Review of Nothing Else Remains by Robert Scragg Written by Dan Stubbings

Book Synopsis

When Max Brennan’s estranged father and then his own girlfriend go missing in quick succession, he turns to his old friend Detective Jake Porter for help. As Max is then attacked in his own home, Porter and his partner Nick Styles waste no time in investigating. But when their main suspect turns up dead, alongside a list of other targets, it seems the case is much bigger than it first appeared. With events spiraling, can Porter and Styles catch the killer before another victim is claimed?

My Review

Robert’s debut What Falls Between the Cracks was number five on my list of great reads in 2018. So, when I got an early copy of his new book from his publishers to review. Suffice to say my TBR pile went out the window, and Nothing Else Remains went straight to number one. Two sittings later after only putting the book down because I had to eat, sleep, and work I was breathless. This next chapter in the legacy of Porter and Styles is charming, stylish, and quite frankly a feast of crime writing goodness that you simply can’t resist sinking your teeth into. I know writers worry about second book syndrome, but Robert has nothing to worry about he has written a blinder. Nothing Else Remains is the type of book that got me into crime writing in the first place.

The reason I say this is because the writing is effortless. Every word of dialogue is hard-hitting driving the plot forward like a formula one driver navigating corners at speeds that make your teeth grit. As Robert presents us with a variety of plot twists, and character developments that make you become deeper involved with this lovable duo than you ever thought possible. However, what truly makes it reach new heights in my opinion compared to his debut What Falls Between the Cracks, a book that I absolutely adore is the progression of his writing style and what he chooses to focus on as a writer. Robert draws us in with not only murders, but a sinister abduction of his close friends’ wife that as the plot develops, we discover has more lays than meets the eye.

What I enjoyed most that was different from his debut was that Robert gave us multiple viewpoints on every crime that is committed. From Porter and Styles, the suspect, and the victim. This dynamic allows us as readers to better understand everybody’s motives for wanting to bring these crimes into focus, as well as holding an uncomfortable discovery for one of the characters that could change the whole complexion on what is to come. Yet even though these scenes are well written and keep you on the edge of your seat.

This wasn’t the main reason why I couldn’t put this book down or at times made me throw it against the wall. As I dived deeper into this book Robert began to expose aspects of Porter and Styles relationship, and personalities that we hadn’t encountered till now. From how Porter is dealing with his wife death, to how Styles is juggling his wife’s pregnancy and the pressures of work. Robert tears open wounds that make us begin to question can our duo stick together through their toughest case yet or will the strain of untold secrets take them to breaking point.

I adored how Robert drew out the secret between them right until the end, keeping you guessing as to where he was taking their relationship, and whether it was going to change for the better or worse. For me this story arc truly showed Robert’s skills as a writer. Creating an environment so that Porter and Styles made you feel every emotion possible. These scenes did exactly that. I laughed, I cried, I shouted, I thumped the air with joy. This duo has all the feels. I love them like brothers.

On another note I must mention his development of Evie Simmons. After she returns to the force a changed woman following her tragic incident. Robert descriptions of her internal demons as she struggles to come to terms with whether she is still up to the job, and not appearing weak in front of her colleagues, or her overbearing father who never approved of her joining the police makes for interesting reading, and gives a unique character perspective showing that even strong individuals have their vulnerabilities, making you wonder what could happen to Evie in the long term.

Robert has produced a crime novel that has absolutely everything strong character back stories, unique crimes, suspects, flashbacks to earlier time periods for all major characters, that help create a detailed insight into their struggles, and triumphs that flow seamlessly into the plot. I simply can’t speak highly enough of this book. I will say this however if it doesn’t win at least one award this year crime writing isn’t worth its salt. Its that good. Robert Scragg is a master storyteller and, in my opinion, will be one of the most talked about names in crime writing for years to come. I can’t wait for book three well done Robert another cracking read. Go out and buy it now you won’t regret it trust me. Five stars simply isn’t enough.

I receive a copy of this book from the publisher in return for an honest review. This doesn’t affect my views.

 

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Interview With Fantasy Author Shona Kinsella – A new female fantasy voice you should be reading. Interview carried by Dan Stubbings

Shona Kinsella is the author of Ashael Rising, Petra Macdonald and the Queen of the Fae. As well as monthly fantasy serial illustrated Joe Slucher. This interview was done over email. She is the first author I had the privilege of interviewing. I am honoured to have her on my blog introducing you all to her work. 

Ashael Rising Cover

DS: For readers who aren’t familiar with you as a writer or your works would you mind telling us a little about both please? As well as how we support your work?

SK: Hi, I’m Shona Kinsella and I’m a fantasy author. I have a few very different projects that you can read and support. I have a dark, Scottish fantasy novella out with Fox Spirit Books called Petra MacDonald and the Queen of the Fae. It doesn’t easily fit into a category of fantasy. It’s set on a small Scottish island in the modern day, but it involves travel to the realm of the Fae and uses a lot of Scottish folklore.

I also write an epic fantasy serial which is illustrated by the very talented artist Joe Slucher. Each month we release a chapter and an accompanying illustration. It tells the story of a young woman who sells her soul to a god in exchange for him saving her people but there’s a lot more to the bargain than she expected and the people around her are less than grateful for her help. You can check that out and support it at www.patreon.com/Miranyasoath

And finally (for the moment) my main work is an epic fantasy trilogy called The Vessel of KalaDene. The first novel, Ashael Rising, was published by Unbound in 2017. It’s about a stone age medicine woman who has to protect her people from soul-sucking invaders from another world. It’s about hope, and our relationships with each other and with the land we live in. It’s about doing the right thing, whatever the cost. You can buy that from Unbound or from most bookshops. The second in the series, Ashael Falling, is crowdfunding now and you can read an excerpt and pledge your support at http://www.unbound.com/books/ashael-falling

DS: Tell us about your writing process? Are you a plotter or are you a discovery writer?

SK: I am a discovery writer all the way. When I sat down to write Ashael Rising, I had one character and an image in my head and the entire trilogy rolled out from that. That’s often how it works for me, I start with a character and then I figure out what sort of world made that person and what sort of story fits them. The closest I’ve ever come to an outline is a page of bullet-points covering the main beats I want to hit with the story.

 

Petra e-cover

DS: What made you decide to go with Unbound? What freedoms has this allowed and what are some of the drawbacks?

SK: Unbound was set up by three guys who had worked in various aspects of publishing, and who felt that the industry was becoming more closed, harder for new voices to break into, harder to get published if you were trying to write something outside of the norm. They’re a publishing company and of course they want to make money, but first and foremost they want to publish books that they love. And they believe that readers should get a say in what books are made available.

I went to Unbound because I really respected their ethos. Crowdfunding with them serves two purposes – it removes a lot of the financial risk from them, allowing them to publish things which they believe are important, but which might not be a commercial success and it lets the author find their audience before the book is published. It lets reader and author connect in a way that’s really unusual and in some cases, it lets the reader play a part in the actual shaping of the book. I love that connection and think it’s really valuable to have.

Being published by Unbound let me keep a lot of creative freedom that I may not have had with a bigger publisher.

There aren’t many drawbacks, in my experience. Crowdfunding is hard but is very rewarding. I think for me the main drawback is that, as a smaller press, there’s really not much of a marketing budget, meaning that I have to do all of that myself and it’s not something I’m very good at. I do think it’s a valuable skill for me to learn though and I believe it will serve me well in the long run.

DS: What do you think makes a perfect fantasy novel and why?

SK: Characters. They don’t have to be perfect or even likeable, necessarily, but they do have to be engaging and well-rounded. I think that sometimes fantasy authors get so caught up in building a world that they forget what readers really care about is people. I want to read about interesting characters doing interesting things and no matter how brilliant the world building is, if I can’t connect with the characters, I’m not likely to enjoy the book.

DS: The world in which Ashael Rising happens is extremely vivid. Where did the idea for the world come from and can we except to see more in later novels?

SK: About eleven years ago, I had a dream in which I was a warrior fairy, warring against evil magicians and all these years later, I can still remember the final image from the dream. That image was the seed of Ashael Rising. Now, there are no warrior fairies in the book and almost nothing actually bears any resemblance to the dream but that was the start. So, I had that image and Ashael when I started writing the book. I have an interest in Palaeolithic human life and I’ve read a fair amount about that time period so that’s why Ashael’s people are stone age hunter gatherers.

You can definitely expect to see more of the world – and its peoples – throughout the second and third books as Ashael’s story expands to include the rest of KalaDene. I also have some vague ideas of maybe a later stand-alone book set on KalaDene many generations later.

DS: Your book moves away from the traditional fantasy hooks of parents and loved ones dying which is something I adored about this world. What made you decide that you wanted strong and caring guardian characters for Ashael?

SK: Technically, Ashael is an orphan so I guess it kind of falls into that trope, but she does have a mother-figure in Bhearra, and she has close ties to her friends and community. I wanted to tell a story about our connections to people and places and how those connections shape us. I think that in modern life, many people feel disconnected, unrooted, and I wanted to look at a life that offered something different from that narrative. Ashael may be the chosen one, but she can’t do anything to save her people alone. All of her strength comes from knowing who she is, understanding her place in the world and being lifted up by her relationships.

DS: Mythology and religion are deeply rooted within the world. The winged ones being a favourite of mine. How much of your mythology was influenced by world mythology, and how much research did you carry out?

SK: I have always had an interest in myth and folklore and I’ve been reading versions of it for as long as I can remember so I didn’t have to carry out a great deal of research since it’s all kind of seeped into my brain over the years. So, I would say that most of KalaDene’s mythology and religion is influenced by our world but in a more subconscious way.

It was important to me that the religion be deeply rooted. I think in many fantasy books the religion that’s worked out as part of the world building is what I think of as the orthodoxy – what the church or temple, or authorities of the world have ordained. I wanted to write about the orthopraxy – the religion that people live with, the daily rituals and mutterings to the gods and the way it actually touches their lives.

DS: Ashael Rising is book one of a planned trilogy, is that correct? Without giving to much away book one ended on abit of a cliff hanger. So, what can we except in book two? No spoilers please?

SK: Yes, Ashael Rising is book one of a planned trilogy. I plan to start writing book three in April and will hopefully have it finished by the end of the year. Ashael Falling, which is book two, sees Ashael settle into her new role and begin to come up with a plan to end the threat of the Zanthar on a more permanent basis. There’s a lot of travel in book two, opening up some more of KalaDene and getting to know some of the non-human peoples a bit more. Ashael faces a lot of hard times and book two is a bit darker than the first book. We also see a bit more of Zan and learn more about the culture of the Zanthar and the stakes for them.

DS: Which authors would you compare your writing style to? Which authors have influenced your writing career?

SK: Oh, that’s really tough to answer. It always feels arrogant for me to ever compare myself to other authors. My editor compared me to Raymond E Feist and Trudy Canavan in my editorial report for book one and that was a huge compliment. I feel that I’ve been influenced by Raymond E Feist as one of the earliest adult fantasy authors I read and one of my favourites over the years. Janny Wurts and LE Modesitt Jr have also influenced me. Probably many others in a less conscious way. I always look to Stephen King for how to write brilliant characters and Terry Pratchett for writing with multiple layers and George RR Martin for politics and political maneuvering.

DS: There has been an increase in female fantasy writers, and female protagonists’ novels produced in the last year. Some have been well received, and others have faced in my opinion unwarranted criticism. What do you feel has caused this increase and what more could be done to make women’s voices heard?

SK: I’m not sure if there’s been an increase in the novels published or if it’s been more of an increase in visibility. I think that there has been a huge amount of effort made by women in publishing to raise and support other female voices.

What more could be done? I don’t think that’s an easy question and I think it’s probably something that needs to be addressed at multiple levels. I think publishers need to look at their list and make sure that they’re including diverse voices – in every way, not just more female voices. We also need to hear more LGBTQ+ voices, more PoC voices, more non-western voices. But those books don’t just have to be published, they have to be marketed in such a way that the public will notice them.

I think booksellers have to look at where and how books are placed in the shops. I think readers need to push themselves to read outside their comfort zones (and I include myself as a reader in this). I think that men need to raise women’s voices and recommend books by diverse authors and about diverse protagonists. And I think we all need to be a bit less lazy when we make recommendations to others. I think we can generally assume that authors like Brandon Sanderson and George RR Martin have many ways of finding readers – we should be looking to recommend authors that get less press instead of falling back on the same five names over and over again.

DS: Inclusion and representation is a much-discussed topic at the moment in the arts. Do you as a writer feel pressurised to write diverse characters or do you see it as an opportunity to improve your understanding of a culture?

SK: I don’t feel pressurised at all to write diverse characters, but it is something I challenge myself to do. I believe that we, as a species, learn empathy by putting ourselves in someone else’s shoes and I want to do that as much as possible in my writing. I believe that everyone should get an opportunity to see themselves in stories, and not just as a side character.

It’s not so much that I see it as an opportunity to better understand a culture since, so far, I haven’t written anything based on a real-world culture. It’s more that I see including a variety of diverse characters in my work as an opportunity to improve my writing. I don’t want to find myself telling the same stories over and over again, which is what would happen if I didn’t write about diverse characters.

Thanks to Shona for doing the interview. It was a pleasure to have you on my blog. Why not check her out on Twitter: https://twitter.com/shona_kinsella and buy her books they are awesome.

 

 

 

Review of A Thousand Roads by John Robin Written by Dan Stubbings

Book Synopsis

Azzadul, the god-king, the Lord of Light revered by many. When the darkness corrupted him, he became the Dark Lord, feared the world over. His magic, once a gateway to immortality for his people, delved instead into horrors as he sought ever deeper levels of mastery. Children were stolen from their beds, coveted for his blood-rites. When he vanished, it all ended, and the people of the world tried to forget, to move on…

Jak Fuller has always wanted a home. An orphan born ten years after Azzadul’s disappearance, he has wandered far and wide, trying to forget the memory of a burning woman. When he comes to Fort Lasthall, on the outskirts of the Dark Lord’s former kingdom, he hopes to finally settle into a peaceful life. Instead, he finds himself unnaturally compelled by a dark, terrible voice, a voice that knows him, calls to him. A sense of destiny that fills him with fear.

New powers are rising in the dark places of the world. A master of fire-rites called Talamus the Red, arch-foe of Azzadul, seeks to enslave the world with a magic he has been developing for the many centuries of his life. Ready at last, there is only one weakness in his plan, an obstacle he is determined to remove: a boy, bound to an old magic that just might resurrect the power of Azzadul.

The very power bound to Jak, before he was even born…

My Review

Lately I have been looking to widen my reading tastes and discover new stories that haven’t been given a chance.  This has led me to some excellent self-published books that I have been able to review and add to my ideas for my own work. Therefore, I was thrilled to be asked to review John Robin’s A Thousand Roads.

A dark fantasy that forces you to completely rethink how an epic fantasy can be written. Now when I first opened the file from John and saw that his novel was 700 plus pages, I thought to myself what on earth have I let myself in for. However my doubts were soon cast aside as John takes you on a journey that I have rarely encountered within fantasy.

I will be honest though when I first started this complex and epic tale, I thought here we go again an orphan boy, lost gods, and ancient magic. Just another diluted Princess Bride mixed with some Lord of the Rings.  However, I couldn’t have been more wrong. John has been able to create such imaginative world-building, and complex characters that I found myself fully submerged within the story of the main protagonist Jak Fuller.

I wanted to know all aspects of his life. John allows us as readers to do just that. Taking us through every aspect of Jak’s life, from his late childhood when we first meet him entering Fort Last Hall as he moves from place to place with nothing more than the clothes on his back, and a wagon full of disregarded books all the way through to his damaged and scarred adulthood. This is for me is what is so compelling about this book. It moves away from the traditional fantasy narrative of only giving glimpses of a character’s formative years, and instead decides to dive into what Jak has been subjected to throughout his mysterious life. Allowing readers to experience his entire journey and discover why he is the way he is.

John’s talent as a writer truly shines through in these moments. His writing is detailed enough that it doesn’t overwhelm you but gives you just enough to build up an image in your mind of who Jak is and why he is central to everything. John does a fabulous job of slowly constructing Jak’s backstory. As well as introducing characters which will have a large impact upon him gradually. Enabling you to get to know them at your own pace which helps stop you having to check back to remember who they are, and why they have been added. You will find yourself wanting to encourage Jak, scream at him, and at times kill him. As he faced with several painful and hollowing choices.

This is one of the main themes throughout the narrative putting Jak in a position where he is forced to decide and face the consequences of his decision. As he tries to save his world from one of two evils. A powerful deity by the name of Talamus who wishes to enslave the world. There is only one way to stop him and Jak holds the key. However, to save the world from one monster Jak must enlist the help of an even greater one.

By the name of Azzadul. Azzadul vanished ten years however an ancient magic has restored his powers. Once known as the Lord of light his lust for power and immortality caused him to become corrupt and vicious destroying more than he rescued.  This choice however for me is more aimed at the reader as it begs the question as a human how many roads have you stared down in your life wondering which one to take? Wondering whether it will enhance your life for the better or worst and you hesitated or went straight ahead without regret. John does this throughout and I love it.

The chemistry between the two deities Azzadul and Talamus is electric, as they go back and forth to discover who will win this epic battle of wits. Some of the language used is so creative that I felt as those I was watching a Hollywood movie play out in my head. The imagery was so strong. As Jak is thrown in the middle of this mayhem you can’t help but fell in love with him but you will just have to read the book to find out why. This book ventures into dark territories and areas of society that is rarely given the light of day. However, John does it with a tenderness that forces you as a reader to evaluate everything you read with the critical eye of an expert detective. As you continue reading you will soon discover that nobody and I mean nobody can be trusted within A Thousand Roads.

This imaginative and dark fantasy will hold the attention of readers with its complex characters and well-constructed world. My only criticism would be that at times certain scenes were to long causing some of the tension built from previous chapters to be decreased. However, this should not stop people from picking up a copy as it is a highly enjoyable read. It receives 4.5 stars.

Thank you to Alicia Smock of Roll Out Reviews for making me aware of John’s work. Thanks to John for allowing me to review it and sending me a copy. This doesn’t affect my views.

 

Review of Return of the Mantra by Susie Williamson Written by Dan Stubbings

My Review-

I had the pleasure of meeting Susie at Fantasy Con this year in Chester and after a lovely chat about her book. I asked if I could review it for her. Suffice to say it made my Top 20 reads of 2018 finishing in thirteenth place. I cannot wait for the sequel to be released.

Considering when I was putting together my Top 20 I had read 120 books. Return of the Mantra blew me away the moment I opened it. Everything about it was fresh and new but at the same time weirdly familiar as if I had read the story before. Why I kept reading however, and didn’t throw the book against the wall after five minutes is because I loved how Susie was able to flip these familiarities on their head, and give me a whole new level of enjoyment.

I adored the protagonist Suni a strong young girl who is forced to face the harshness of her world after the sudden death of her mother. I have to admit when I first read this I thought here we go a young girl loses her family and has to save the world.  However I was in for a pleasant surprise, as Susie doesn’t do this taking Suni’s story in a direction I completely wasn’t expecting. Suni’s character arc is one of the best I have read this year in any fantasy. Susie’s writing shows that she has given alot of thought to the direction she wants to take Suni’s character exposing a number of vulnerabilities to the reader along the way. These include her attitude towards sexuality, her struggles with abandonment, and the complex relationship she has with her absent father. As the plot develops we see these character traits become more and more dominate as Suni is tested to the extreme in a land ravaged by a brutal ruler who has enslaved his people, and in their warped minds become a god himself. This forces Suni to go in search of Mantra a forgotten god that in her mother’s eyes is the one true guardian of their world.

A character that allows us to see the abuse of innocence in this unforgiving place is Wanda an orphan boy with the power to understand animals. Suni becomes a big sister to him as they go in search of this fairy-tale. This relationship was the one that pulled on my heart strings the most. As Suni fights to protect Wanda’s innocence she is torn because at the same time she must make him understand the true nature of this world and its cruelties. This is every parents nightmare and is a clear theme throughout the book. With each parental figure making their own mistakes along the way some facing worst consequences than others.  It’s a relationship that I hope has more of a central role in the sequel as it has all the feels.

This book has everything I look for within fantasy. Strong protagonists and antagonists, an equal split of genders, diversity, and story-lines that at times reflected a modern day Africa. This is a highly satisfying read with a well developed world, and magic system I cannot wait to see how it continues. Well done Susie 5 Stars.

I received a copy from the author in exchange for an honest review this doesn’t effect my views.

 

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About the Author- Susie Williamson

Susie grew up in the village of Scholes, Holmfirth, in West Yorkshire. She studied at the University of Sheffield and graduated with a BSc Honours in Chemistry, and a PGCE in Secondary School Science. In 1999 she travelled to the city of Omdurman in the Sudan, where she taught English as a Foreign Language. From there she moved to South Africa, where she taught Adult Basic Education and Training, primarily in a township in Kwazulu Natal.

On her return to the UK, she moved to Exeter in Devon, where her childhood passion for creative writing was reignited. Among a collection of varied jobs, including support work at a women’s refuge, she increasingly prioritised her time to write. Inspired by the landscapes of Africa, her passion for women’s equality and representation of diversity, and her love of fantasy books, she began weaving the twists and turns of her first novel.

She lives with her partner, Kate, close to the river Exe and a bike ride away from the sea. She enjoys being involved in community projects, and painting canvases to steadily fill the white-washed walls of her house. Her writing partner is her cat, Mia, who is currently assisting with two fantasy novels, sequels to Return of the Mantra.

Review Of Guess Who by Chris McGeorge Written by Dan Stubbings

Book Synopsis

ONE ROOM. FIVE SUSPECTS.
THREE HOURS TO FIND A KILLER.

GUESS WHO

A waitress. A cleaner. An actress. A lawyer. A student. Everyone is a suspect.

WHERE

In a locked room – with no escape, and no idea how they got there.

WHAT

In the bathtub, the body of a man they all knew. Someone murdered him. Someone in this room.

WHY

They have three hours to find out. Or they all die.

THE RULES ARE SIMPLE. THE GAME IS NOT

Review

Let me start this review off by saying this book took me by surprise from the moment I opened it to the final paragraph. The book opens with a young pupil finding his teacher hanging from the ceiling in his classroom. This begins a chain of events that will have you up until the early hours, as you race ahead to find out how a suicide of a teacher links into the main plot. It is one of the most intriguing subplots I had the pleasure of reading in recent crime fiction, and didn’t see the conclusion coming at all simply brilliant.

A large proportion of the book is spent in one room told through the eyes of Morgan Sheppard. A big time TV show host who is famous for solving crimes. However when he wakes up tied to a bed with five strangers staring at him and a dead body in the bathtub his detective skills are truly put to the test. Unfortunately for the others in the room, Morgan is suffering a deep trauma and isn’t dealing with it in the best way using drink and drugs to help him get by. As the plot develops this begins to have a greater impact upon him making you wonder will he solve it in time or will they all perish.

One of my main worries when reading the book was how will Chris be able to maintain the tension when such a massive amount of the action occurs in one room.  I should never of worried because at no point does Chris lose tension. In fact he was able to increase it to such a level that I felt I was in the room with them. Speaking the dialogue becoming the detective.

The main reason why I felt this was because of how every character is described to the reader. Making us either love them, hate them, or be not quite sure about them. I found that Chris’s way in presenting these details to us was unique, and allowed me to become more engaged with an assembled cast of characters then I have in a longtime within modern crime fiction. Chris has made sure all the characters have well developed backstories, which keeps you intrigued throughout taking you through multiple emotions from hate, anger, love, and sadness. A character which stuck with me to the end was Headphones. A shy claustrophobic girl who hardly speaks but when she does you listen because you find yourself yearning to discover what her role is within this complex plot. I fell in love with her. I am sure you will to.

Something I wasn’t expecting were the chapters told from the viewpoint of the antagonist. These chapters were some of my favourites as it allows the reader to tear back layers of their personality, and discover what has driven the antagonist to commit this crime.  I hope Chris uses this kind of viewpoint again in his future works, as it is a rarity in crime and something I greatly enjoyed.

Highly recommended 5 stars. An outstanding debut. I can’t wait to see what Chris produces next.

Review of Lancelot by Giles Kristian Written By Dan Stubbings

Book Synopsis

The legions of Rome are a fading memory. Enemies stalk the fringes of Britain. And Uther Pendragon is dying. Into this fractured and uncertain world the boy is cast, a refugee from fire, murder and betrayal. An outsider whose only companions are a hateful hawk and memories of the lost.

Yet he is gifted, and under the watchful eyes of Merlin and the Lady Nimue he will hone his talents and begin his journey to manhood. He will meet Guinevere, a wild, proud and beautiful girl, herself outcast because of her gift. And he will be dazzled by Arthur, a warrior who carries the hopes of a people like fire in the dark. But these are times of struggle and blood, when even friendship and love seem doomed to fail.

The gods are vanishing beyond the reach of dreams. Treachery and jealousy rule men’s hearts and the fate of Britain itself rests on a sword’s edge.
But the young renegade who left his home in Benoic with just a hunting bird and dreams of revenge is now a lord of war. He is a man loved and hated, admired and feared. A man forsaken but not forgotten. He is Lancelot.

Set in a 5th century Britain besieged by invading bands of Saxons and Franks, Irish and Picts, Giles Kristian’s epic new novel tells – in Lancelot’s own words – the story of the most revered yet reviled of all Arthur’s knights, the warrior who fought at his lord’s side – yet stole his wife. This is the story of the of one of the great figures of British myth and legend – a story ready to be re-imagined for our times.

My Review

After reading and watching countless material on the King Arthur legend. I was intrigued to see what new insight Giles Kristian would bring in his new release Lancelot. I am pleased to report that he hasn’t disappointed, breathing fresh air into a tale that is as old as the British Isles themselves.

The focus on Lancelot’s early life is what held my attention throughout this book. Giles has been able to write really interesting threads regarding Lancelot’s upbringing, and personality. Which gripped my attention in ways that I hadn’t encountered from previous works on Lancelot and Arthur.

This enabled me as a reader to reassess my previous conclusions about Lancelot, and explore his character with fresh eyes that forced me to see the man instead of the legend. I found this incredibly satisfying, and found myself becoming more emotionally invested in Lancelot as a character than I had previously when reading his legend. As the story progressed I was pleased to see Giles move away from the traditional narrative of Lancelot. His scandalous affair with Guinevere that destroyed his relationship with Arthur, and almost Camelot.

Instead Giles has chosen to examine sides of him that normally wouldn’t come into consideration. This change in narrative has allowed Giles to take us on a journey through Lancelot’s  tortured past. Giving the reader insight into his training, his relationship with his father, his time living with a certain individual called Merlin. As well as his nurturing of a hawk that he is grossly unprepared for.

Some highly emotional, and beautifully written scenes from Giles within the book occurred when Lancelot was developing his bond with the hawk. Training it to become a vicious friend who he could never be parted. Giles has a way of making even the most simple scene come to life, slowly drawing you in, making you lower your guard, before ripping apart your soul at a later date. When I finished I felt I had run five marathons back to back it is that intense.

Of course Arthur is mentioned. You couldn’t have one without the other. However even in the scenes with Arthur at no point do you get the feeling that he is the main focus. Giles keeps your mind firmly fixed on Lancelot. By creating more mystery within his character, making you wonder who truly was the man we know as Lancelot? And could he actually be real?

This enthralling book moves at a delicious pace hitting the reader with a buffet of sensory delights from vivid fight scenes, shipwrecks, and characters that burn into your soul.  You hear every clash of swords, smell the richness of the blood, taste the bitterness of the sea as it hits your lips, feel the pain and anguish that Lancelot goes through, and visualise the harshness of the land in which our characters walk.  The writing is food for the soul. It  seems to sing off the page, as you race to keep up, and discover how the boy became the legend in all his gory detail. This is a historical epic at its finest perfect for fans of Ben Kane, and Bernard Cornwell. 5 Stars.

I received a copy from the author for an honest review this doesn’t effect my views.

 

Review of my Book of the Year Dark Pines by Will Dean Written by Dan Stubbings

Book Synopsis

SEE NO EVIL

Eyes missing, two bodies lie deep in the forest near a remote Swedish town.

HEAR NO EVIL

Tuva Moodyson, a deaf reporter on a small-time local paper, is looking for the story that could make her career.

SPEAK NO EVIL

A web of secrets. And an unsolved murder from twenty years ago.

Can Tuva outwit the killer before she becomes the final victim? She’d like to think so. But first she must face her demons and venture far into the deep, dark woods if she wants to stand any chance of getting the hell out of small-time Gavrik.

Review

Ill admit when I first picked up Dark Pines, and saw that the protagonist was deaf. I thought here we go again. Another author who won’t have done research, resulting in a character that appears weak, which forces them to have to rely on others to feel part of their society, and makes them feel almost embarrassed to be disabled.

This kind of portrayal had become the norm for me when reading disabled characters in literacy or film. Where it appeared that writers had simply gone into a dark room, and produced these stereotypical characters without considering to consult disabled people. Which would have enabled them to get true opinions and find out if these characters they had written were accurate representations of how the disabled population saw themselves. Instead of simply allowing the writers to adhere to some kind of inclusion quota. This caused me to disengage with these characters as I became more frustrated over time as I felt they didn’t reflect me as an individual.

Therefore it was a breath of fresh air opening this book and discovering that Tuva the main protagonist is the complete opposite.  Quite frankly there isn’t enough words in the English language to tell you how much I adore Tuva Moodyson. I cried tears of joy, as I raced ahead to discover more about this bad-ass woman.  As Will had finally made me feel that a disabled character represented me in all their glory. Thank you Will.

At no point did he make Tuva weak or make her need anyone else to accomplish her goals. She is a fiercely independent woman who is proud of her disability, and never hides, or uses it for an excuse. I was punching the air with glee reading paragraph after paragraph saying this is me in female form. Will has done an incredible job of capturing what it truly means to be a modern day disabled person, other writers take note this is how we want to be written. Will absolutely nails it. He empowers Tuva in several ways she is a respected journalist, she lives independently, and has a vibrant sex life and drives a mean truck that seems to take on anything. I didn’t want the book to end. She is a character that stays with you. I haven’t been able to get her out my head since I finished this epic read.

Now if that isn’t enough to make you go out and buy this book on the spot. There is more to wet your appetite.

Will is like an award winning chef adding just the right amount of ingredients to make you devour this book in one sitting. From gory detailed murders, to a range of memorable characters. My favourite of which are a pair of mysterious wood carving sisters that I truly hope I never meet down a dark alley as they scare me to death. They are so creepy.

They are just one of several characters that help to create a fast paced narrative. That causes you as a reader to continuously question each characters motives, as Will moves you around his chessboard of murder and deceit you begin to wonder will Tuva figure it out in time, and live to see another day.

What further makes it standout is the setting. A dense, dark, Swedish forest that seems to come alive as each scene unfolds. Drawing Tuva deeper into its clutches, as she goes in search of what could be the connection between the murders of the present, and a set of murders known as the Medusa murders carried out many years previously. The connection being of course that all the corpses have their eyes carved out. I loved this signature of the murderer. I found it unique helping to build tension as you tried to uncover who would lose their eyes next.

This book has everything you look for in a crime novel. Atmospheric setting, an engaging and multi layer protagonist. Unique killings, well rounded subplots with satisfying conclusions. It has it all. I cant speak highly enough of this astonishing read. 5 stars isn’t enough it’s that good. All I can say is go out and buy it now. I love it.

Review of Tales from the Shadow Booth Volume 2 Edited By Dan Coxon Written by Dan Stubbings

Book Synopsis 

The booth juts at an angle from the sand, the canvas taut beneath the weight of the drifting dunes. Janet almost passes it by. But it’s the sign that snags her attention. Painted in rust-red onto three pieces of driftwood, the sun-bleached planks lashed together with lengths of twisted blond twine, it looks surprisingly fresh. Enter the Shadow Booth, it says, and you will never be the same again.
The Shadow Booth, a journal of weird and eerie fiction, returns for Volume 2! Drawing its inspiration from the likes of Thomas Ligotti and Robert Aickman, The Shadow Booth explores that dark, murky hinterland between mainstream horror and literary fiction.
Volume 2 contains new stories by: 

Chikodili Emelumadu
Dan Grace
Kirsty Logan
Johnny Mains
Ralph Robert Moore
Mark Morris
Gareth E. Rees
Giovanna Repetto
George Sandison
Anna Vaught
Aliya Whiteley

Enter the Shadow Booth, and you will never be the same again…
Review

This collection of dark and eerie tales from several contemporary and diverse writers is a readers dream. Once I started reading I couldn’t put it down. Every story has its own uniqueness that draws you in and forces you to keep reading with each one seeming to build upon the last.

Three stories from the collection that stood out for me were:

We Are the Disease by Gareth Rees. An eerie tale set abroad a ship trapped in the Arctic ice. As more crew members become effected by their isolation they begin to see and witness strange creatures and behaviours. Throughout the story Gareth had me on the edge of my seat making me wonder is this real, or is it the crew giving into their basic fears, which is making them create these sightings. Throughout the entire story your never quite sure what is the disease? Gareth’s voice and writing style is simply gripping. I could almost feel my fingers burning as I turned pages racing to finish.

The next was My Father’s Face by Giovanna Repetto. A tale about a man who has lost his memory and how he fights to get it back. As the story unfolds however we begin to question is this person trustworthy, and what are they hiding. It moves at a neck-breaking speed and makes you question everything you thought you knew about family. It was my favourite story in the collection. The voice is so unique. I want to read more by this author I loved it.

The final story was Feasting;Fasting by Anna Vaught. A story featuring elements of tradition horror and supernatural. A strange house, an unusual family, and a small village with a story to tell at no point does Anna give away who they are, what they are, and why they are there. She allows you as a reader to draw your own conclusions, and decide for yourself who these people are, and what their story is. It is a totally different take on the haunted house narrative.

This book has something for everyone. Unique writing styles, cultures, and author voices that make it stand out from the crowd. I would recommend it to anyone who enjoys the weird and wonderful. The three stories I selected are only glimpse of what awaits. Go and check it out. It gets four stars. It is a highly polished read.

I received a copy from the publisher for an honest review this doesn’t effect my views.

Review of City of Lies (A Poison War Novel) By Sam Hawke Written by Dan Stubbings

Book Synopsis 

I was seven years old the first time my uncle poisoned me… 

Outwardly, Jovan is the lifelong friend of the Chancellor’s charming, irresponsible Heir. Quiet. Forgettable. In secret, he’s a master of poisons and chemicals, trained to protect the Chancellor’s family from treachery. When the Chancellor succumbs to an unknown poison and an army lays siege to the city, Jovan and his sister Kalina must protect the Heir and save their city-state.

But treachery lurks in every corner, and the ancient spirits of the land are rising…and angry.

Review

Sam Hawke has been able to create a fantasy world, and plot that challenges the norms of the fantasy genre, and pushes the boundaries to great affect. As a reader I always look for originality in fantasy, as it can sometimes become bogged down in the same old plot lines, and characters. That are enjoyable however most of the time you can kind of predict their next move. However I couldn’t say this about Sam’s debut novel.

It has a delightful freshness and twists that you cannot predict. That ooze off every page with ease drawing you deeper into the world, city, and characters she has created. Her writing style has a uniqueness that you rarely see within the fantasy genre, and one I enjoyed immensely.

From the way she dip feeds information regarding the vast society within her imaginary world, to how much information she gives us on how its governed, and what poisons are at play. Her voice comes through, adding a insightful prose to the descriptions, and dialogue given to the main elements of characters and the world itself.

I also enjoyed the lack of a magic system within the narration. Due to the fact that at times I feel to much focus is given to how magic is used, and controlled within fantasy. However Sam didn’t need this to make her story fast paced and highly enjoyable.

I loved how every chapter opened up with a description of a new poison its symptoms, what it could do, and how it was administered.

At times I feared this would impact upon the tension within the story, as you believed someone was going to be affected by this new poison. However as I read on the poison fell into the background. As you hitched a ride on the coat tails of Jovan or Kalina the two main character viewpoints within the story.

I especially enjoyed how Sam chose to give us different narrations from what we are used to within fantasy. Enabling us to see the perspectives of the people tasked with protecting the heirs of their society, instead of an assassin who is tasked with killing them.

This bought with it beautifully detailed insights, and helped me warm to, and care about the characters deeper than I have in some recent fantasies I have read. Sam hits all the feels, and takes you on an emotional roller-coaster as you fight to understand what is happening.

The whole story takes places in one city however at no point does the scale of what Sam is trying to achieve feel small. In parts it reminded me of RJ Barker’s Wounded Kingdom Series. As readers are taken on a thrill ride of mystery and intrigue, asking you the constant question of whodunnit.

This is a brilliant genre mashup, and I look forward to seeing where this series goes. Also if the opening line to the book “I was seven years old the first time my uncle poisoned me”. Doesn’t grab your attention. Then quite frankly you need to give your head a shake. This book deserves to be huge. Go out and buy it well done Sam.

Extract from Right of Passage by Lee Jenkins Posted by Daniel Stubbings

Extract

I’m very pleased to share an extract from a new romance novel from author Lee Jenkins, Right of Passage. In it, we meet Chris and Miriam, an interracial couple in 1960s America fighting against racism, sexism and intolerance to showcase the transforming power of love.

 
I said, “I went to my sister’s house in Atlanta, and her family, and then to Florida to visit my mom and my other sister. It’s curious. I missed this place and couldn’t wait to get back.”

 
“Maybe to see Miriam.”

 
“Sure, but I mean this place, the job.”

 
“I know what you mean. You and she seem to like each other.”

 

“Is that what people think?”

 
“She likes you,” he said. I nodded. “A fine girl, Chris.”

 
“You talk to her often?”

 

“We talk, about music, things, just like you and I do.”
“I think sometimes she misses New York.”

 
“How’d it come about between the two of you, if you don’t mind my asking?”
I sort of squinched my shoulders. How could I even begin to try to talk about that?
“Were you thinking of it?” he persisted.

 
“Thinking of it?”

 
“Attraction, between the races.”

 
“I don’t know.”

 
“How’s it working out?”

 
“Like any relationship, I suppose.”

 
“But is it like any relationship?”

 
“Why not?” Let me hear, first, I thought, what his idea was of why it wasn’t like other relationships.

 
“There’s a difference, racial, ethnic, religious,” he said.

 
“Then there’s the pleasure in overcoming it.” That was true, and something that moved me immensely, and yet it was also completely irrelevant—or was it? I was silent as we each waited for the other to speak.

 
“I wish you well.”

 
I said, “You spoke of overcoming religious difference in your discussion of Yom Kippur in class.”

 

 
“I spoke of appreciating religious difference, to bring about an understanding and acceptance of difference, to live and let live.”

 
“I agree with that. But I guess I’d like to abolish that difference too.”

 
“Black and white, Jew and gentile will always be, and a thousand other differences.”

 
“I guess I’d like to mate them, you know, merge them, graft them into one homogeneous thing.” Probably I did not really know I felt this way until I found myself saying it. Even as I said it I knew he was right, that if we got rid of racial difference, for instance, and everybody looked alike, a new, different hierarchy of difference would be established, would emerge, for instance, people with bushy eyebrows vs. people with sparse ones.

 
“You’ve got your work cut out for you. Life is being ourselves, living our differences. How does she feel about this?”

 
“She doesn’t say.”

 
“She knows what it’s like to be different, if you know what I mean.”

 

 

“You know she’s multi-ethnic, right—her father is Yankee, English and French.”

 
“I imagined it.” His saying it made me wonder, though, what he had thought.
“How’s that for difference—the American way. You and I are different too, yet the same in basic ways; what people in their distinctions forget.”

 
“I understand you. You two are so interesting to look at. She’s a lovely girl. You’re a good-looking black man. But not just that. Probably I’m also talking about the impact you make. I know you. But it’s still arresting, startling, to see you.”

 
“Doesn’t it ever wear off?” I asked. Howard smiled, and I returned the smile. I continued, “We try not to notice. By ourselves, we almost never do, unless it’s a way to make ourselves happy about something.”

 
“Would you have children?”

 
“Sure we would.” Even she thought that, and wanted to bring it about. I imagined she thought, as I did, that they would be beautiful, the world a better place, I thought, and said.

 
“That’s one way to look at it. I came down here, I wanted to do something in that spirit, commitment in a worthy way, you know, to people, mutual respect.”

 
“Everybody respects you, appreciates you, what you do.”

 
“There’s love too, a need to give—I feel I should say that—in this world.” He went to change the record.
Lee Jenkins is a psychoanalyst and author. His novel, Right of Passage, is available from AEON books, priced at £12.99 in paperback. For more information see http://www.aeonbooks.co.uk/product/right-of-passage/40447/

Right of Passage tour