sections of Edrin’s world that Johnston had only given us glimpses of in Traitor God. As Edrin moves forward within these places we begin to see a clash of cultures relating to how people hold suspicions and legends to their hearts. This causes several problems for Edrin as he grapples with his control over his own magic and how far he can take it before losing himself.

God of Broken Things is a fantastic end to what has been a spellbinding series of engrossing magic systems, vile creatures that still haunt my nightmares, and side characters such as Eva and Cillian that only help to enhance your enjoyment of this brilliantly written narrative. This is Grimdark with a delicious twist and I hope more people sample this dish. It receives 4 stars.

I received a review copy from the publisher in exchange for an honest review. This doesn’t affect my views.

 

Interview with Aurealis, Ditmar and Norma K Hemming Award Winning Author Sam Hawke Conducted by Dan Stubbings

In my ongoing quest to make more people read female authors and give them the spotlight they deserve. I am delighted to welcome Sam Hawke writer of the multi award winning City Of Lies for a insightful interview into her work.

DS: Sam thankyou for agreeing to do this interview. Its pleasure to have you on my blog today.

SH: Thankyou for having me. Its great to be here.

DS: So to start us off. For readers who aren’t familiar with you as a writer would you mind telling us a little about yourself and how you first got into writing?

SH:  When I took friends home for the first time as a kid, the first reaction they always had was to gape at the books. Our lounge room had ten foot floor to ceiling bookshelves on the walls, and though this was completely normal to me, it was obvious that we had more books than any of our friends had ever seen in a house before. Which is to say, I grew up in a house completely stuffed with books, with parents who always read to us and took us to the library regularly, and siblings who were big readers; books were always such a critical part of my life that the second I figured out writing them was a thing you could do, it was the thing I wanted to do.

How seriously I took the idea that I would one day be published varied over the years. I was still in primary school when I made my first effort to write a terribly derivative Enid Blyton-esque adventure novel (an upgrade from the previous attempts at stapling lots of paper together and writing Very Exciting chapter names on each one, and not much else), and in high school when I started on my first (bad) epic fantasy. I did a lot of editing for other people during my 20s and then started writing again in earnest when I was home looking after my first kid, because by then I’d figured if I didn’t do it then I never would.

DS: Wow sounds like a fantastic upbringing! Numerous poisons feature heavily within City of Lies. How much research did you do on poisons? Why did you decide to make them so important in your story?

SH: The first idea I had for City of Lies was tied very closely to poisons; Jov and Kalina came to me, more or less as they ended up, inexorably connected to their family’s job. Poisons were part and parcel of the characters, and it was a secondary step to start building a world around them that would make sense of who they were – what kind of society would have the need for a role like that? Why were poisons, rather than any other kind of violence, the attack of choice for powerful people?

I did do a lot of research on poisons, especially naturally occurring ones and poisons that were popular historically (I even had a good wander through a few poison gardens in Europe, which was a lot of fun!), but only as an influence rather than an instructional manual. I used fictional poisons rather than real ones for a couple of reasons. First, since I was writing a relatively low-magic fantasy, I wanted an opportunity to make the world feel different, and flora and fauna are a good non-supernatural way of establishing that feeling of a world not our own. Second, I wanted my readers to be in the same position as the protagonists, so if Jov didn’t know what a poison was, I didn’t want readers to be able to think, ‘oh that’s obviously arsenic’, or whatever, and solve things for him. But having said that, a lot of my fictional poisons are based loosely on real ones to help me along! I left a few clues in the names so keen eyed readers can probably spot some similarities.

DS: What do you think makes a perfect fantasy novel and why?

SH: Ha, there’s no right answer to that. What I might look for in a story might be entirely different from what you look for, or my neighbour looks for, or even a past version of myself looked for. For me it’s always about capturing that indefinable combination of characters and a world I want to spend time with, and a story that makes me feel things that linger past the closing of the book.

Well, that any anything Robin Hobb wrote.

DS: You write some unique viewpoints in City of Lies. Telling the story from the perspectives of individuals tasked with protecting their families. What challenges did these viewpoints present? What made them appeal to you?

SH: Fantasy is full of assassins and warriors and magicians and heroes, and I love these staples of our genre as much as anyone. But I’ve always been very interested in the characters working behind the scenes – the advisers and sidekicks and friends, the Sam Gamgees of the equation – and I also enjoy reading characters who play outside the usual gamut of professions and skillsets.

In particular, having two main characters who lack combat skills was something I wanted to explore because even though I love me a bit of cool fighting, I do think there’s a cultural over-reliance on violence as a solution in fiction. In fantasy so many problems are solved through violent conflicts. If your main characters’ best skills are ‘taking reeeeeally good tasting notes’ and ‘listening quietly’ then you can’t write the same story as if they were bad-ass ninjas. It forces you to think about different ways of telling a story.

DS: Awesome I love that answer. What kind of writer would you say you are and why?

SH: Oh, a disorganised and often reluctant one, I suppose. I love the feeling of having done the work, and I love the buzz of an idea coming together in my head (or, as often happens, solving a puzzle I left myself earlier, because Past Sam is something of a jerk) but how I feel about the actual process of writing is frequently more like something out of “The Unstrung Harp” (Dreadful, dreadful, dreadful!).

DS: What topics would you like to write about in future and why?

SH: I never plan by topic, so I’m afraid I can’t tell you until I start.

DS: Which author would you compare your writing style to? Which authors have influenced your writing career?

SH: Ha, I can’t be objective about that – I sound like me to me. You guys will have to make your own calls about who I’m like in style. In terms of influence, I’m sure I’ve taken it subconsciously from all over the place! In terms of what I wish I could do, as I said before, Robin Hobb’s books are everything to me, just… perfection. Everything you need to know about character and consequences, you can get from reading her work. When I was knuckling down and imagining an actual career in this field I also found the array of wonderful SFF writers from the 90s and 00s – people like Katharine Kerr, Kate Elliott, Melanie Rawn, Guy Gavriel Kay, Lynn Flewelling – and particularly the strong crowd coming out of Australia like Sara Douglass, Trudi Canavan, Glenda Larke, Garth Nix and Kate Forsyth, hugely influential. Strangely enough, considering I only ever wanted to write SFF, I also learned a lot about pacing, tension and unreliable narration from reading old Alastair McLean spy novels in my teens!

DS: City of Lies is book one of a planned trilogy is that correct? If so, what can we except in the next two books, and when are they scheduled for release?

SH: It will be a duology, and the sequel, Hollow Empire, is currently scheduled to come out in December 2020, if everything goes well. Knock on some wood for me, would you?

This interview was carried out over email. Thanks again to Sam for agreeing to take part. Thankyou forgiving me such thought-provoking answers.

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A Panel That Changed My Life At Newcastle Noir 2019 Written by Dan Stubbings

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Men In Black Panel with Paul E Hardisty and Luke McCallin

Most of you who have attended festivals will know that certain panels are more crowded than others. Several reasons can contribute to this. Big names, popular books, reach of the publishers. Yet on Sunday at Newcastle Noir I took a chance I went to a panel where I didn’t know anything about the two writers that were on show. I had never read their books, never interacted with them on social media they were complete unknowns to me. Never in my wildest dreams did I think that when I emerged an hour later I would be in tears hugging one of my best friends saying what the hell just happened in there? My whole world perspective changed forever. It hasn’t left my thoughts since echoing in the background as I go through my daily routines on repeat. I have spent days trying to figure out why this panel had such a profound impact upon me. Stirring my emotions to a level I have never experienced in a public forum previously. As I left the auditorium an electricity sparked in the air people showing facial expressions that pretty much stated what I was thinking inside my head. Never have I left a panel feeling so emotionally drained passed the point of no return.

It felt as if an invisible dam of rage had burst within me flooding out in uncontrollable sobs. I slumped in my chair hidden in the darkness. My head in my hands wondering how I could have been so blind. Questioning everything I had ever been taught, experienced, and absorbed within my thirty years of life. It was like I had been asleep and finally, I was awake. Alive with new possibilities that hadn’t entered my thinking until that moment. That may sound abit dramatic but it’s how Paul and Luke made me feel opening my eyes to a world I hadn’t visualised. Asking me to challenge my own assumptions, look beyond the system I had been subjected to since birth and form my own opinions with new information.

Now to look upon Luke and Paul you would be forgiven for thinking that they are two unassuming guys. Two people you could meet in any bar in the world and happily have a drink with. Paul dressed in a black biker jacket, quietly spoken yet one of them people that then they do speak you listen. Luke reminded me of one of my old university lecturers in his shirt and jacket silently moving among the crowds taking it all in. However once they began discussing their writing, life stories, and what they were passionate about. A spell was cast over the audience enchanting everybody in attendance. All of us hanging on their every word. You could have heard a pin drop. A silent sombre entering the atmosphere not to be disturbed. As they shone light into the darkness peeling back our eyes and ears asking us all to look deeper. At no point however did you feel preached to. I felt as though I was having a pint down the pub with a long-lost friend and didn’t want to leave.

I guess that is the power of stories when they are told properly they speak to you, stir your emotions, and get you to think beyond what you know. That is what the Men in Black Panel did for me. It has changed my whole worldview as a writer and individual. All I would like to say to Paul and Luke is thank you for making me cry for making me feel alive again. Your panel will never leave me. I think I speak for everyone who was there when I say this the tears felt good. I needed them and so did everybody else.

 

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Review of The Unauthorised Biography Of Ezra Maas by Daniel James Written by Dan Stubbings

Book Synopsis 

Ezra Maas is dead. The famously reclusive artist vanished without a trace seven years ago while working on his final masterpiece, but his body was never found. While the Maas Foundation prepares to announce his death, journalist Daniel James finds himself hired to write the untold story of the artist’s life. But this is no ordinary book. The deeper James delves into the myth, the more he is drawn into a nightmarish world of fractured identities and sinister doubles, where art and reality have become dangerously blurred…

Review

I will be honest when I was first asked by Dan James to review his book. The Unauthorised Biography of Ezra Maas. I was unsure whether it would keep my attention. It wasn’t what I usually like to read. However, as they say don’t judge a book by its cover. So, I agreed, I am so pleased I did as it has become my book of the year so far for 2019.

From the first page I was swept into a world of red-herrings, encrypted clues, and a life that breathed as soon as you read the first sentence. What I loved most was how Dan was able to blur the lines between reality and fiction. Immersing the reader into a world of mystery and biography writing that the great Hunter S Thompson would of been proud of. It is gonzo journalism at its finest. As the pages ran away from me. I found myself constantly questioning whether I was reading about a real person. Did Ezra Maas totally exist? If so, why hasn’t his disappearance made national headlines? Why hasn’t his family been shouting from the rooftops? What do they really have to hide? These were only a sample of the questions that formed in my mind as I devoured this book in two sittings.

Dan’s voice for a debut novel is charming making you trust him, even though there’s a nagging voice in the back of your head screaming don’t he’s lying. This is a major strength of his writing, and enables him to abuse your trust leading you down paths of drama, intrigue, and double bluffs that makes for an enjoyable thrill ride. Asking you to piece together the numerous clues he presents, and decipher the deeply layered story of the mysterious Ezra Maas. From the premature death of his brother which has a profound affect upon him, to Ezra been compared to geniuses such as Einstein and Mozart. Dan shows us both sides of Ezra. This allows Dan to have your undivided attention from the off as he takes you on a whistle stop tour of Europe and beyond. Making you sprint along the banks of the Seine in Paris to escape an unseen danger to Newcastle’s northern charm. He bares it all without reducing the quality of the plot.

This book bleeds uniqueness. I adored how it was written using many different methods to entice the reader from interview transcripts, diary entries, and James’s own personal notebook where he gives you previously unseen information on the enigma that is Ezra Maas. Including unseen photos and his last known location. These clues only help to feed your excitement further. As you get closer to your goal you begin to wonder could Ezra be an alternative personality for James. A persona he uses to escape from the struggles in his own life. This is what I mean by Dan blurring the lines of reality. Ezra feels real to me. I got lost in his world feeling as though I was talking to an old friend. It makes you wonder where does Ezra Maas end, and Dan James begin or vice versa.

This is a book that you could read countless times and it would still have you questioning your own sanity. I didn’t want it to end. Dan has captured the essence of what it truly means to be a gonzo writer exposing a character to the world that’s undeniably believable. Take a bow Mr James. You get 5 stars. I would give it more if I could. Simply incredible. Read it now it will blow your mind. Dan is the new Hunter S Thompson. I can’t wait to see what he produces next. A fresh new voice in the world of fiction.

I received a copy from the author in exchange for an honest review. This doesn’t affect my views.

 

 

Review of Shallow Creek from Storgy Books Written by Dan Stubbings

Review

After being such an avid reader of Storgy magazine. I was intrigued to discover what the crew of devilish dark minds that run the publication had in store for us from their annual short story competition. I am pleased to say they haven’t disappointed. Enabling readers to face their fears and go into a world entirely of their own making. The Storgy team challenged us to drip our toes into their eerie playground of Shallow Creek. A town with a past many hadn’t survived all we were given through the generous invite of the mysterious Mallum Colt was a character, a location, and a special item that had to be involved at some stage throughout your story.

This blank canvas of options has allowed for unique and original tales to be born. With writers constructing their haunting babies along the way. Diving far into this imaginary town in search of its hidden treasures. This collection is a masterpiece and does the world of story and imagination proud. So strap yourselves in while Uncle Dan tells you all about it.

Sometimes when I open a collection of short stories, I find myself reading out of order. This is usually due to several different reasons it maybe because a certain writer is present, and I have read their previous works and want to see if they have expanded on an existing world or character, or it could be something as simple as a title of a particular story catches my eye. However, with Shallow Creek I found myself glued from the first page to the last.

The reason why this was the case with Shallow Creek is because I experienced something that hasn’t happened since I read Interview with a Vampire for the first time. Every story ignited a fire within me that forced me to absorb every word, dissect every paragraph, and begin my own investigation into every plot twist as if I were an expert detective sent to close an unsolvable crime.

The beauty about this anthology is that even though it keeps a steady pace maintaining your interest throughout. You don’t feel as though you are missing any important details or discarding themes that may become significant later on. Ross, Tomek, and Tony the editors have done an incredible job of assembling this intertwined narrative that exposes us to all corners of Shallow Creek from Devil’s Gorge to the asylum. Introducing readers to a cast of charismatic characters that you hope to never meet in a dark alley by the time you finish your fingers are bleeding with excitement.

What makes this collection stand out in the never-ending sea that is the horror and supernatural genre is the themes that have been highlighted within the context of this spooky old town.

One story I couldn’t stop reading was Behind These Eyes by Alice Noel. A haunting story told through the eyes of multiple characters that centres around the illness dementia. However not all is as it seems and the story takes on a sinister twist. Alice opened an insight into the loneliness and terrifying world of dementia in a way that I haven’t encountered. Weaving threads of deception that make you question whether you ever truly know a person? By the time I finished my hands were shaking.

Arrowhead by Daniel Carpenter was another that stuck with me long after I had finished reading. Its my favourite story within the collection. For me it just has everything mysterious characters, intrigue, and that sense of mystery that allows it to transcend several dimensions of the horror genre. Told through the eyes of a dead-beat Lenny. We are taken into a world of addiction and obsession that gets under your skin. As more of the narrative was revealed you closed your eyes. I adored how Dan was able to fully submerge me into the world he had created in his mind. It was that one story that when I finished I had to reread it straight away just to revel in its mastery. Bravo Dan Bravo.

I am not going to discuss every story in the collection as I would be here all night. There is however one final gruesome tale I want you all to know about. A story called Backwards by Adrian J Walker. A murder investigation with an ending I didn’t see coming at all. To say I was afraid by what Adrian produced wouldn’t even begin to cover it. I will say this though whatever you do don’t read this one in the dark. It reminded me of a demonic cross between Jack Reacher meets the Walking Dead.

This collection has all the aspects that makes me love this genre. From creepy murder mysteries to abandoned shacks in the middle of nowhere. It has something for every reader of the weird and wonderful delving deep into the masters of collective narrative from Bram Stoker to Anne Rice. Yet at the same time creating a fresh perspective on what is achievable within the unexplored depths of the dark.

It receives five stars. Congratulations to all the writers you have constructed something totally unique. I adore Shallow Creek and hope to experience countless visits.

I received a copy from the publishers in exchange for an honest review this doesn’t affect my views.