Review of Mageborn by Stephen Aryan Written by Daniel Stubbings

Book Synopsis

Thousands died when mages sundered the earth and split the sky.
It was a war that devastated entire kingdoms.
Now one man believes eradicating magic is the only way to ensure a lasting peace. He and his followers will do anything to achieve his goal – even if it means murdering every child born with the ability.

Review

A riveting tale of mystery, intrigue, and at times mind-blowing scale, is what Stephen Aryan delivers in the first of a brand series Mageborn. Set in the same world as his Age of Darkness trilogy, Stephen weaves a complex tale of character driven fantasy always leaving you wanting more. This book was one of my most anticipated releases of the year, and I am glad to say it hasn’t disappointed.

I love the world of Age of Darkness the magic system, characters, environments, and sensory detail stayed with me long after I had finished reading the books. This book adds further to this grand world, providing us with new storylines on characters we were only shown glimpses of in the previous series to peak our interest, as well as revealing some secrets on returning characters such as my favourites Balfruss and Eloise.

This story is set 10 years after the war has taken place after the Warlock was defeated. The mysterious Red Tower has returned run by the Grey Council of Balfruss, Eloise, and Garvey helping to train children who develop the ability to use the source the well of all magic in the world. However, all isn’t running smoothly with growing fear of magic increasing everyday due to the rallying cries of soldiers, under the guidance of the complex Habreel, and mysterious Akosh who is she really? Leading to chaos throughout the West, and other countries as seekers the gold mask wearing mages tasked by the Grey Council, and the Red Tower, to discover children with the gift are attacked. Leading to witch hunts resembling the Salem witch trials, and Medieval England which I couldn’t help noticing as an influence within this story, as the fear and paranoia increases throughout the narrative all magic is threatened. Forcing our characters to make some difficult choices how will it all end?

The story is told from several points of view, giving a wider insight into the world which Stephen has created and allows threads to flow more naturally enabling a fast pace to be maintained. Resulting in epic fight scenes, and snappy dialogue which doesn’t slow down as you frantically turn the page to keep up. Stephen really does put the epic in epic fantasy.

Some of the characters I enjoyed most were Wren a young girl who is from the strict country of Drassia. Where girls are expected to conform, and respect their elders, and when their ability to access the source develops are sent straight to the Red Tower and can’t return home. The reason why I found her to be such an intriguing character, is because at the beginning she is shy just wanting to learn, trying to fit in, and make friends, which she does in the shape of Tianne a sweet timid girl who never says a bad word about anybody, and Danolph who unbeknown to them holds a talent which could impact on them all. However, this all changes when she is attacked by the school bully, displaying a power over the source which causes other students to respect her, and poses questions what can she see within the source, and what does she do that others don’t? You can’t help but fall in love with her vulnerability, and her determination as the story progresses. Forcing her to make some decisions which impact upon her present and her future.

The other character which will draw me back for the next book is Munroe. A powerful battlemage who has a complicated past, and is extremely protective of her family her son Sam, and her mercenary husband Choss.  Choss is another character which Stephen has developed which has me wondering. what did he used to be? As well the way in which Stephen leaves his story in this first installment, tore at my emotions in a way I haven’t experienced with most support characters recently in my fantasy reads. I must know what happens next because trust me it is one hell of a cliff-hanger.

However, getting back to the Munroe the reason why I think she was the one character I raced ahead during the book, so I could read her chapters. Is because of her diversity. She isn’t like most females I read in fantasies. She is a badass with magic, and hot headed which we have seen a lot in fantasy, but what makes her standout in my eyes, is that Stephen has written her with a delicacy and vulnerability which draws you in and makes you follow his cleverly written clues about her hidden past, as well as highlighting her frustrations about her abilities, and trust issues as she goes on missions for the Red Tower. Leading us as readers down many paths asking us who will she discover, and what will she hide to protect what she loves? I loved her such a strong focal point.

This book poses many questions for further additions to this already widespread world. If you love your fantasy to have well structured magic systems, strong female and male characters, mysterious towers, and more subplots than you can count. Then pick up this book a powerful addition to the fantasy genre a 5 star read.

 

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Guest Post by Louise Dean Award Winning Author and Creator of Kritikme.com Posted by Daniel Stubbings

Offering advice on how to write and  information on her 90 day course read on:

The Five ‘fs’ that make great novels

As a writer I am known for my frank and darkly comic novels and have been writing for twenty years, but it’s only in the last few months that I’ve undertaken to examine my own process as part of the ‘apprenticeship’ I offer to novelists in my creative writing course at Kritikme.com. I took a close look at the mechanics of storytelling in classic literary novels and discovered that all longer form stories are tragedies and underpinning them are five elements that date back to Aristotle’s own study of the tragedy in his ‘Poetics.’ I have dubbed these the Five F’s.

Don’t get me wrong, I am not advocating to would-be writers the pre-fabrication of plot or rigorous and lengthy plotting. When it comes to ‘plot’ I’d rather you did not. Tools for plotting, spreadsheets and charts become an alternative to writing. You think you’re ‘writing’, but you’re not writing.

‘Now listen carefully; except in emergencies, when you are trying to manufacture a quick trick and make some easy money, you don’t really need a plot….’ Katherine Ann Porter.

The story of a novel is propelled by a major moral crisis. The idea for a great novel can best be phrased in a paradox. Try noting one down one today. It’s easy; the rub between two opposing ideas will give you the spark of a novel. Dying man learns to live. That was mine for my first novel Becoming Strangers which won a couple of prizes The Betty Trask and Le Prince Maurice and found itself on the Dublin International Literary and the Man Booker longlist too. So, put the kettle and grab a pen and write your paradox down on the back of an envelope.

As they won’t be happy until they’ve done one, I ask my Kritikme.com writers to prepare a plot and then I suggest they throw it away.

I don’t think I could bring myself to the white page every day if I knew for sure what would happen next. As I explain to my writers at the very outset, and no doubt they find it either rash or reprehensible – prepare yourself for something like a love affair. As you may know, these are finest when brief and intense. Stephen King recommends a season, or ninety days, as the perfect timing for an affair of the heart, which a novel most certainly is. He’s right. You need to change your ways and hunker down.

The structure of a novel is important, but it’s not as important as creating work that’s driven by the main character’s compulsion to avoid facing what he or she must face to grow and become a hero or heroine. So the structure must be relegated to the creation of material, ruthlessly. That’s the gambit, that’s the game changer.

‘The structure of a piece is often something that happens quite late. Normally you can only decide what to do with what you’ve got when you can see what it is that’s there.’ Hanif Kureishi

It’s the secret to novel success, but it’s terribly hard to stop yourself biting the nails of your writing hand, which is where the routine, rigour and group mentality come into their own. You’re being encouraged held to account and a word count.

Once your material has started to take life, the structure can be applied to it, helping you make sense of what you. It is only at the back end that we draw upon the Kritikme Five F’s tragedy which unfold sequentially in a longer story:

  1. Flaw. The situation which accommodates his or her fatal flaw or moral problem shows signs of no longer being tenable….it is shifting.
  2. False hope. Your hero or heroine’s remedy seems to succeed … but fails terribly causing them serious damage or a reversal of fortune.
  3. Flight. He or she runs from the situation and gets insight into their flaw, recognising their failing.
  4. Fury. In deep, he or she rages against the hell around them.
  5. Facing it. They emerge from the fight with deep acceptance of their mortal condition and reconciliation with their true universal nature, either in life or death.

A novel lives and dies on whether your hero or heroine lives or dies. The Five F’s will see them – and you – through and despatch us at the front door of a home truth; that our welcome on this earth is one which begs each us to be able to take leave with decency.

Anyone who would like to write a book can write a novel, so long as they read books. What’s more you can write a novel and hold down a day job. You should write it in ninety days without fussing over plot, and apply the Five F’s when your material is in your hands. Another old chestnut I’d like to roast is that this is a lonely, solo, undertaking requiring a dusty garret with a sulking cat. On the contrary, it’s good to write alone, but it’s better to write alone in great company and we can thank advances in technology for the virtual companionship afforded by a community like Kritikme for making that possible.

‘My novel took up the sweetest part of my mind and the rarest part of my imagination; it was like being in love and better. All day long when I was busy … I had my unfinished novel personified almost as a secret companion and accomplice following me like a shadow wherever I went, whatever I did.’ Muriel Spark.

Louise Dean is an award-winning author published by Penguin and Simon & Schuster and nominated for The Dublin International Literary Award, The Guardian First Book Prize, and the Man Booker Prize. She is the founder of Kritikme.com, an online creative writing course which teaches people how to write a novel in ninety days. You can get a 10% discount on this course by using the code MYNOVEL10 at the check-out.

Thank you to Book Publicist for getting me involved.km